The old church yard at Killamery county Kilkenny is most famous for its highcross pictured here at the bottom of the post. The old church and grave yard however are just as interesting, the history of the area includes it being the location of a very large monastic site covering what would have been many large building now completely lost in time.
My sketch here I hope helps capture a sense of this wonderful place located on the boarder between county kilkenny and county Tipperary.
One of the location that I love to take both my camera and sketch book is Kells Priory, county Kilkenny. Its an amazing location to capture in many forms and I am very lucky to live only a few miles away. I have posted here on my blog about it many time, you can used the search box to find these post if you wish.
The above is a Pencil on Paper drawing I worked on from about two weeks ago and below is a photo taken earlier in the summer when there was many more visitors around the site.
The last few one hour sketches I have worked on, I worked in pencil and ink but yesterday I went back to pencil only, using a B, 2B and 5B pencil. The location was a great little church and graveyard in the towns lands of Whitechurch on the south Kilkenny boarder.
I really loved working with ink but wanted to get back to pencil, although the direction I feel that my drawing is going in I am working with mainly line and shapes so there is little difference as yet. With pencil however I like the fact that I can get more tone using different grades of graphite.
I feel the main things I learn during this drawing were, how much to actually include in the drawing from the view in front of me, how I feel I want to represent different organic items such a ivy and trees along with grass and weeds! I feel I got the size of the two grave stone over very well…
I feel happy with the finished sketch, feeling that overall I got across well using the medium the view that was in front of myself. The worked flowed very well with no need to stop during working yet I got a good sense of when to finally stop working and be happy that the drawing told the full story!
Last week here the weather in Ireland took a wet and showery turn, its starting to feel very close to the Autumn now. As such it was a little harder to finish each of the outdoor sketches that I started, If I have to stop a drawing I intend to return to the same location the next time I have a chance. However the sketch above is one that I did manage to finish, even this one was interrupted for some 15mins while I put everything back into my waterproof pack and waited for the rain to stop.
The location of this sketch is on the hillside just south of Clonmel and the river Suir, with a great view of the woods and its trees, looking towards the mountain of Slievenamon above, about a 10 min walk from the car park.
In the last two weeks or so I have started adding in some graphics pens to my work, I am finding that using these pens helps me keep freely flowing and moving as I work, I will return to just pencils at some point but am really enjoying the look and feel of the lines that these pens are adding. With Pencil I feel I end up with more stopping and starting during working as I think about tone and depth. light and dark, while this is great just for the moment I want to think about form and shape alone.
I am happy with this finished drawing, looking at it I wonder if I have overworked it just a little but I think for the moment I am happy. These are sketches and not final works, I am very happy , more happy if something is to be found in them that I can learn from and progress with.
Over the last few weeks I have been doing my best to find time each day to get outside and draw, Today I stopped at a local public Gardens that has some amazing paths, winding their way between some old trees. Its a great location that I hope to draw many times over the winter months.
Today as an exercise, I gave myself one hour to complete a sketch, using pencil and an ink pen on paper, in order to capture as best as I am able a sense of the path as it gets deeper into the trees along side it, as it does so the light falls dramatically.
I enjoy very much these one hour exercises, working quickly as possible yet as best as I can, I feel it is helping to build my ability to see whats in front of me and then how to use basic drawing tools represent this view on paper.
Christ of Saint John of the Cross, by Salvador Dalí 1951, Kelvingrove Art Gallery and Museum, Glasgow
At the start of May this year (2017) I visited the Kelvingrove Art Gallery and Museum in Glasgowm, there are many great works of art there, including a full collection of works by the Glasgow boys group of artists, I will share some of their paintings very soon.
One of the most famous works of art in the Gallery is “Christ of Saint John of the Cross, by Salvador Dalí painted in 1951”, the painting has its own viewing room with subdued lighting and a set of seats, so you can spend sometime viewing this amazing work of art by Dali. It was while in this room that I captured the above image of the painting.
There is something deep and spiritually moving about this painting even if your not a believer in its subject matter.
Here are some details :
Christ of Saint John of the Cross is a painting by Salvador Dalí made in 1951. It depicts Jesus Christ on the cross in a darkened sky floating over a body of water complete with a boat and fishermen. Although it is a depiction of the crucifixion, it is devoid of nails, blood, and a crown of thorns, because, according to Dalí, he was convinced by a dream that these features would mar his depiction of Christ. Also in a dream, the importance of depicting Christ in the extreme angle evident in the painting was revealed to him.
The painting is known as the Christ of Saint John of the Cross, because its design is based on a drawing by the 16th-century Spanish friar John of the Cross. The composition of Christ is also based on a triangle and circle (the triangle is formed by Christ’s arms; the circle is formed by Christ’s head). The triangle, since it has three sides, can be seen as a reference to the Trinity, and the circle may be an allusion to Platonic thought. The circle represents Unity: all things do exist in the “three” but in the four, merry they be.
On the bottom of his studies for the painting, Dalí explained its inspiration: “In the first place, in 1950, I had a ‘cosmic dream’ in which I saw this image in colour and which in my dream represented the ‘nucleus of the atom.’ This nucleus later took on a metaphysical sense; I considered it ‘the very unity of the universe,’ the Christ!”
In order to create the figure of Christ, Dalí had Hollywood stuntman Russell Saunders suspended from an overhead gantry, so he could see how the body would appear from the desired angle  and also envisage the pull of gravity on the human body. The depicted body of water is the bay of Port Lligat, Dalí’s residence at the time of the painting.
The painting and intellectual property rights were acquired for Glasgow Corporation in the early 1950s by Tom Honeyman, then the Director of Glasgow Museums. Honeyman bought the painting for £8,200, a price considered high at the time although it was less than the £12,000 catalogue price, and included the copyright, which has earned Glasgow Museums back the original cost many times over.
The purchase was controversial and a petition against it, arguing that the money should be spent on exhibition space for local artists, was presented to the City Council by students at Glasgow School of Art. The controversy caused Honeyman and Dalí to become friends, corresponding with each other for many years after the original acquisition.
The painting first went on display at the city’s Kelvingrove Art Gallery and Museum on 23 June 1952. In 1961 a visitor attacked the painting with a stone and tore the canvas with his hands. It was successfully restored over several months by conservators at Kelvingrove and returned to public display. In 1993, the painting was moved to the city’s St Mungo Museum of Religious Life and Art, but returned to Kelvingrove for its reopening in July 2006. It won a poll to decide Scotland’s favourite painting in 2006, with 29% of the vote.
It is said that the Spanish government offered £80 million ($127 million USD) for the painting.
This painting has continued to generate controversy. At the time of its purchase by Honeyman, the verdict by Modern Art critics was that producing such a traditional painting was a stunt by an artist already famous for his surrealist art. In 2009 The Guardian art critic, Jonathan Jones, described it as “kitsch and lurid,” but noted that the painting was “for better or worse, probably the most enduring vision of the crucifixion painted in the 20th century.”
In May 2013, in BBC Radio 4’s Great Lives, British poet John Cooper Clarke described this image as being utterly different from any other image of the crucifixion, as the angle of view conveys the hanging pain of this method of execution, whilst hiding the ordinarily clichéd facial expressions normally seen in such depictions.
Last weeks Holiday in Yorkshire was at times a true step back in time, as you can see here with the Keighley & Worth Valley Railway and our visit to Howarth, in the heart of Brontë Country we enjoyed an action packed first day out!
Keighley & Worth Valley Railway runs like a ribbon though Brontë Country, where you can expect to take in some of the most breath taking and famous landscapes in the world. A windswept land of heather and wild moors – it is hardly surprising that this area became the inspiration for the classic works of the Bronte sisters, Charlotte, Emily and Anne.
The Railway has appeared in many TV and film productions including Sherlock Holmes, Harry Potter and Where The Heart Is, A Touch Of Frost and many more. Perhaps most famously, the Railway, and in particular the charming station at Oakworth, were used as the location for the classic 1970 film The Railway Children.
If you get off the Train at Ingrow West station, you will be at the home to two award winning transport museums. You can Travel back in time at the The Ingrow Museum of Rail Travel, where restored carriages, vintage artifacts and sound and video presentations bring the past to life. The Ingrow Loco Museum boasts several locomotives as well as displays, exhibits and archive film. Both these location allow you to discover the long history that the UK has with its rail systems.
There are many special events that run throughout the year. You can get a Cream Tea . The old train lets discover the magic and glamour of the glorious days of steam-hauled, in beautiful surroundings. You can also join an annual Beer & Music Festival with over 120 real ales.
For those that like the great outdoors the railway has plenty of spectacular walks and nature trails. Every stop offers a walk, whether it’s a moorland walk or one of The Railway Children walks – you can try the Top Withens Walk, which takes you out of Haworth, the village where the Brontë sisters lived and wrote, along pathways they walked and through the moorland that inspired them.
At the start of April this year I promised myself that I would go and visit some Art Gallery’s and cultural museums one of these vists was to The Kelvingrove Art Gallery and Museum. The museum and art gallery in located in Glasgow, Scotland. It reopened in 2006 after a three-year refurbishment and since then has been one of Scotland’s most popular visitor attractions.
The gallery is located on Argyle Street, in the West End of the city, on the banks of the River Kelvin (opposite the architecturally similar Kelvin Hall, which was built in matching style in the 1920s, after the previous hall had been destroyed by fire). It is adjacent to Kelvingrove Park and is situated near the main campus of the University of Glasgow on Gilmorehill.
Floating Heads Installation by Sophie Cave
Just one of the many installations the Gallery has to offer is by Artist Sophie Cave …
If you Ever had that feeling that a hundred set of eyes are watching you then Sophie Cave sculptures turn the feeling into a reality!
The Floating Heads installation located in one of the open public areas in the Gallery, literally turn your head around the moment you first see this work. Sophie Cave has created over 50 sculptures of heads, each displaying different emotions including laughter and despair. The heads are completely white, but are lit so that their expressions are accentuated, which gives the installation a somewhat eerie feel. Since the installation is hung over the foyer, it is one of the first things youwill see when they enter the museum.
Its a great installation as it truly makes you stop and look at each of the heads as they slowly move around to face your direction, I relay enjoyed this work 🙂 🙂
Kelvingrove, Art Gallery, Glasgow