Allihies is just about as remote a place as they come in Ireland !!
This Charcoal drawing shows just one of the pump houses at Allihies, county Cork. I think there are about 6 of them still standing around this small village.
It was In 1812 when life in Allihies changed utterly as a rich copper deposit was discovered in the area and the biggest copper mining enterprise in Ireland was established by the Puxley family .
The steam engine and pump house both pumped water out from the mine shafts and was used to lower the miners into and out-of the mine, some 250feet below the hill side. Its hard to imagine now the life these miners had , many did not live that long while doing this kind of work.
The Landscape around the mines is just wonderful with mountains facing the coastline of west cork, again its hard to image how the noise and smell of these pump houses change this location and the view of hundreds of miners returning home after a days work must have been something to see, they shared small homes in the village, mostly twenty of them shared the same small houses.
Soft words you spoken
From the heart that is broken
I know deep inside
You have a level of independence
With a mystery of suspense
You are recovering
Waiting for someone
To catch on to the discovering
Of the real you
With a heart so true
Giving of your best
Expecting nothing less
While hurt is making amends
Leaning on loving friends
Accounted for in time you spend
With words you write
Not giving into a broken hearts flight
Carrying others like me along
by Jodie Moore
Friday Charcoal and Pastel drawing
The lighthouse at Hookhead, county Wexford – Drawing using Charcoal and Pastel on a sheet of A2 cartridge paper.
I have wanted to include the hookhead lighthouse in drawing for sometime so today I used a photo taken about 6 years ago taken one February evening on a walk around the base of the lighthouse looking out to sea. It was late evening just after sunset and light had just just been turned on, a magical moment to be there.
The drawing today took about four hours to complete and is one of the drawing in the last week that I have enjoyed working on the most 🙂 …..
Kilkenny landscape art – Charcoal and Pastels on Paper – Winter trees
This is my second large scale drawing this week, worked on an A2 sheet of cartridge paper with the drawing itself being formatted to fit inside an A3 mounting card and frame.
I am really enjoying working with charcoal and pastels again, I feel that I could and most likely would be able to get more detail into each drawing if I used a set of pencils, high details for each landscape view however is not that much of a worry for me at the moment. The drawings I am working on at the moment are aimed at being Proprietary Artwork for later paintings.
I am learning all the time now about the possibilities of working with what is the very basic mediums of black charcoal and Pastel, the skills of blending and smoothing the charcoal on the paper, back into areas of grey. Drawing with both these mediums is very interesting, detail is possible but needs care to produce, each stage of the drawing needs fixing on the paper so that it is not smudged.
As with any drawing or painting when finished there are areas I like and areas I do not, here I loved working of the misty sky and the trees but found the foreground of the wet muddy field a challenge. I am happy overall and feel I have managed to work in lots of texture and levels of details hidden in the mud in the foreground and very happy with the blended sky.
I am not in all honesty yet looking for finished work as I want to keep learning as much as possible so the more I learn the better and the more that makes me have to look and think about a finished work the better. I am not finishing anything that I would not show to anyone so that is at least very pleasing.
This is the same drawing cropped down, I wonder if its better without the foreground area or better with it ?
If anyone wants to make a comment here – it would only help me 🙂 🙂
Kilkenny landscape – A Charcoal and Pastels on Paper
This week I plan to continued building up my painting and drawing skills, I will continue selected from my landscape photographs and selecting ones that I wfeel will make good Mono drawings and paintings.
This evening I have just finished the above Charcoal and Pastel landscape, its drawn on A2 paper but framed for A3 dimensions. This is a good size from drawing as I feel I can work freely with this size, letting the charcoal move openly. It lets me stand up above by drawing board and move the Charcoal and Pastels with fully movement of my arms.
Just like with my last post I plan next to work the same landscape view in Acrylic paints working with cool grey tones to capture the feeling of a cold grey day, just like the day that I captured the original black and white image on.
Kilkenny winters Landscape project Jan 2019
This is the complete set of images including the original photograph, then the Charcoal and Pencil drawing and Acrylic painting on canvas, from the set of county Kilkenny landscape in winter photos captured last week and that I have spent most of this week working on.
This is only the first set of images and I have a lot more work to do yet to produce final drawings and painting of both this single photo and then the full set of other images I want to use. I am happy with the results so far as this is the first none digital art work that I have worked on for a while.
The main thing at the moment is that I am enjoying the process very much, its taken a while to get my art desk setup again and to get all the materials in place but now this is done I can just get working and start having some fun getting creative.
This drawing uses Charcoal and Graphite pencils on paper to produce what I hope is a moody image of a winters morning over the local Kilkenny landscape.
This Painting was produced using greys mixed from Acrylic (Cerulean blue, Crimson, Yellow Ocha and titanuim white)to produces grades of Greys, some cool and some warmer.
I hope that this helps to set a feeling of winter in my local Kilkenny landscape, on what was a very cold and frosty morning in mid January 2019.
The view from Ballycuddihy – charcoal and graphite on paper
In my last post I uploaded some photos taken in the hills at Ballycuddihy county Kilkenny, I want to use these images and others as the source for a series of both drawings and acrylic paintings.
So over the weekend I started with a charcoal and graphite drawing. I like very much using these two drawing materials as I like to strip an image down into its monochrome tonal values before returning to repeating the painting in acrylic or oil paint and bring in colour paints. I plan this time however to paint these landscape views using acrylic paint, using black and white only, keeping the finished work to a maximum of ten grey scale values.
Here I have used the charcoal in both willow stick and compressed block form to produce a series of tonal values, using a brush to soften the charcoal into different grey values and tonal grades.The fine details in the drawing are created using graphite.
I am happy with the finished results considering that the drawing was completed within four hours, I have learnt many things here and will repeat this technique many time so that I keep getting to know much more about using charcoal and pencil together.
Art Courses 2019 – The art of colour mixing , Rod Moore
I have been into art and painting most of my life and you never stop needing to learn new areas or keep going back to basic and practice old ones, so at the start of this year I registered on a Udemy course run by Rod Moore (Rod Moore, Complete Colour mixing course for artists).
I started the course last week in the evenings and so far its very good, I like very much the structure of the courses run by Udemy as they are perfect for adult study allowing you to use your spare time to gain new skills.
Here are some of the basic colour mixing techniques I have covered so far…..
Creating a colour mixing wheel.
Here the colours provided in my watercolour palette are laid out on the very outside of the wheel, working inwards I have mixed the primary colours of Blue, Red and then Yellow to show the results of mixing primary colours.
Mixing Blue, Reds, Yellow and Greens.
Most sets of paints contain more than one type of Blue, Red, Yellow and green paints, so in the above images I have worked on taking all the paints in these groups one by one and mixing them with the other paints outside the selected group. The first image for example is using two versions of green, the second two versions of blue – then mixing these with all the other remaining colours.
This type of colour mixing produces some very interesting results and helps show just how different the results of mixing different Blues, Reds, Yellows and Greens with other colours can be.
Landscape colour mixing – wheel and chart.
As said above different available paints can fall into the basic descriptions of blues or yellows and reds, but are individually very different from each other, in the images above I have painted a colour wheel that uses more earth versions of these primary colours.
These versions of the Primary colours (Blue,Red and Yellow) when mixed help to produce results much more likely to be used in Landscape Painting, you can see that they results in a much more earthy looking colour wheel than one produced by more standard primary colours.
I have also produced a colour chart on the right hand side of this page that shows the same mixing results but in block of colour, the standard mixing chart is in the centre of the page and as you can see this produces a much more vivid set of resulting colours, ones much less suitable for landscape painting.
One thing I have noticed while working through these exercises is that watercolour paint does not mix very well compared to Acrylic or Oil paints, which both produce much better stronger results. Its harder to get watercolour to produce many different levels of the mixed colour and for these results to have much depth to them , so my next stage is to repeat all these exercises using artists acrylic paints.
So all in all I feel great about working with this course and had a very enjoyable time over the weekend, I am not intending to turn my blog into just Art and Painting so for now I will return to some photography but its be great fun sharing something different 🙂
A weekend in colour
This week I started an online course in colour mixing for watercolour and acrylic painting, so during this weekend I plan to spend as much time as possible learning colour theory.
I worked on the course in the evenings and have already used up a few pages of a new sketchbook, including the pages I have posted here.
I feel that one of the most important things I have learned so far, regardless of the type of paint used (Watercolour or Acrylic) is that I am getting to know them very well, how to mix the basic colours included in a sets of paints and what the results look like. Not all colours act the same even when used without mixing them, some colours produce very smooth results others produce a very grainy texture, some colours don’t seem to go into the paper or canvas very deeply others act more like a dye and the moment they touch a painting surface they stain and fix themselves in very quickly and most likely permanently.
The use of colours
When I first stated painting some years back, I would spend a large amount of time trying to match every single colour in a landscape I was painting, however I feel that since these days I have learnt that doing this is not only exhausting it also does not always produce a good painting. Colours can be used much more effectively when limited and balanced so that they are used to compliment each other. When colour is used to highlight areas in a painting or to soften other areas they can make some parts of a painting stand out and others while still included, fall into the background of the finished work.
It’s all these areas and more that I want to study and regain complete understanding again of both in practice and theory, I can then move onto producing colour sketches and full paintings again.
In order to produces all the colours you want to include in a painting you actually only need three , The primary colours (RED,YELLOW and BLUE), what does counts here however is the type of red, yellow or blue you start with in the first place as this will allow you to produces very different final results.
So this weekend I plan to uses as much paper as possible and produce a colour notebook that I can use during the year to help me when producing any paintings I start working on.
If I get time I will post on my progress but if not, I will on Monday post some results and my thoughts on what I worked on.