Capturing the world with Photography, Painting and Drawing

Posts tagged “Irish Landscapes

A cool Sea breeze ….



A wanderer, I explore grasses high as my knees
Far away, grey foam breaks from the stiff seabreeze
To my left, a stark mountain frames the sky
My tireless bare feet follow memories nearby

As I inhale familiarity, my heartbeat slows
And earthy remembrance kneads through my toes
I’m not scared as blossoming storm clouds appear
For I remember what happened when I was actually here

Nostalgic breaths of wind soon whip at my face
Surrounded by vastness, this awe I embrace
To a place lost in time, I’m fervently drawn
Funny how you can only miss something when it’s gone

Fabrizia Mugnatto Dec 2016


A Morning walk by the river bank, 30km from Home ….

A Morning by the river Suir
30Km from home
Nigel Borrington 2020

Images from a great walk this morning on the banks of the river Suir, county Tipperary some 30km from home ……


The way the river flows ….. (Nick Drake Lyrics “River Man”)

The way the river flows

Nick Drake Lyrics
“River Man”

Betty came by on her way
Said she had a word to say
About things today
And fallen leaves.

Said she hadn’t heard the news
Hadn’t had the time to choose
A way to lose
But she believes.

Going to see the river man
Going to tell him all I can
About the plan
For lilac time.

If he tells me all he knows
About the way his river flows
And all night shows
In summertime.

Betty said she prayed today
For the sky to blow away
Or maybe stay
She wasn’t sure.

For when she thought of summer rain
Calling for her mind again
She lost the pain
And stayed for more.

Going to see the river man
Going to tell him all I can
About the ban
On feeling free.

If he tells me all he knows
About the way his river flows
I don’t suppose
It’s meant for me.

Oh, how they come and go
Oh, how they come and go.


Life is about being Happy, finding a way to stay happy …

Derreen Gardens
Lauragh
Country Kerry
Canon G1x series camera
Nigel Borrington 2020

There are so many great quotes from John Lennon, but this one has to be one of his best 🙂

“When I was 5 years old, my mother always told me that happiness was the key to life. When I went to school, they asked me what I wanted to be when I grew up. I wrote down ‘happy’. They told me I didn’t understand the assignment, and I told them they didn’t understand life.”

John Lennon

In current times finding happiness has become very important for our mental health, we all need to fight as hard as possible to achieve personal happiness, never let anyone for what ever reason put you in any other mood than a generally happy one !

One tool I have developed over the last weeks to active this aim is to stop reading/watching or listening to the daily news, I could write an essay on the why’s but life is to short!

Just stop listening, get outside as often as you can (walk, say hello to people, look at the landscape around you), it is not selfish to make sure your in a good mental place, you can give more to others if you are!

Happiness needs working at, working to find the things that make you happy and at the same time dismissing the things that don’t – it takes work !!!!


Black and White Images – In the mountains when your work is done ……

In the mountains
When your work is done
County Kerry
Ireland
Canon G1x series
Nigel Borrington


‘The Lake’, Glenmore Lake, county Kerry

Grass at Glenmore lake
County kerry
Nikon Coolpix A
nigel borrington 2020

Maidenly lake, fathomless lake,
Stay as you were once, overgrown with rushes,
Idling with a reflected cloud, for my sake
Whom your shore no longer touches.


A weekend drawing , Hookhead lighthouse county Wexford, Carbon Pencil on Paper.

Hookhead lighthouse
Carbon Pencil Drawing
Nigel Borrington
2019

Hookhead Lighthouse, County Wexford

This pencil drawing that I made a start on, on Friday evening and finished Sunday evening was taken from a set of photographs I took sometime back of the Hookhead Lighthouse, I was staying locally for a week and one evening just as the sun was setting on one side and the moon was rising on different sides of the lighthouse I took a photo that I have wanted for sometime to turn into a painting or a drawing.

The drawing is just the start I hope of creating a set of drawings and painting from all the images taken that week, this part of county Wexford is one on my favourite parts of Ireland, the coast here can be very dramatic and stormy at times yet stunning and peaceful on a summers day.


Storm clouds, BlackValley, Killarney National Park – charcoal and Pastel drawing

Storm clouds at BlackValley
County Kerry
Ireland
Charcoal and Pastel
Nigel Borrington 2019


Kilkenny landscape art – Charcoal and Pastels on Paper

KIlkenny Landscape art
Charcoal and Pastels on Cartridge paper
Format 297 × 420 mm
Nigel Borrington 2019

Monday Drawing

Kilkenny landscape – A Charcoal and Pastels on Paper

This week I plan to continued building up my painting and drawing skills, I will continue selected from my landscape photographs and selecting ones that I wfeel will make good Mono drawings and paintings.

This evening I have just finished the above Charcoal and Pastel landscape, its drawn on A2 paper but framed for A3 dimensions. This is a good size from drawing as I feel I can work freely with this size, letting the charcoal move openly. It lets me stand up above by drawing board and move the Charcoal and Pastels with fully movement of my arms.

Just like with my last post I plan next to work the same landscape view in Acrylic paints working with cool grey tones to capture the feeling of a cold grey day, just like the day that I captured the original black and white image on.


County Kilkenny Art – The view from Ballycuddihy – charcoal and graphite drawing

County Kilkenny landscape art The view from Ballycuddihy
Charcoal and Graphite on paper
nigel borrington 2019

The view from Ballycuddihy – charcoal and graphite on paper

In my last post I uploaded some photos taken in the hills at Ballycuddihy county Kilkenny, I want to use these images and others as the source for a series of both drawings and acrylic paintings.

So over the weekend I started with a charcoal and graphite drawing. I like very much using these two drawing materials as I like to strip an image down into its monochrome tonal values before returning to repeating the painting in acrylic or oil paint and bring in colour paints. I plan this time however to paint these landscape views using acrylic paint, using black and white only, keeping the finished work to a maximum of ten grey scale values.

Here I have used the charcoal in both willow stick and compressed block form to produce a series of tonal values, using a brush to soften the charcoal into different grey values and tonal grades.The fine details in the drawing are created using graphite.

I am happy with the finished results considering that the drawing was completed within four hours, I have learnt many things here and will repeat this technique many time so that I keep getting to know much more about using charcoal and pencil together.


To Autumn, a poem by John Keats

To Autumn, By John Keats

Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o’er-brimm’d their clammy cells.

Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drows’d with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.

Where are the songs of spring? Ay, Where are they?
Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.


Wind Turbine Poem, Our Wind Turbine

Ballybay Wind Farm, Tullaroan, county Kilkenny

Wind Turbine Poem

Our Wind Turbines

The propeller is always spinning,
Turning like the world.
With the wind it creates energy,
Makes a sound in motion.

It is environmentally friendly,
And the wind soars through the skies.
A source of power is at work,
And leaves a warm feeling inside.

Our turbine is very tall,
The wind blows in my face,
The sound the machine creates,
Will reach the furthest place.

It helps save parts of nature,
The sound rings loud and clear,
It keeps our land clean and neat,
Good energy is right here.

CERES Community in the Environment

Ballybay Wind Farm, Tullaroan, County Kilkenny
Nigel Borrington


Irish Landscapes – Suir Valley, County Tipperary, call of the far away hills

Call of the far away hills
Suir Valley
county Tipperary
Nigel Borrington 2018

Shadows fall on the Valley
Day is done and the sun
Is slowly fading out of sight
I can hear, oh, so clear
A call that echoes in the night
Yes, I hear sweet and clear
The call of the faraway hills

There’s no rest on the Valley
There’s no rest for a restless soul
That just was born to roam
Who can say, maybe way out there
My heart may find a home
And I hear sweet and clear
The call of the faraway hills

There are trails I’ve never seen
And my dreams are getting old
And beyond the sunset
There are brand new paths
When a new dream or two
May just be one star away

I must obey the call of the faraway hills


Irish landscapes, Curracloe beach,county wexford

Irish Landscapes
Curracloe Beach
County Wexford
Nigel Borrington

Curracloe Beach in County Wexford is one of the most popular beaches in Ireland. Located 2KM away from Curracloe Village, this soft-sand beach is frequented by sunbathers and nature-lovers alike.

During the summer months, you’ll find that the area is bustling with life, as holidaymakers leave their home counties to take up residence in the holiday homes, campsites, hotels and B&Bs that surround the area. Later on, during the autumn and winter months, Curracloe Beach and its nearby forest become a hot spot for dog-walkers, joggers and anyone else in pursuit of a peaceful stroll.

The area itself is suitable for bathing, as it has a Blue Flag certification. This certification, which is awarded by the Foundation for Environmental Education (FEE), serves as a notice to beach-goers that the area and its surrounding waters have lived up to a number of strict regulatory standards.

Its 7-mile-long beach is famous for its soft and fine sand, which puts it in contrast with many of the stony beaches that you will find around Ireland. The beach is guarded by a number of large and sprawling dunes, all of which are held together and stabilised by a seemingly-endless blanket of green marram grass. During the warmer months, these sand dunes prove to be extremely popular amongst visitors, many of whom will not pass up the opportunity to roll down them.

Curracloe Strand, Ballinesker, was used for the filming of the D-Day sequence in Saving Private Ryan, due to similarity to Omaha Beach in Normandy. Filming began June 27, 1997, and lasted for two months. The village of Curracloe lacked 3-phase electricity but when the film company decided to film there, it was connected.

Curracloe Strand was also used for the Irish beach scene in the movie Brooklyn.


Irish Landscapes, Baylough (Bay Lough) The Vee,Knockmealdown Mountains, County Waterford, Ireland

Bay Lough is the famous Corrie Lake in the side of Knockaunabulloga, part of the Knockmealdown Mountain range.

Bay Lough and its surrounds is a strong favourite with hill walkers and recreational walkers of all sorts. The walk to the lake from the car park is not too difficult and suitable for family outings. On any fine day you will see hundreds of walkers making the trip to the lake and walking to its furthest point (it is only possible to walk about half way around, the photo to your left is taken at the most distant point to which you can walk).

The name Bay Lough (or Baylough) is only tentatively connected to the lake. It is thought the name derives from an Anglicisation of the Irish word ‘bealach’ (pronounced ‘ba-lock’) which means ‘pass’ or ‘way’. Those mapping the area, who would have been English, no doubt presumed the word ‘bealach’ referred to the lough in the mountain. You’ll find this type of mistaken Anglicisation of place names all around Ireland for the same reason.

Bay Lough is located close to the hightest point of the pass in the Knockmealdown Mountains from Waterford to Tipperary and was along the regular roadway used for this journey. It is thought this path dates back to St. Declan, who travelled from Ardmore to Cashel along the route. You can still walk along St. Declan’s Way also known as Rian Bó Phadraig. It is popular with hikers who want to experience the historical heritage as well as the beauty of the area. The road from the car park to the lake, which can be continued past the lake and on to Mount Anglesby, was in fact the main road from Cappoquin and Lismore to Clogheen before the current road, going by the Vee, was constructed in the early nineteenth century. This old road is known locally as ‘the Soldiers Path’ and is now a forestry path. It is part of a number of spectacular walks around Bay Lough, see the Walks page for more information on these.

This area is a wonderful (and totally free) resource for locals and visitors alike. Should you wish to visit the lake it is most easily accessible from a car park on the Waterford side of the lake – this is the Loc8 Code for the lake –YZS-26-53G – just be aware that you can only drive as far as this Parking Area.

The lake has a strong historical significance both in South Tipperary and West Waterford. In local folklore it is famed as the lake to which Petticoat Loose was banished for all time, ordered to empty it with a thimble.

It is also widely held that the lake is ‘bottomless’ and that it is not possible to swim across it, despite its rather modest proportions.


Irish Landscape Photography :  Morning in the fields

Irish Landscape Photography,
Morning in the Fields,
Nigel Borrington 2018


Post cards from the edge : Ross castle, Killarney Nation park, county Kerry , Ireland

Ross Castle
Killarney National park county Kerry
Ireland
Nikon D700
Sigma 28mm EX DG f1.8 lens
Nigel Borrington


Kilkenny Landscape images : Rain clouds return , July 15th 2018

County Kilkenny Landscapes
Rain clouds return
Nikon D700
50mm AIS f1.8 lens

Return of Rain

The cloud drops on my lip
On the tip of my nose
I get hugged by the drip
Ah, rain is so close!
The heat is now a story
The balm seems so near
Regaining its lost glory
Surely the monsoon is here!
Tip-tap on my windowpane
Dark floaters are busy
Pouring on men and women
Life is once more easy!
I’m glad the rain is back
To awaken the soil’s green
Wipe out the summer’s crack
Dance on my parched roof tin!

Tip-tap on my windowpane
Dark floaters are busy
Pouring on men and women
Life is once more easy!
I’m glad the rain is back
To awaken the soil’s green
Wipe out the summer’s crack
Dance on my parched roof tin!


Skyfall – Ulysses By Alfred, Lord Tennyson

Skyfall
Kilkenny Landscapes
Nikon D700, Sigma 28mm f28 lens
Nigel Borrington
2018

Ulysses
By Alfred, Lord Tennyson

It little profits that an idle king,
By this still hearth, among these barren crags,
Matched with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.
I cannot rest from travel: I will drink
Life to the lees: All times I have enjoy’d
Greatly, have suffer’d greatly, both with those
That loved me, and alone, on shore, and when
Thro’ scudding drifts the rainy Hyades
Vext the dim sea: I am become a name;
For always roaming with a hungry heart
Much have I seen and known; cities of men
And manners, climates, councils, governments,
Myself not least, but honour’d of them all;
And drunk delight of battle with my peers,
Far on the ringing plains of windy Troy.

I am a part of all that I have met;
Yet all experience is an arch wherethro’
Gleams that untravell’d world whose margin fades
For ever and forever when I move.
How dull it is to pause, to make an end,
To rust unburnish’d, not to shine in use!
As tho’ to breathe were life! Life piled on life
Were all too little, and of one to me
Little remains: but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.

This is my son, mine own Telemachus,
To whom I leave the sceptre and the isle,—
Well-loved of me, discerning to fulfil
This labour, by slow prudence to make mild
A rugged people, and thro’ soft degrees
Subdue them to the useful and the good.
Most blameless is he, centred in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.

There lies the port; the vessel puffs her sail:
There gloom the dark, broad seas. My mariners,
Souls that have toil’d, and wrought, and thought with me—
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads—you and I are old;
Old age hath yet his honour and his toil;
Death closes all: but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks:
The long day wanes: the slow moon climbs: the deep
Moans round with many voices. Come, my friends,
it is not too late to seek a newer world.

Push off, and sitting well in order smite
The sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down:
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew.
Tho’ much is taken, much abides; and tho’
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.


Film Friday, Irish landscape photography, Sally Gap, Wicklow Mountains, The drama of 35mm slide film

Irish Landscapes
Sally Gap
Wicklow Mountains
Nikon f90x
Kodak 200iso slide film
Nigel Borrington

From all the possible 35mm films you could use for landscape photography, I feel that slide transparency film offered the most drama and colour depth to each shot you took. Clearly you still needed to me there at the time you found the best lighting and weather conditions but to myself there was no better film available that captured dramatic colours and tones.

This image was taken on a very moody evening, sometime back as I was walking alone the road of the Sally Gap….

Sally Gap, Wicklow Mountains

On the road to Sally Gap, there are spectacular views of the surrounding blanket bog and the Wicklow Mountains. Sally Gap is one of two east-to-west passes across the Wicklow Mountains. Sally Gaps is a cross-road that leads you North to Dublin, West to Blessington, South to Glendalough or East to Roundwood.

the Sally Gap got its road after the Irish rebellion of 1798. It was built by British Army forces looking to flush rebels from the hills, and to this day is known as the Military Road.

Whatever about giving the army a better view of the rebels, the Military Road certainly provides an enviable view of some of Ireland’s most filmed scenery.

Highlights of this winding, twisting feat of engineering include the Glencree valley, the dark waters of Lough Tay, Kippure Mountain and Glenmacnass Waterfall.

Two more unusual stops are Glencree’s Visitor Centre, originally built to house soldiers guarding the pass (and now a centre for Peace and Reconciliation), and the Glencree War Cemetery, a resting place for German soldiers who died in Ireland.


Winter sky’s , Snow clouds – Irish winter landscapes


Irish Landscape, Black and white Photography – Out of the Fog,


Irish Landscape Photography, The Freedom of the Hills, a Poem By: Douglas Fraser – 1968

Freedom of the Hills
Irish Landscape Photography
Nigel Borrington

Freedom of the Hills

By: Douglas Fraser – 1968

Mine is the freedom of the tranquil hills
When vagrant breezes bend the sinewy grass,
While sunshine on the widespread landscape spills
And light as down the fleet cloud-shadowed pass.

Mine, still, that freedom when the storm-clouds race,
Cracking their whips against defiant crags
And mists swirl boiling up from inky space
To vanish on the instant, torn to rags.

When winter grips the mountains in a vice,
Silently stifling with its pall of snow,
Checking the streams, draping the rocks in ice,
Still to their mantled summits I would go.

Sun-drenched, I sense the message they impart;
Storm-lashed, I hear it sing through every vein;
Among the snows it whispers to my heart
“Here is your freedom. Taste – and come again.”


Images without words – The life of the County Cork Sheepdog.

The Sheepdog
County Cork
Ireland
Nigel Borrington