I first came across the paintings of Artist Paul Walls at an exhibition called “Currents”, held in the old friary building in Callan, County Kilkenny 2004, and instantly fell in love with his painting style and the resulting art works he produces.
I think it would be fair to say that Paul uses paint in a very loose and direct way on the canvas, I like this style very much!. Paul is one of those artists who’s work you actual need to see face to face to get a true feeling for their paintings and with Paul the depth and movement that each brush stroke has.
I feel that this style of painting is perfect for the subjects Paul captures, (Irish coastlines and countryside) on wet and windy days, days that we do so often get here.
Even when its not raining in Ireland its often windy and the above painting captures this mood so very well, Paul’s use of paint in the trees above the boats I feel captures the movement in a typical Irish day.
There will always be people who like different types of painting styles, some loving very photo realistic landscapes , others love abstract work, personally what I love most about Paul’s work is the overwhelming sense that he has captures a very active landscape and worked with it in a very pro-active fashion.
When viewing Paul’s painting you feel like you have first hand experience of the rain and the cliffs and the stormy sea.
This is the link to Paul Walls web site : Artists Paul walls
I have posted a couple of times since the new year, relating to the Manchester Born artists Laurence Stephen Lowry (1887–1976) he was born in Old Trafford, Salford and studied in the evening at Manchester Municipal College of Art. He was a man who rarely left the North West, finding his inspiration in the landscape of North Wales and Lancashire, and in the streets of Manchester and around Salford.
Possible this painting “Industrial City” is one of my favorite cityscapes that Lowry produced, I say possibly because he was prolific in this area of his portfolio and I love so much of his inner city works.
I grow up in Altrincham, a town only a few miles away from city center Manchester and while I missed this core era that Lowry was working in, I have lots of memories of the city looking like it does in these paintings.
During my early years I can remember these streets and factories being slowly torn down and replaced with office blocks along with new more modern houses. Its hard to imagine these days what life was like for a lot of the people captures in Lowry’s drawings and painting, living and working within the same mile, most people hardly traveling very far outside their surroundings.
Lowry restricted his palette to black, vermillion, Prussian blue, yellow ochre and flake white. Whilst there is a naivety in his rendition, he deftly caught the hustle and bustle of men, women and dogs on the move against a background of terraced houses, mills and factories.
The things I love most about this painting , well firstly its angle of view, Lowry paints as if he was standing on top a hill overlooking the homes and industry below. I also like very much the distance in this painting, a distance that few of the people captured in it could experience themselves at street level. To me this distance captures the expanse of the city, each small area making up the whole, yet enclosing people within their own spaces of home and work and life.
City life itself is captured here, every element of the community (Home, work, shops, play, chat, church and industrial dirt – so much of it!).
In the distance through the city smog you can just make out the hills and moors, fresh air and spaces that so clearly is just out of reach.
I feel this painting is LS Lowry at his very best, some artists go in very close with life in order to capture and reflect on it , Lowry pulls back in his view and adds in so many elements that you have to spend time exploring his work, in order for you to see the full message and story he want you to see.
This was life in a Northern English town, lowry painted it and also lived it with the people he captured!!!!
Landscape painting and photography
Painting as an art form for myself feels very much like a natural progression from the art of landscape photography which is the act of recording a representation of the view you find yourself located in.
I often find myself asking what it was about an image I capture with my camera or in a sketch / painting that I liked so much that I went to the effort of working with that location in different forms and media.
This is a quote from one of my favourite landscape painters Fred Cuming, Talking about his paintings Cuming says: ‘I am not interested in pure representation. My work is about responses to the moods and atmospheres generated by landscape’
Although there are many forms of landscape art all as valid as each other, Contemporary landscape painting tends to fall into the areas of semi abstracted to completely abstract, in that each work is making an effort to extract from the selected landscape location a sense of atmosphere or a mood. This mood and atmosphere can involve colour or light or texture, or all of these things and more.
This artistic process, from pure representation or abstraction can in a completely valid way start with photography and in fact many current artists have replaced the sketch book with the film/digital camera. The question as to if this is the best thing or not will continue for a long time, some feeling that a photo simply cannot capture a good enough sense of the location or at least not in the same way as spending time in that location with a sketch book can.
Personally I feel photographs are a very important tool and can in a very valid way capture the mood and sense of a place. However I feel that you need to spend a good amount of time with your camera exploring as much as you can while your on site, walking around and finding all the different views and angles along with all the small details you can find. The aim is to return home with as complete a memory of your landscape as you can.
Here are some details of Fred Cuming as an artist along with some more of his painting…..
Artist: Fred Cuming
Fred Cuming is a painter of International standing. Born in 1930 he studied Art at Sidcup School of Art from 1945 to 1949. After completing his National Service he studied at the Royal College of Art from 1951 to 1955 where he gained a Rome Scholarship and an Abbey Minor Scholarship.
Fred was elected a Royal Academician in 1974. He has also been a member of the New English Art Club since 1960 and is the recipient of many art awards including: the Grand Prix Fine Art (1977); the Royal Academy’s House & Garden Award and the Sir Brinsley Ford Prize (New English Art Club, 1986).
Fred Cuming has exhibited his contemporary paintings world wide. His paintings feature in many private and public modern art collections. These include: Montecarlo Museum; Royal Academy of Arts; and the Guinness Collection.
Fred Cuming paintings offer a moment for reflection. Cuming creates a relationship with nature and light – inducing observers to appreciate the calming atmosphere and realisation of the beauty around us. Many of his paintings feature the counties of Kent and Sussex where the Fred Cuming artist studio is located.
Talking about his paintings Cuming says: ‘I am not interested in pure representation. My work is about responses to the moods and atmospheres generated by landscape, still life or interior. My philosophy is that the more I work the more I discover. Drawing is essential as a tool of discovery; skill and mastery of technique are also essential, but only as a vocabulary and a means towards an idea. I struggle to keep an open mind.’
Fred Cuming has exhibited at other leading British Art Galleries. In 2001 Cuming was the featured artist at the Royal Academy Summer Exhibition with an entire gallery dedicated to his art work.In 2004 he was awarded an honourary doctorate from the University of Kent.Like all Red Rag British art and Contemporary art Fred Cuming purchases can be shipped worldwide.