Hookhead Lighthouse, County Wexford
This pencil drawing that I made a start on, on Friday evening and finished Sunday evening was taken from a set of photographs I took sometime back of the Hookhead Lighthouse, I was staying locally for a week and one evening just as the sun was setting on one side and the moon was rising on different sides of the lighthouse I took a photo that I have wanted for sometime to turn into a painting or a drawing.
The drawing is just the start I hope of creating a set of drawings and painting from all the images taken that week, this part of county Wexford is one on my favourite parts of Ireland, the coast here can be very dramatic and stormy at times yet stunning and peaceful on a summers day.
Kilkenny landscape – A Charcoal and Pastels on Paper
This week I plan to continued building up my painting and drawing skills, I will continue selected from my landscape photographs and selecting ones that I wfeel will make good Mono drawings and paintings.
This evening I have just finished the above Charcoal and Pastel landscape, its drawn on A2 paper but framed for A3 dimensions. This is a good size from drawing as I feel I can work freely with this size, letting the charcoal move openly. It lets me stand up above by drawing board and move the Charcoal and Pastels with fully movement of my arms.
Just like with my last post I plan next to work the same landscape view in Acrylic paints working with cool grey tones to capture the feeling of a cold grey day, just like the day that I captured the original black and white image on.
The view from Ballycuddihy – charcoal and graphite on paper
In my last post I uploaded some photos taken in the hills at Ballycuddihy county Kilkenny, I want to use these images and others as the source for a series of both drawings and acrylic paintings.
So over the weekend I started with a charcoal and graphite drawing. I like very much using these two drawing materials as I like to strip an image down into its monochrome tonal values before returning to repeating the painting in acrylic or oil paint and bring in colour paints. I plan this time however to paint these landscape views using acrylic paint, using black and white only, keeping the finished work to a maximum of ten grey scale values.
Here I have used the charcoal in both willow stick and compressed block form to produce a series of tonal values, using a brush to soften the charcoal into different grey values and tonal grades.The fine details in the drawing are created using graphite.
I am happy with the finished results considering that the drawing was completed within four hours, I have learnt many things here and will repeat this technique many time so that I keep getting to know much more about using charcoal and pencil together.
To Autumn, By John Keats
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o’er-brimm’d their clammy cells.
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drows’d with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.
Where are the songs of spring? Ay, Where are they?
Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.
Wind Turbine Poem
Our Wind Turbines
The propeller is always spinning,
Turning like the world.
With the wind it creates energy,
Makes a sound in motion.
It is environmentally friendly,
And the wind soars through the skies.
A source of power is at work,
And leaves a warm feeling inside.
Our turbine is very tall,
The wind blows in my face,
The sound the machine creates,
Will reach the furthest place.
It helps save parts of nature,
The sound rings loud and clear,
It keeps our land clean and neat,
Good energy is right here.
Shadows fall on the Valley
Day is done and the sun
Is slowly fading out of sight
I can hear, oh, so clear
A call that echoes in the night
Yes, I hear sweet and clear
The call of the faraway hills
There’s no rest on the Valley
There’s no rest for a restless soul
That just was born to roam
Who can say, maybe way out there
My heart may find a home
And I hear sweet and clear
The call of the faraway hills
There are trails I’ve never seen
And my dreams are getting old
And beyond the sunset
There are brand new paths
When a new dream or two
May just be one star away
I must obey the call of the faraway hills
Curracloe Beach in County Wexford is one of the most popular beaches in Ireland. Located 2KM away from Curracloe Village, this soft-sand beach is frequented by sunbathers and nature-lovers alike.
During the summer months, you’ll find that the area is bustling with life, as holidaymakers leave their home counties to take up residence in the holiday homes, campsites, hotels and B&Bs that surround the area. Later on, during the autumn and winter months, Curracloe Beach and its nearby forest become a hot spot for dog-walkers, joggers and anyone else in pursuit of a peaceful stroll.
The area itself is suitable for bathing, as it has a Blue Flag certification. This certification, which is awarded by the Foundation for Environmental Education (FEE), serves as a notice to beach-goers that the area and its surrounding waters have lived up to a number of strict regulatory standards.
Its 7-mile-long beach is famous for its soft and fine sand, which puts it in contrast with many of the stony beaches that you will find around Ireland. The beach is guarded by a number of large and sprawling dunes, all of which are held together and stabilised by a seemingly-endless blanket of green marram grass. During the warmer months, these sand dunes prove to be extremely popular amongst visitors, many of whom will not pass up the opportunity to roll down them.
Curracloe Strand, Ballinesker, was used for the filming of the D-Day sequence in Saving Private Ryan, due to similarity to Omaha Beach in Normandy. Filming began June 27, 1997, and lasted for two months. The village of Curracloe lacked 3-phase electricity but when the film company decided to film there, it was connected.
Curracloe Strand was also used for the Irish beach scene in the movie Brooklyn.
Bay Lough is the famous Corrie Lake in the side of Knockaunabulloga, part of the Knockmealdown Mountain range.
Bay Lough and its surrounds is a strong favourite with hill walkers and recreational walkers of all sorts. The walk to the lake from the car park is not too difficult and suitable for family outings. On any fine day you will see hundreds of walkers making the trip to the lake and walking to its furthest point (it is only possible to walk about half way around, the photo to your left is taken at the most distant point to which you can walk).
The name Bay Lough (or Baylough) is only tentatively connected to the lake. It is thought the name derives from an Anglicisation of the Irish word ‘bealach’ (pronounced ‘ba-lock’) which means ‘pass’ or ‘way’. Those mapping the area, who would have been English, no doubt presumed the word ‘bealach’ referred to the lough in the mountain. You’ll find this type of mistaken Anglicisation of place names all around Ireland for the same reason.
Bay Lough is located close to the hightest point of the pass in the Knockmealdown Mountains from Waterford to Tipperary and was along the regular roadway used for this journey. It is thought this path dates back to St. Declan, who travelled from Ardmore to Cashel along the route. You can still walk along St. Declan’s Way also known as Rian Bó Phadraig. It is popular with hikers who want to experience the historical heritage as well as the beauty of the area. The road from the car park to the lake, which can be continued past the lake and on to Mount Anglesby, was in fact the main road from Cappoquin and Lismore to Clogheen before the current road, going by the Vee, was constructed in the early nineteenth century. This old road is known locally as ‘the Soldiers Path’ and is now a forestry path. It is part of a number of spectacular walks around Bay Lough, see the Walks page for more information on these.
This area is a wonderful (and totally free) resource for locals and visitors alike. Should you wish to visit the lake it is most easily accessible from a car park on the Waterford side of the lake – this is the Loc8 Code for the lake –YZS-26-53G – just be aware that you can only drive as far as this Parking Area.
The lake has a strong historical significance both in South Tipperary and West Waterford. In local folklore it is famed as the lake to which Petticoat Loose was banished for all time, ordered to empty it with a thimble.
It is also widely held that the lake is ‘bottomless’ and that it is not possible to swim across it, despite its rather modest proportions.