Though the little clouds ran southward still, the quiet autumnal
Cool of the late September evening
Seemed promising rain, rain, the change of the year, the angel
Of the sad forest.
A heron flew over with that remote ridiculous cry, “Quawk,” the cry
That seems to make silence more silent. A dozen
Flops of the wing, a drooping glide, at the end of the glide
The cry, and a dozen flops of the wing.
I watched him pass on the autumn-colored sky; beyond him
Jupiter shone for evening star.
The sea’s voice worked into my mood, I thought “No matter
What happens to men . . . the world’s well made though.”
Neil Munro (1864 – 1930) was born in Inveraray and worked as a journalist on various Scottish newspapers. He wrote a number of historical novels but is best known for his humorous stories about the fictional Clyde puffer the Vital Spark and her captain Para Handy, written under the pen name of Hugh Foulis.
Although Neil Munro didn’t emigrate any further than Glasgow, his background (his grandmother was from a Gaelic-speaking part of the Highlands) would have given him an insight into emigration and what it felt like to be an exile. This poem is written more from the perspective of someone who stayed behind.
Are you not weary in your distant places,
Far, far from Scotland of the mist and storm,
In drowsy airs, the sun-smite on your faces,
The days so long and warm?
When all around you lie the strange fields sleeping,
The dreary woods where no fond memories roam,
Do not your sad hearts over seas come leaping
To the highlands and the lowlands of your Home?
Wild cries the Winter, loud through all our valleys
The midnights roar, the grey noons echo back;
About the scalloped coasts the eager galleys
Beat for kind harbours from horizons black:
We tread the miry roads, the rain-drenched heather,
We are the men, we battle, we endure!
God’s pity for you people in your weather
Of swooning winds, calm seas, and skies demure!
Let torrents pour then, let the great winds rally,
Snow-silence fall, or lightning blast the pine;
That light of Home shines warmly in the valley,
And, exiled son of Scotland, it is thine.
Far have you wandered over seas of longing,
And now you drowse, and now you well may weep,
When all the recollections come a-thronging
Of this old country where your fathers sleep.
They sleep, but still the hearth is warmly glowing,
While the wild Winter blusters round their land:
That light of Home, the wind so bitter blowing
Look, look and listen, do you understand?
Love, strength, and tempest-oh, come back and share them!
Here is the cottage, here the open door;
Fond are our hearts although we do not bare them,
– They’re yours, and you are ours for evermore.
Viburnum Opulus Hedging
Guelder Rose, Viburnum opulus, is one of Britain’s most beautiful native shrubs and it makes a great hedging plant, typically in a mixed country hedge. It also make a fine ornamental shrub for any garden: in the wild, it is often found in dappled woodland shade, but it needs full sun to give you the best show of flowers. Guelder Rose bushes will grow pretty much anywhere, including shady sites under large trees and chalky soils. It prefers a moist soil and will tolerate periods of waterlogging.
Guelder Rose is good for hedges up to about 5 metres high.
Browse all of our other varieties of Viburnum trees & shrubs plants. Alternatively, view our selection of native hedging or see our full range of hedging plants.
Guelder Rose hedge plants are only delivered bareroot, during winter (Nov-March).
Choosing a size: When you are ordering Guelder Rose plants for a hedge, we suggest that you buy smaller plants if you are not in a rush. They are cheaper and easier to handle than large plants. They will also give you a bushy hedge with little effort.
Spacing Guelder Rose hedging:
Plant Guelder Rose at 3 plants per metre, 33cms apart.
You can also plant Guelder Rose at 5 plants per metre in a staggered double row, with 33 cms between each plant and 40cms between the rows.
The Guelder Rose makes an excellent mixed hedge plant, typically with hawthorn.
General description of Guelder Rose plants:
It has large, three lobed leaves that colour up in autumn with a jumble of tones that bleed together in a rough, rustic manner. The flowers are quite unique, with a ring of dainty little smooth star shaped flowers rising above bed of even smaller, bud-like blooms. The smaller flowers are the ones that ripen into blood red fruit, in time for the excellent red and yellow autumn colours.
History & uses of Viburnum opulus
The Guelder Rose isn’t a rose at all, it is closely related to the elderflowers. The name probably comes from the Dutch region of Gelderland. Guelder Rose berries were one of the secondary food sources that our ancestors would have depended upon in hard times. We don’t recommend eating them, as even slightly unripe fruit will cause stomach upsets, but if civilisation happens to collapse and you find yourself living in the woods, you could feed yourself by boiling up them up into a soup. Until then, we recommend leaving the berries for the birds.
Wind Turbine Poem
Our Wind Turbines
The propeller is always spinning,
Turning like the world.
With the wind it creates energy,
Makes a sound in motion.
It is environmentally friendly,
And the wind soars through the skies.
A source of power is at work,
And leaves a warm feeling inside.
Our turbine is very tall,
The wind blows in my face,
The sound the machine creates,
Will reach the furthest place.
It helps save parts of nature,
The sound rings loud and clear,
It keeps our land clean and neat,
Good energy is right here.
poet William Blake
#11 on top 500 poets
The Angel – Poem by William Blake
I dreamt a dream! What can it mean?
And that I was a maiden Queen
Guarded by an Angel mild:
Witless woe was ne’er beguiled!
And I wept both night and day,
And he wiped my tears away;
And I wept both day and night,
And hid from him my heart’s delight.
So he took his wings, and fled;
Then the morn blushed rosy red.
I dried my tears, and armed my fears
With ten-thousand shields and spears.
Soon my Angel came again;
I was armed, he came in vain;
For the time of youth was fled,
And grey hairs were on my head.
A Night in the Field
Jay Parini, 1948
I didn’t mean to stay so late
or lie there in the grass
all summer afternoon and thoughtless
as the kite of sun caught in the tree-limbs
and the crimson field began to burn,
then tilt way.
I hung on
handily as night lit up the sky’s black skull
and star-flakes fell as if forever—
fat white petals of a far-off flower
like manna on the plains.
A ripe moon lifted in the east,
its eye so focused,
knowing what I knew but had forgotten
of the only death I’ll ever really need
to keep me going.
Did I sleep to wake or wake to sleep?
I slipped in seams through many layers,
soil and subsoil, rooting
in the loamy depths of my creation,
where at last I almost felt at home.
But rose at dawn in rosy light,
beginning in the dew-sop long-haired grass,
having been taken, tossed,
having gone down, a blackened tooth
in sugary old gums, that ground
Those Images – Poem by William Butler Yeats
What if I bade you leave
The cavern of the mind?
There’s better exercise
In the sunlight and wind.
I never bade you go
To Moscow or to Rome.
Renounce that drudgery,
Call the Muses home.
Seek those images
That constitute the wild,
The lion and the virgin,
The harlot and the child.
Find in middle air
An eagle on the wing,
Recognise the five
That make the Muses sing.
William Butler Yeats
The Land of Beyond
Have you ever heard of the Land of Beyond,
That dream at the gates of the day?
Alluring it lies at the skirts of the skies,
And ever so far away;
Alluring it calls: O ye yoke of galls,
And ye of the trails overfond,
With saddle and pack, by paddle and track,
Let’s go to the Land of Beyond!
Have ever you stood where the silences brood,
And vast the horizons begin,
At the dawn of the day to behold far away
The goal you would strive for and win?
Yet ah! in the night when you gain to the height,
With the vast pool of heaven star-spawned,
Afar and agleam, like a valley of dream,
Still mocks you the Land of Beyond.
Thank God! there is always the Land of Beyond
For us who are true to the trail;
A vision to seek, a beckoning peak,
A fairness that never will fail;
A proud in our soul that mocks at a goal,
A manhood that irks at a bond,
And try how we will, unattainable still,
Behold it, our Land of Beyond!
Curracloe Beach in County Wexford is one of the most popular beaches in Ireland. Located 2KM away from Curracloe Village, this soft-sand beach is frequented by sunbathers and nature-lovers alike.
During the summer months, you’ll find that the area is bustling with life, as holidaymakers leave their home counties to take up residence in the holiday homes, campsites, hotels and B&Bs that surround the area. Later on, during the autumn and winter months, Curracloe Beach and its nearby forest become a hot spot for dog-walkers, joggers and anyone else in pursuit of a peaceful stroll.
The area itself is suitable for bathing, as it has a Blue Flag certification. This certification, which is awarded by the Foundation for Environmental Education (FEE), serves as a notice to beach-goers that the area and its surrounding waters have lived up to a number of strict regulatory standards.
Its 7-mile-long beach is famous for its soft and fine sand, which puts it in contrast with many of the stony beaches that you will find around Ireland. The beach is guarded by a number of large and sprawling dunes, all of which are held together and stabilised by a seemingly-endless blanket of green marram grass. During the warmer months, these sand dunes prove to be extremely popular amongst visitors, many of whom will not pass up the opportunity to roll down them.
Curracloe Strand, Ballinesker, was used for the filming of the D-Day sequence in Saving Private Ryan, due to similarity to Omaha Beach in Normandy. Filming began June 27, 1997, and lasted for two months. The village of Curracloe lacked 3-phase electricity but when the film company decided to film there, it was connected.
Curracloe Strand was also used for the Irish beach scene in the movie Brooklyn.