Capturing the world with Photography, Painting and Drawing

Forgotten places

Ireland’s Historic Buildings : Pearse’s Cottage (Teach an Phiarsaigh),Rosmuc, County Galway

Patrick Henry Pearse (also known as Pádraig or Pádraic Pearse; Irish: Pádraig Anraí Mac Piarais; An Piarsach) was born in Dublin on the 10th of November 1879 and he died in Kilmainham Gaol(Jail), county Dublin on the 3rd of May 1916. He was primarily an Irish teacher but was also a great barrister, poet, writer and original Irish nationalist. He was one of the leaders of the Easter Rising in 1916. Following his execution along with fifteen others, Pearse came to be seen by many as the embodiment of the rebellion.

Patrick Pearse’s Cottage at Ros Muc, county Galway in the heart of the Conamara Gaeltacht, ( an Irish speaking and strongly Irish cultural area) was used by Patrick Pearse (1879 – 1916), while he spent time teaching and marking students papers.

The cottage and its interior, although burned during the War of Independence, has been perfectly reconstructed and contains an exhibition and a number of momentous of Pearse’s life.

The cottage was Pearse’s summer residence between 1903 and 1915. It was also as a summer school for his pupils from St Enda’s in Dublin where he worked during the main Academic year.

The historic cottage, has been developed as a national monument and tourist attraction as part of the 1916 centenary commemorations; and is a key ‘discovery point’ on the Wild Atlantic Way route.

I was lucky enough to visit the cottage last week and enjoyed my time here very much, the staff helped greatly when it came to understanding the life of this great Irish man and his time spent here.

If your in county Galway, you just have to call in and spend some valuable time here !

Pearse’s Cottage (Teach an Phiarsaigh), County Galway, Gallery


Kilcooley Abbey, County Tipperary. The silence of the Abbey in the field.

Kilcooley abbey is located near the town of Thurles in county Tipperary, it was founded by the Cistercians in 1182AD when the lands were granted to them by Donal Mor O’Brien. It became one of the three great Abbeys in the local area, the other two being Jerpoint and Holy Cross.

It would have been in use at least until the dissolution of Abbeys in the 1500’s and it now sits hidden away on the lands of the Kilcooley estate.

I always love visiting this abbey as its one of the most peaceful of places you could wish of, surrounded by woodlands and farms, very little sound from the modern world penetrates the field its located in. As such you can sense the times when this abbey was first lived in and used on a daily basis as a refuge and place of worship for the Cistercian monks who would have lived here.

If there are such things a Ghosts then how could they not be found still living within and around the grounds of this great Abbey.


Ghost House in the Irish landscape, Poem by Robert Frost, 1874 – 1963

Ghost House
Robert Frost, 1874 – 1963

I dwell in a lonely house I know
That vanished many a summer ago,
And left no trace but the cellar walls,
And a cellar in which the daylight falls
And the purple-stemmed wild raspberries grow.

O’er ruined fences the grape-vines shield
The woods come back to the mowing field;
The orchard tree has grown one copse
Of new wood and old where the woodpecker chops;
The footpath down to the well is healed.

I dwell with a strangely aching heart
In that vanished abode there far apart
On that disused and forgotten road
That has no dust-bath now for the toad.
Night comes; the black bats tumble and dart;

The whippoorwill is coming to shout
And hush and cluck and flutter about:
I hear him begin far enough away
Full many a time to say his say
Before he arrives to say it out.

It is under the small, dim, summer star.
I know not who these mute folk are
Who share the unlit place with me—
Those stones out under the low-limbed tree
Doubtless bear names that the mosses mar.

They are tireless folk, but slow and sad—
Though two, close-keeping, are lass and lad,—
With none among them that ever sings,
And yet, in view of how many things,
As sweet companions as might be had


Time and Eternity By : Emily Dickenson, (1896)

Tintern Abbey
County Wexford
Irish Landscapes
Nigel Borrington 2018

One need not be a chamber to be haunted,
One need not be a house;
The brain has corridors surpassing
Material place.

Far safer, of a midnight meeting
External ghost,
Than an interior confronting
That whiter host.

Far safer through an Abbey gallop,
The stones achase,
Than, moonless, one’s own self encounter
In lonesome place.

Ourself, behind ourself concealed,
Should startle most;
Assassin, hid in our apartment,
Be horror’s least.

The prudent carries a revolver,
He bolts the door,
O’erlooking a superior spectre
More near.


Cutting Turf , Irish landscape History

Irish Bog lands and Turf cutting
Irish landscapes
Nigel Borrington

On Wednesday I posted some picture showing the results of a Wildfire on the bog lands of Littleton in country Tipperary, having done so I just wanted to share some more images from another Bog land in county Waterford and share some of the history of these amazing places along with some details about the history of turf cutting in Ireland.

The Irish tradition of turf cutting

In the past, Irish people heated their homes and cooked their food using turf taken from from the bog as fuel. Turf was cut from the bog by hand, using a two-sided spade called a sleán. Entire families often helped to save the turf on the bog.

Saving the turf involved turning each sod of turf to ensure the sun and wind could help in the drying process. The turf was then placed upright or ‘footed’ for further drying. Footing the turf was a back-breaking job and involved placing five or six sods of turf upright and leaning against each other. Finally, the turf was brought home and stored in sheds or ricks.

In the midlands and the West of Ireland, the tradition of using turf or peat as fuel has continued in many homes.The turf is mainly cut by machine nowadays, but saving the turf still involves lots of work and requires good weather.


Images from County Kilkenny : Kells Priory in black and white


Film Friday, Swanage Steam Railway – Traveling back to the 1940’s

Swanage Steam railway
Nikon FM2n
Nigel Borrington 2018

These images are all taken using a Nikon FM2n, loaded with Ilford XP2 Super black and white film. I used a black and white film on the day I visited the wonderful Swanage steam railway project as I felt it was perfect to capture the atmosphere of a 1940’s experience.

Sometimes when your out for the day with a camera, its the experience of finding subjects that’s the most enjoyable part of the day, on this day however it was the enjoyment of taking a trip into the past and enjoying the feeling that you had slipped back into the countryside of the 1940’s, taking these images was just a process of recording the moments.

Here is a small introduction to this great project.

Welcome to Swanage Railway

The Swanage Railway offers a more intensive heritage steam and diesel timetable train service than virtually any other preserved railway.

Steam and diesel galas, Family events plus regular Evening Dining and Sunday Lunch services complement themed events such as our highly popular Santa Special trains during the run up to Christmas.

Our award-winning standard gauge preserved steam railway is located in Dorset with easy access from neighbouring Hampshire and the South of England. Visitors can experience a unique journey through six miles of beautiful scenery passing the magnificent ruins of Corfe Castle, travelling down to the blue flag beach at Swanage.

You can even drive and fire your own steam train thanks to our one-hour footplate taster experiences

Swanage Steam railway a Film Gallery


5 Images for the Week , Wednesday _ All that remains

All that remains
Wed 21th Feb 2018
County Kilkenny
Nigel Borrington


Elegy Written in a Country Churchyard By Thomas Gray

Coolagh old church county Kilkenny Ireland Nigel Borrington 2018

Elegy Written in a Country Churchyard
By Thomas Gray

The curfew tolls the knell of parting day,
The lowing herd wind slowly o’er the lea,
The plowman homeward plods his weary way,
And leaves the world to darkness and to me.

Now fades the glimm’ring landscape on the sight,
And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
And drowsy tinklings lull the distant folds;

Save that from yonder ivy-mantled tow’r
The moping owl does to the moon complain
Of such, as wand’ring near her secret bow’r,
Molest her ancient solitary reign.

Beneath those rugged elms, that yew-tree’s shade,
Where heaves the turf in many a mould’ring heap,
Each in his narrow cell for ever laid,
The rude forefathers of the hamlet sleep.

The breezy call of incense-breathing Morn,
The swallow twitt’ring from the straw-built shed,
The cock’s shrill clarion, or the echoing horn,
No more shall rouse them from their lowly bed.

For them no more the blazing hearth shall burn,
Or busy housewife ply her evening care:
No children run to lisp their sire’s return,
Or climb his knees the envied kiss to share.

Oft did the harvest to their sickle yield,
Their furrow oft the stubborn glebe has broke;
How jocund did they drive their team afield!
How bow’d the woods beneath their sturdy stroke!

Let not Ambition mock their useful toil,
Their homely joys, and destiny obscure;
Nor Grandeur hear with a disdainful smile
The short and simple annals of the poor.

The boast of heraldry, the pomp of pow’r,
And all that beauty, all that wealth e’er gave,
Awaits alike th’ inevitable hour.
The paths of glory lead but to the grave.

Nor you, ye proud, impute to these the fault,
If Mem’ry o’er their tomb no trophies raise,
Where thro’ the long-drawn aisle and fretted vault
The pealing anthem swells the note of praise.

Can storied urn or animated bust
Back to its mansion call the fleeting breath?
Can Honour’s voice provoke the silent dust,
Or Flatt’ry soothe the dull cold ear of Death?

Perhaps in this neglected spot is laid
Some heart once pregnant with celestial fire;
Hands, that the rod of empire might have sway’d,
Or wak’d to ecstasy the living lyre.

But Knowledge to their eyes her ample page
Rich with the spoils of time did ne’er unroll;
Chill Penury repress’d their noble rage,
And froze the genial current of the soul.

Full many a gem of purest ray serene,
The dark unfathom’d caves of ocean bear:
Full many a flow’r is born to blush unseen,
And waste its sweetness on the desert air.

Some village-Hampden, that with dauntless breast
The little tyrant of his fields withstood;
Some mute inglorious Milton here may rest,
Some Cromwell guiltless of his country’s blood.

Th’ applause of list’ning senates to command,
The threats of pain and ruin to despise,
To scatter plenty o’er a smiling land,
And read their hist’ry in a nation’s eyes,

Their lot forbade: nor circumscrib’d alone
Their growing virtues, but their crimes confin’d;
Forbade to wade through slaughter to a throne,
And shut the gates of mercy on mankind,

The struggling pangs of conscious truth to hide,
To quench the blushes of ingenuous shame,
Or heap the shrine of Luxury and Pride
With incense kindled at the Muse’s flame.

Far from the madding crowd’s ignoble strife,
Their sober wishes never learn’d to stray;
Along the cool sequester’d vale of life
They kept the noiseless tenor of their way.

Yet ev’n these bones from insult to protect,
Some frail memorial still erected nigh,
With uncouth rhymes and shapeless sculpture deck’d,
Implores the passing tribute of a sigh.

Their name, their years, spelt by th’ unletter’d muse,
The place of fame and elegy supply:
And many a holy text around she strews,
That teach the rustic moralist to die.

For who to dumb Forgetfulness a prey,
This pleasing anxious being e’er resign’d,
Left the warm precincts of the cheerful day,
Nor cast one longing, ling’ring look behind?

On some fond breast the parting soul relies,
Some pious drops the closing eye requires;
Ev’n from the tomb the voice of Nature cries,
Ev’n in our ashes live their wonted fires.

For thee, who mindful of th’ unhonour’d Dead
Dost in these lines their artless tale relate;
If chance, by lonely contemplation led,
Some kindred spirit shall inquire thy fate,

Haply some hoary-headed swain may say,
“Oft have we seen him at the peep of dawn
Brushing with hasty steps the dews away
To meet the sun upon the upland lawn.

“There at the foot of yonder nodding beech
That wreathes its old fantastic roots so high,
His listless length at noontide would he stretch,
And pore upon the brook that babbles by.

“Hard by yon wood, now smiling as in scorn,
Mutt’ring his wayward fancies he would rove,
Now drooping, woeful wan, like one forlorn,
Or craz’d with care, or cross’d in hopeless love.

“One morn I miss’d him on the custom’d hill,
Along the heath and near his fav’rite tree;
Another came; nor yet beside the rill,
Nor up the lawn, nor at the wood was he;

“The next with dirges due in sad array
Slow thro’ the church-way path we saw him borne.
Approach and read (for thou canst read) the lay,
Grav’d on the stone beneath yon aged thorn.”


Irish Landscape Images : The Hell Fire Club, Mount Pelier Hill

The Hell Fire Club
Mount Pelier Hill
County Dublin, Ireland
Irish Landscape Images
Nigel Borrington 2018

The Hell Fire Club on Mount Pelier Hill
William Conolly’s Hunting Lodge

The building now known as the Hell Fire Club was built around 1725 as a hunting lodge by William Conolly, the Speaker of the Irish House of Commons. It was named Mount Pelier by Conolly but over the years has also been known as “The Haunted House”, “The Shooting Lodge”, “The Kennel”, and “Conolly’s Folly”. It was one of several exclusive establishments using the name Hellfire Club that existed in Britain and Ireland in the 18th century.

While the building has a rough appearance today, the architecture is of a Palladian design. The upper floor consists of a hall and two reception rooms. On the eastern side, there was a third, timber-floored, level where the sleeping quarters were located. On the ground floor is a kitchen, servants’ quarters and stairs to the upper floors. The entrance, which is on the upper floor, was reached by a long flight of stairs which is now missing. At each side of the building is a room with a lean-to roof which may have been used to stable horses. A stone mounting block to assist people onto their horses can be seen on the eastern side. To the front there was a semi-circular courtyard, enclosed by a low stone wall and entered by a gate.

View of Dublin port
From Mount Pelier Hill
Irish Landscape Images
Nigel Borrington 2018

The house faces to the north, looking over Dublin and the plains of Meath and Kildare, including Conolly’s primary residence at Castletown House in Celbridge. The grounds around the lodge consisted of a 1,000-acre (4.0 km2; 1.6 sq mi) deer park. The identity of the architect is unknown: the author Michael Fewer has suggested it may have been Edward Lovett Pearce (1699–1733) who was employed by Conolly to carry out works at Castletown in 1724.

There was a prehistoric burial site at the summit of Mount Pelier Hill and stones from it were used in the construction of the lodge. A nearby standing stone was also used for the lintel over the fireplace. Shortly after its completion, a great storm blew the original slate roof off. Local superstition held that this was the work of the Devil, an act of revenge for disturbing the ancient cairn. Conolly had the roof replaced with an arched stone roof constructed in a similar fashion to that of a bridge. This roof has remained intact to the present day, even though the building has been abandoned for over two centuries and despite the roof being set alight with tar barrels during the visit of Queen Victoria to Ireland in 1849. There is little evidence that the lodge was put to much use. Conolly himself died in 1729.