By Alfred, Lord Tennyson
It little profits that an idle king,
By this still hearth, among these barren crags,
Matched with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.
I cannot rest from travel: I will drink
Life to the lees: All times I have enjoy’d
Greatly, have suffer’d greatly, both with those
That loved me, and alone, on shore, and when
Thro’ scudding drifts the rainy Hyades
Vext the dim sea: I am become a name;
For always roaming with a hungry heart
Much have I seen and known; cities of men
And manners, climates, councils, governments,
Myself not least, but honour’d of them all;
And drunk delight of battle with my peers,
Far on the ringing plains of windy Troy.
I am a part of all that I have met;
Yet all experience is an arch wherethro’
Gleams that untravell’d world whose margin fades
For ever and forever when I move.
How dull it is to pause, to make an end,
To rust unburnish’d, not to shine in use!
As tho’ to breathe were life! Life piled on life
Were all too little, and of one to me
Little remains: but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.
This is my son, mine own Telemachus,
To whom I leave the sceptre and the isle,—
Well-loved of me, discerning to fulfil
This labour, by slow prudence to make mild
A rugged people, and thro’ soft degrees
Subdue them to the useful and the good.
Most blameless is he, centred in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.
There lies the port; the vessel puffs her sail:
There gloom the dark, broad seas. My mariners,
Souls that have toil’d, and wrought, and thought with me—
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads—you and I are old;
Old age hath yet his honour and his toil;
Death closes all: but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks:
The long day wanes: the slow moon climbs: the deep
Moans round with many voices. Come, my friends,
it is not too late to seek a newer world.
Push off, and sitting well in order smite
The sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down:
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew.
Tho’ much is taken, much abides; and tho’
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
Emo Court is one of Ireland treasures and it is a location I have visited more than once over the years. Its a great place to visit on a weekend with its great walks through the wooded grounds along with a tour into the house and finally a visit to the cafe afterwards for a cake and a cup of tea ….
Emo Court House is a neo-classical mansion in County Laois that attracts visitors from all over the country and beyond. Designed by noted architect James Gandon, it features magnificent gardens and is located just 2.5 km from Emo village and 7 km from Portarlington Railway Station.
Designed in 1790 for the Earls of Portarlington, Emo Court House is a magnificent example of the neo-classical style. After some periods of lying empty, it was acquired by the Jesuits in the middle of the 20th century. Functional renovations were made to the estate before it was sold to Major Cholmeley Harrison, a former London stockbroker, in the 1960s.
Cholmeley Harrison’s vision was to restore Emo Court House to its former glory and today the results of his efforts are obvious. Leading London architect Sir Albert Richardson was commissioned to take on the restoration of the house which remained a private residence, though the public were encouraged to enjoy the gardens for a small entrance fee.
In 1994 Cholmeley Harrison presented Emo Court House to the people of Ireland, continuing to live there in private apartments until his death in 2008. Staff of the Office of Public Works (OPW) now care for the estate and preserve its stately elegance for modern visitors.
Visit Emo Court House to enjoy the beautiful gardens and parklands which were first laid out in the 18th century, containing formal lawns and a lake. Walks through the woodland are a popular way to explore the beautiful grounds.
The Cupcake Café at Emo Court House offers lunch and is open every day from 1 February to 31 October. From 1 November to 31 January it’s open on Saturdays and Sundays. Groups are welcomed at Emo Court House, but booking is required.
Emo Court A Gallery
This weekend on Saturday morning, 12th May 2018 and I achieved one of my cycling aims for 2018, cycling all the way up to what well could be the highest road (at some 333 meters) in county Kilkenny, in the Slieveardagh hills at Blanchfields bog, with its wind farm of Ballybay.
There are some stunning views of county Kilkenny and Tipperary from here and on Saturday the weather was perfect, It was just a great feeling after some weeks of lower level cycling, to get ready.
Mountain bluebells, Poem by Avetis Isahakian
Armenian Legends and Poems 
Mountain bluebells, weep with me,
And flowers in coloured crowds;
Weep, nightingale, on yonder tree,
Cool winds dropped from the clouds.
All dark around the earth and sky,
All lonely here I mourn.
My love is gone,–light of my eye;
I sob and weep forlorn.
Alas, no more he cares for me–
He left me unconsoled;
He pierced my heart, then cruelly
Left me in pain untold.
Ye mountain bluebells, weep with me,
And flowers in coloured crowds;
Weep, nightingale, on yonder tree,–
Cool winds dropped from the clouds.
Man and the Sea
Free man! the sea is to thee ever dear!
The sea is thy mirror, thou regardest thy soul
In its mighteous waves that unendingly roll,
And thy spirit is yet not a chasm less drear.
Thou delight’st to plunge deep in thine image down;
Thou tak’st it with eyes and with arms in embrace,
And at times thine own inward voice would’st efface
With the sound of its savage ungovernable moan.
You are both of you, sombre, secretive and deep:
Oh mortal, thy depths are foraye unexplored,
Oh sea — no one knoweth thy dazzling hoard,
You both are so jealous your secrets to keep!
And endless ages have wandered by,
Yet still without pity or mercy you fight,
So mighty in plunder and death your delight:
Oh wrestlers! so constant in enmity!
After the Winter
By Claude McKay
Some day, when trees have shed their leaves
And against the morning’s white
The shivering birds beneath the eaves
Have sheltered for the night,
We’ll turn our faces southward, love,
Toward the summer isle
Where bamboos spire the shafted grove
And wide-mouthed orchids smile.
And we will seek the quiet hill
Where towers the cotton tree,
And leaps the laughing crystal rill,
And works the droning bee.
And we will build a cottage there
Beside an open glade,
With black-ribbed blue-bells blowing near,
And ferns that never fade.
Dust and rubble settle at my feet,
A chaotic collapse
Inside myself that I could never
The foundations are shaken,
The cracks began to show,
And piece by piece
It all spectacularly fell apart,
Nothing to hold on to,
Nothing to steady myself with
As it all crashed and burned,
Leaving me surrounded by the ruins
Of a place that took years to build
And seconds to destroy.
LJ Chaplin Mar 2015
Film Friday, Irish landscape photography, Sally Gap, Wicklow Mountains, The drama of 35mm slide film
From all the possible 35mm films you could use for landscape photography, I feel that slide transparency film offered the most drama and colour depth to each shot you took. Clearly you still needed to me there at the time you found the best lighting and weather conditions but to myself there was no better film available that captured dramatic colours and tones.
This image was taken on a very moody evening, sometime back as I was walking alone the road of the Sally Gap….
Sally Gap, Wicklow Mountains
On the road to Sally Gap, there are spectacular views of the surrounding blanket bog and the Wicklow Mountains. Sally Gap is one of two east-to-west passes across the Wicklow Mountains. Sally Gaps is a cross-road that leads you North to Dublin, West to Blessington, South to Glendalough or East to Roundwood.
the Sally Gap got its road after the Irish rebellion of 1798. It was built by British Army forces looking to flush rebels from the hills, and to this day is known as the Military Road.
Whatever about giving the army a better view of the rebels, the Military Road certainly provides an enviable view of some of Ireland’s most filmed scenery.
Highlights of this winding, twisting feat of engineering include the Glencree valley, the dark waters of Lough Tay, Kippure Mountain and Glenmacnass Waterfall.
Two more unusual stops are Glencree’s Visitor Centre, originally built to house soldiers guarding the pass (and now a centre for Peace and Reconciliation), and the Glencree War Cemetery, a resting place for German soldiers who died in Ireland.