Spring, days lengthening and warming slowly
green shoots daffodils and gambolling lambs.
Summer, sunny and hot lazing in deckchairs
rambling roses blooming strawberries and cream.
Autumn, wind blustering with nights drawing in
dying leaves changing to red/gold before falling
Winter, cold and bringing frosts, snow, ice,
dark brown trees stark and bare animals hibernate.
Seasons whirling in a revolving cycle,
marking the endless passage of time.
I was once;
the Spring child
the Summer teenager
the Autumn adult,
now, I am approaching
the Winter of old age.
Oh, that I could go back and return
like the Seasons
to the Spring again.
The Mountain Horse
Its cold at dawn in the Great Divide
And the Dew lies thick on the mountainside,
The bite of the cold air nearly makes you choke
And breath from your nostrils like dragon smoke.
The saddles are on and the cinch is tight,
Bridles are buckled and a bit to bight,
The horsemen are ready to break the camp,
The mist still rising and the bush is all damp.
The mobs been found in a clearing up ahead,
They’re all wild horses and they’re mountain bred.
Bushes flying by lashing legs and sides,
There’s danger here now for anyone who rides.
An overhanging limb so bend down low
Around rocks and wombat holes we go
There’s a mighty log we’ll have to jump
Look out, look out avoid the stump.
The big bay stallion leads his harem through the creek
There’s no place here for faint hearted or the meek,
Their hooves are like thunder and stock whips are cracking
Horses are snorting and their courage is not lacking.
Down along the valley where he knows every stride
Down along the valley where the wings are stretching wide,
But it’s too late, he knows it now, there’s nowhere left to run,
He turns and rears up high, his fight has just begun.
Something about these mountains makes you want to stay
And a mountain horse’s spirit you cannot take away.
My mind wanders back to a day not long ago,
When the horsemen came and found my mob and I put on the show.
Charleigh Huston Dec 2015
‘Twas my spring of youth in that lot
That now haunts my mind by that spot
Of which I could not love less –
Of the lake’s Serenity gown,
With nature circled ’round.
But when Death hath reached its grasp
Upon Serenity’s water – poured into his flask,
The sadistic sagacious wind went by
Murmuring the funeral cry –
Then – I finally awake –
To the terrors of Serenity Lake.
Yet I persist that it was not fright!
Simply Death’s delight –
Fueled by the Void of Sorrow,
Pierced by Serenity’s arrow –
No! – This Love I must define!
The trip to the lake, of thee and thine.
O! – Death’s grasp laid in that voracious wave,
Enticing Serenity to be my eternal grave,
Upon that very fatal spot –
Where the two children rot.
For no soul shall ever make,
A Heaven out of Serenity Lake.
Spring On The River
By Archibald Lampman
O sun, shine hot on the river;
For the ice is turning an ashen hue,
And the still bright water is looking through,
And the myriad streams are greeting you
With a ballad of life to the giver,
From forest and field and sunny town,
Meeting and running and tripping down,
With laughter and song to the river.
Oh! the din on the boats by the river;
The barges are ringing while day avails,
With sound of hewing and hammering nails,
Planing and painting and swinging pails,
All day in their shrill endeavor;
For the waters brim over their wintry cup,
And the grinding ice is breaking up,
And we must away down the river.
Oh! the hum and the toil of the river;
The ridge of the rapid sprays and skips:
Loud and low by the water’s lips,
Tearing the wet pines into strips,
The saw mill is moaning ever.
The little grey sparrow skips and calls
On the rocks in the rain of the water falls,
And the logs are adrift in the river.
Oh! restlessly whirls the river;
The rivulets run and the cataract drones:
The spiders are flitting over the stones:
Summer winds float and the cedar moans;
And the eddies gleam and quiver.
O sun; shine hot, shine long and abide
In the glory and power of the summer tide
On the swift longing face of the river.
The Fisherman – Poem by William Butler Yeats
ALTHOUGH I can see him still.
The freckled man who goes
To a grey place on a hill
In grey Connemara clothes
At dawn to cast his flies,
It’s long since I began
To call up to the eyes
This wise and simple man.
All day I’d looked in the face
What I had hoped ‘twould be
To write for my own race
And the reality;
The living men that I hate,
The dead man that I loved,
The craven man in his seat,
The insolent unreproved,
And no knave brought to book
Who has won a drunken cheer,
The witty man and his joke
Aimed at the commonest ear,
The clever man who cries
The catch-cries of the clown,
The beating down of the wise
And great Art beaten down.
Maybe a twelvemonth since
Suddenly I began,
In scorn of this audience,
Imagining a man,
And his sun-freckled face,
And grey Connemara cloth,
Climbing up to a place
Where stone is dark under froth,
And the down-turn of his wrist
When the flies drop in the stream;
A man who does not exist,
A man who is but a dream;
And cried, ‘Before I am old
I shall have written him one
poem maybe as cold
And passionate as the dawn.’
William Butler Yeats
Valentia Island Lighthouse
Built on the site of a 17th century fort, Valentia Island Lighthouse on Cromwell Point has stood against sea and invader for hundreds of years. Now, this gleaming white lighthouse on beautiful Valentia Island looks out across some of the most spectacular sights along the Wild Atlantic Way.
There’s much to enjoy in a visit to this lighthouse. Take a tour of the lighthouse tower and balcony. Be blown away by the dramatic scenery and big weather! Soak up the stories and the science as you learn about the people and technology that have guided ships safely home from sea over the years.
Valentia Island Lighthouse offers a great day out: fascinating history, inspiring views and a unique insight into island life.
A quick history
Valentia Island Lighthouse sits on the site of the 17th century Cromwell Fleetwood Fort, which guarded against the threat of invaders right up to the 19th century. You can still see the cannons overlooking the harbour.
The lighthouse was designed by George Halpin Senior, one of the most famous civil engineers of the time. The light was first exhibited in 1841.
A lighthouse keeper lived with his family on site until 1947, when the lighthouse was automated.