Connemara, Co. Galway
Mary O’Malley is truly the person who has written Connemara, her writing laced with the fierce beauty of the landscape, and the sounds of the sea. In ‘Porpoises’ she sends our minds out to sea from the most westerly point of the county:
The sky is close.
Out from the once manned rock
White electric light
Arcs over the Water
Difficult not to agree with her when she states that the sea is “just the place from which all things make sense”.
Pierce Hutchinson, also writing on Connemara, said:
There are chinks between
the neat stones to let the wind through safe,
You can see the blue sun through them.
But coming eastward in the same county,
the walls grow higher, dark grey;
an ugly grey. And the chinks disappear:
through those walls you can see nothing.
Perhaps our poetic landscapes remind us of that – to keep our hearts alert for experiences of water, wind and wonder.
Robert Frost, 1874 – 1963
I dwell in a lonely house I know
That vanished many a summer ago,
And left no trace but the cellar walls,
And a cellar in which the daylight falls
And the purple-stemmed wild raspberries grow.
O’er ruined fences the grape-vines shield
The woods come back to the mowing field;
The orchard tree has grown one copse
Of new wood and old where the woodpecker chops;
The footpath down to the well is healed.
I dwell with a strangely aching heart
In that vanished abode there far apart
On that disused and forgotten road
That has no dust-bath now for the toad.
Night comes; the black bats tumble and dart;
The whippoorwill is coming to shout
And hush and cluck and flutter about:
I hear him begin far enough away
Full many a time to say his say
Before he arrives to say it out.
It is under the small, dim, summer star.
I know not who these mute folk are
Who share the unlit place with me—
Those stones out under the low-limbed tree
Doubtless bear names that the mosses mar.
They are tireless folk, but slow and sad—
Though two, close-keeping, are lass and lad,—
With none among them that ever sings,
And yet, in view of how many things,
As sweet companions as might be had
One need not be a chamber to be haunted,
One need not be a house;
The brain has corridors surpassing
Far safer, of a midnight meeting
Than an interior confronting
That whiter host.
Far safer through an Abbey gallop,
The stones achase,
Than, moonless, one’s own self encounter
In lonesome place.
Ourself, behind ourself concealed,
Should startle most;
Assassin, hid in our apartment,
Be horror’s least.
The prudent carries a revolver,
He bolts the door,
O’erlooking a superior spectre
The Ocean Shipwreck
Lord Byron (1788–1824)
(From Don Juan)
’T WAS twilight, for the sunless day went down
Over the waste of waters; like a veil,
Which, if withdrawn, would but disclose the frown
Of one who hates us, so the night was shown,
And grimly darkled o’er their faces pale,
And hopeless eyes, which o’er the deep alone
Gazed dim and desolate; twelve days had Fear
Been their familiar, and now Death was here.
* * * * *
At half past eight o’clock, booms, hencoops, spars,
And all things, for a chance, had been cast loose,
That still could keep afloat the struggling tars,
For yet they strove, although of no great use:
There was no light in heaven but a few stars;
The boats put off o’ercrowded with their crews;
She gave a heel, and then a lurch to port,
And, going down head-foremost,—sunk, in short.
Then rose from sea to sky the wild farewell!
Then shrieked the timid, and stood still the brave;
Then some leaped overboard with dreadful yell,
As eager to anticipate their grave;
And the sea yawned around her like a hell,
And down she sucked with her the whirling wave,
Like one who grapples with his enemy,
And strives to strangle him before he die.
And first one universal shriek there rushed,
Louder than the loud ocean, like a crash
Of echoing thunder; and then all was hushed,
Save the wild wind and the remorseless dash
Of billows; but at intervals there gushed,
Accompanied with a convulsive splash,
A solitary shriek—the bubbling cry
Of some strong swimmer in his agony.
Freedom of the Hills
By: Douglas Fraser – 1968
Mine is the freedom of the tranquil hills
When vagrant breezes bend the sinewy grass,
While sunshine on the widespread landscape spills
And light as down the fleet cloud-shadowed pass.
Mine, still, that freedom when the storm-clouds race,
Cracking their whips against defiant crags
And mists swirl boiling up from inky space
To vanish on the instant, torn to rags.
When winter grips the mountains in a vice,
Silently stifling with its pall of snow,
Checking the streams, draping the rocks in ice,
Still to their mantled summits I would go.
Sun-drenched, I sense the message they impart;
Storm-lashed, I hear it sing through every vein;
Among the snows it whispers to my heart
“Here is your freedom. Taste – and come again.”
Happy Burns night to everyone who would like the celibate the life and works of this great Scottish poet and Artists.
The following images are from a visit I made last year to his birthplace Museum located in the town of Ayr, Alloway, Scotland
Once again Happy Burns night !!!
Robert Burns Birthplace Museum offers a truly unique encounter with Scotland’s favourite son.
The museum comprises the famous Burns Cottage where the poet was born, the historic landmarks where he set his greatest work, the elegant monument and gardens created in his honour and a modern museum housing the world’s most important collection of his life and works.
The images below I feel show the life that this young poet lived and include the small rooms that he grew up in with his brother and sisters ( Analella, Gilbert and Agnes Burn), the display of the bed they shared and their bed clothes, I felt was just brilliant.