Kilkenny landscape – A Charcoal and Pastels on Paper
This week I plan to continued building up my painting and drawing skills, I will continue selected from my landscape photographs and selecting ones that I wfeel will make good Mono drawings and paintings.
This evening I have just finished the above Charcoal and Pastel landscape, its drawn on A2 paper but framed for A3 dimensions. This is a good size from drawing as I feel I can work freely with this size, letting the charcoal move openly. It lets me stand up above by drawing board and move the Charcoal and Pastels with fully movement of my arms.
Just like with my last post I plan next to work the same landscape view in Acrylic paints working with cool grey tones to capture the feeling of a cold grey day, just like the day that I captured the original black and white image on.
I first came across the paintings of Artist Paul Walls at an exhibition called “Currents”, held in the old friary building in Callan, County Kilkenny 2004, and instantly fell in love with his painting style and the resulting art works he produces.
I think it would be fair to say that Paul uses paint in a very loose and direct way on the canvas, I like this style very much!. Paul is one of those artists who’s work you actual need to see face to face to get a true feeling for their paintings and with Paul the depth and movement that each brush stroke has.
I feel that this style of painting is perfect for the subjects Paul captures, (Irish coastlines and countryside) on wet and windy days, days that we do so often get here.
Even when its not raining in Ireland its often windy and the above painting captures this mood so very well, Paul’s use of paint in the trees above the boats I feel captures the movement in a typical Irish day.
There will always be people who like different types of painting styles, some loving very photo realistic landscapes , others love abstract work, personally what I love most about Paul’s work is the overwhelming sense that he has captures a very active landscape and worked with it in a very pro-active fashion.
When viewing Paul’s painting you feel like you have first hand experience of the rain and the cliffs and the stormy sea.
This is the link to Paul Walls web site : Artists Paul walls
About Peoples Art
At least once a year I try to visit the Peoples art exhibition and sale at St. Stephen’s Green in Dublin , this is a great day for an art lover as its one of the biggest open air art displays in Europe.
The images posted here are all taken on a very warm summers afternoon and I got lots of great images of the artists and their work along with getting to see some great painting and drawings from Landscapes to portraits.
People’s Art Dublin is a voluntary, part time, non profit making group, brought together by Dublin City Council to promote the visual arts to the public of Dublin. Each year after expenses are paid, donations are made to various charities.
The co-operation and assistance of Dublin City Council and The Office of Public Works ( OPW ) , which makes these events possible, is gratefully acknowledged by all the artists involved.
Any artist can apply to exhibit but there are some rules that apply, it costs each artist just €25.
Self-Portraits Tony O’Malley, Centenary Exhibition 2013
Over the last five years I have been working for Jane O’malley, a local artist and wife of the late Tony O’Malley , photographing all of Tony’s archive work along with some of Janes own paintings.
Tony is a very well know artist in Ireland and it has been a great pleasure to work with Jane and record and see most of Tony’s Career through his paintings and sketch books.
Some of these photographs of tony’s self portraits have just been used in a new book and exhibition being held in the Butler Gallery in Kilkenny.
The below images taken this weekend are from the exhibition.
The Exhibition, held in the Butler Gallery Kilkenny
“Tony O’Malley holds an important and distinguished position in the history of twentieth century Irish art. A highly respected and beloved artist, his works are represented in all major Irish museums and included in the most significant public and private collections of Irish art. Throughout O’Malley’s working life he made self-portraits. They became a way for the viewer to know him. O’Malley taught himself to draw and paint, and in the early days the self-portrait was a convenient immediate means in which to put marks to paper whenever a mirror was available. The mirror was a non-judgmental, reliable ally.
Through the diversity of his self-portraits, we see O’Malley’s practice evolve. The self-portraits stare back at us, mostly unexpressive and unsmiling, sometimes severe, sometimes with one eye closed. Always we see O’Malley’s distinctive strong nose, bearded face, and a bald head at times dressed with skull cap, in later years with sunhat, protection from the hot Bahamian rays. From time to time, we see O’Malley viewed from only the side of a mirror, with the studio or the garden taking prominence in the remainder of the frame. The monochromatic self-portraits are stark and economical and echo the words of the artist himself, ‘The more I paint the less of myself is there’. O’Malley has left us a great gift: a wealth of self-portraits by which to remember him.”
Irish arts festival season.
The next two weeks is and big period in Ireland for arts festivals (From Carlow,Kerry to Galway) and I intend to visit as mush as I possible can, so I will not be posting as much as usual over the next two week’s.
I will when possible check peoples blogs and see what your all up to, but for the time being I will be getting out and about to learn about and see as much art work as I possible can.
A very different post today, For many weeks I have just posted photographs and it remains my main interest here but I just wanted for a little time to talk about Abode photo-shop and an application called My-paint.
Art has always been of a big interest to myself and I view all my images as a form of artistic production, some people don’t see photographs as art they are to much of a completed process or they don’t see any artistic process involved in the taking of images using a camera. To a point I do get this view, however I think the speed and directness of a camera can offer results that a painter or an artist with a pencil will not capture.
Here I post some result from working with a photograph in adobe camera raw and then photo-shop, in order to produce more developed results. In the first of the images below I have converted the photograph into black and white then using photo-shops levels and curves tools I have increased the brightness and contract until only the outlines of the trees exists.
In the third image down I have taken one of these black and white images and over painted it with photo-shops brush tool adding layers of different colour.
The last image and painting is taken from the second black and white image loading it into an application called My-paint, this is a free painting tool and is packed with great brush and pen tools. Using it I have created lots of layers of different colours and opacities in order to produce the final result.