Capturing the world with Photography, Painting and Drawing

Nigel Borrington

Isolation in landscape a Charcoal drawing …..

isolation in  landscape
Charcoal on paper
Nigel Borrington
March 2020

Fresh from my drawing board πŸ™‚

To be honest it taken me a few days, just like us all! to come to terms with world wide events!

I hope everyone in the wordpress community is well and keeping safe and health !

This afternoon I setup by drawing board i did my first charcoal drawing for a week “isolation in landscape” is what I am going to call it πŸ™‚

Can I pass on some wishes for you all!

Eat well !
Sleep lots – go to bed way to early and listen to Music not the news !!
Take Vitamin D – it helps you fight off infections !!!
Do not stress – its the Number one biggest enemy of the Immune system !!!!

I am going to add don’t drink alcohol of any kind its also a killer of the Immune system !!!

Read lots of positive things, watch Positive TV !! Talk , have family fun or fun with your friends, get outside πŸ™‚ πŸ™‚

Please look after yourselves the world needs you as Do I xxx


New Art work 2020, A still life drawing of two Pears using ICON – Chalk Pastels

Still life study ,
Two pears,
Icon Chalk Pastels on Paper
Nigel Borrington 2020

Created as one of my first still life studies while attending an evening class at our local art school KCAT, located here in Callan, County Kilkenny this drawing is made using Chalk Pastels on cartridge paper. I love this type of still life study very much , it gave me a great chance to use ICON Chalk pastels for the first time and I loved the experience of using them and the results they created. The strong marks used to build up shades and form I truly feel creates a very strong result. πŸ™‚


A weekends Drawing – Manchester’s Industrial Landscape ( Charcoal on Paper )

Manchester’s Industrial Landscape
In the style of Trevor Grimshaw
Nigel Borrington
March 2020

This weekend I gave myself sometime to add a physical Charcoal on cartridge paper drawing to last weeks Digital version in my last post. I wanted to do some work in the style of Trevor Grimshaw as I like his drawings very much and felt there was a lot of value in attempting to produce my own versions, I feel that his use of monochrome with its many varying tones, so carefully worked is wonderful…

So here is my first attempt to produce an A3 size drawing πŸ™‚ I am happy with the results but will keep working hard in order to refine this style of working with Charcoal as a medium ……

I also want to add some Acrylic painting works to the project but for now I am loving using Charcoal πŸ™‚


New art work 2020 – February light on Tipperary Fields

Acrylic on Canvas board
Nigel Borrington
Feb : 2020

Over the last few months and for the first time in a good few years, I have been attending some art Classes at our local art school KCAT, so I wanted to share some of the work they have helped me start to produce again, here on my blog!

The course has covered the subjects of drawing and of painting, I need to get my drawings and paintings so far captured so I can post them here, something I will do this week but for now here is an acrylic landscape painting, a view of a late February afternoon about 10 miles from home. I love these late winter days when its sunny, the Sun light on our green Irish landscapes is just amazing πŸ™‚


Sheeps bit – Wild flowers at the old slate quarry

Irish wild flowers
Sheeps bit
Slate quarry’s
County Kilkenny

Sheeps bit – Wild flowers

The Slate Quarry at (Ahenny, Windgap, Co. Kilkenny) is one of our best local locations for wild life and wild flowers – at this time of year. There are three or four old open quarry pits most of which now form small lakes, along with many heaps of slate that remained in place after all the good slate in the area had been removed. In the summer the lakes are used for swimming in.

I often visit and today I captured these blue sheep’s bit flowers at lunch time and they cover most of the tops of the old slate heaps. Natural blue wild flowers are one of natures rarest finds so it was a true pleasure to see such a large amount growing in one place.

Here are some details about these very special little plants ….

Sheep’s-bit

Scientific Name: Jasione montana
Irish Name: DuΓ‘n na gcaorach
Family Group: Campanulaceae

Also known as Sheep’s-bit Scabious, the books say this is a rather variable plant and can easily be mistaken for a composite or a scabious, but theAlso known as Sheep’s-bit Scabious, the books say this is a rather variable plant and can easily be mistaken for a composite or a scabious, but the florets have a 5-toothed calyx and not a pappus. Also the anthers in this plant do not project – unlike those of Devil’s Bit Scabious. I hope this helps. It is a pretty little downy biennial which grows in rocky places, cliffs and heaths up to 40cm high. It has bright blue rounded flowers aggregated in a compact head (15-25mm) which is borne on a slender stem. Its leaves have wavy edges and are hairy, grey-green and short-stalked. The plant is on flower from May to September. This plant is a native and belongs to the family Campanulaceae.

I first identified this flower in Laragh, Co Wicklow in 1976 and photographed it in Glenmalure, Co Wicklow in 2006.
florets have a 5-toothed calyx and not a pappus. Also the anthers in this plant do not project – unlike those of Devil’s Bit Scabious. I hope this helps. It is a pretty little downy biennial which grows in rocky places, cliffs and heaths up to 40cm high. It has bright blue rounded flowers aggregated in a compact head (15-25mm) which is borne on a slender stem. Its leaves have wavy edges and are hairy, grey-green and short-stalked. The plant is on flower from May to September. This plant is a native and belongs to the family Campanulaceae.

I first identified this flower in Laragh, Co Wicklow in 1976 and photographed it in Glenmalure, Co Wicklow in 2006.

If you are satisfied you have correctly identified this plant, please submit your sighting to the National Biodiversity Data Centre


Irish Butterflies – Wood White Leptidea sinapis (lep-TID-ee-uh sy-NAY-piss)

Irish Butterflies
Wood White
Leptidea sinapis (lep-TID-ee-uh sy-NAY-piss)

It a pleasure to be into photography at this time of year, nature is in full flight and at her very best.

For many personal reasons I have no been posting regularly here on my blog for the first time in many years so it also a pleasure to be able to make a start again.

Last week I spent as much time as I could taking my much love Nikon and macro lens out into our local woodlands and capturing lots of nature images. Here is just one of the many images I managed to get the time to process so far.

Now that I am starting again to post here, I plan to be very specific this summer with my images and close-up nature images will be one of my main areas.

Wood White

Family: Pieridae Swainson, 1820
Subfamily: Dismorphiinae Schatz, 1887
Tribe: Leptideini Verity, 1947
Genus: Leptidea Billberg, 1820
Subgenus:
Species: sinapis (Linnaeus, 1758)
Wingspan 42mm

The Wood White is one of our daintiest butterflies with one of the slowest and delicate flights of all the butterflies. When at rest, the rounded tips of the forewings provide one of the main distinguishing features between this butterfly and other “whites”. Adults always rest with their wings closed. In flight, the male can be distinguished from the female by a black spot at the tip of the forewings that is greatly reduced in the female. This butterfly lives discrete colonies and was only recently separated from the visibly-identical Cryptic Wood White. This local species can be found in central and southern England and also in Ireland on the limestone pavements of Clare and South-east Galway. This species is absent from Scotland, the Isle of Man and the Channel Islands.


Kilkenny landscape art – Charcoal and Pastels on Paper – Winter trees

Kilkenny landscape art,
Winter Trees,
Charcoal and Pastels on Paper



Kilkenny landscape art – Charcoal and Pastels on Paper – Winter trees

This is my second large scale drawing this week, worked on an A2 sheet of cartridge paper with the drawing itself being formatted to fit inside an A3 mounting card and frame.

I am really enjoying working with charcoal and pastels again, I feel that I could and most likely would be able to get more detail into each drawing if I used a set of pencils, high details for each landscape view however is not that much of a worry for me at the moment. The drawings I am working on at the moment are aimed at being Proprietary Artwork for later paintings.

I am learning all the time now about the possibilities of working with what is the very basic mediums of black charcoal and Pastel, the skills of blending and smoothing the charcoal on the paper, back into areas of grey. Drawing with both these mediums is very interesting, detail is possible but needs care to produce, each stage of the drawing needs fixing on the paper so that it is not smudged.

As with any drawing or painting when finished there are areas I like and areas I do not, here I loved working of the misty sky and the trees but found the foreground of the wet muddy field a challenge. I am happy overall and feel I have managed to work in lots of texture and levels of details hidden in the mud in the foreground and very happy with the blended sky.

I am not in all honesty yet looking for finished work as I want to keep learning as much as possible so the more I learn the better and the more that makes me have to look and think about a finished work the better. I am not finishing anything that I would not show to anyone so that is at least very pleasing.

This is the same drawing cropped down, I wonder if its better without the foreground area or better with it ?

If anyone wants to make a comment here – it would only help me πŸ™‚ πŸ™‚


Kilkenny landscape art – Charcoal and Pastels on Paper

KIlkenny Landscape art
Charcoal and Pastels on Cartridge paper
Format 297 Γ— 420 mm
Nigel Borrington 2019

Monday Drawing

Kilkenny landscape – A Charcoal and Pastels on Paper

This week I plan to continued building up my painting and drawing skills, I will continue selected from my landscape photographs and selecting ones that I wfeel will make good Mono drawings and paintings.

This evening I have just finished the above Charcoal and Pastel landscape, its drawn on A2 paper but framed for A3 dimensions. This is a good size from drawing as I feel I can work freely with this size, letting the charcoal move openly. It lets me stand up above by drawing board and move the Charcoal and Pastels with fully movement of my arms.

Just like with my last post I plan next to work the same landscape view in Acrylic paints working with cool grey tones to capture the feeling of a cold grey day, just like the day that I captured the original black and white image on.


Art Project – Kilkenny winter landscape – Photo,Drawing and Acrylic painting.

january frost county kilkenny 2019 3

January Forst
County Kilkenny
Irish Landscape Photography
Nigel Borrington 2019

Kilkenny winters Landscape project Jan 2019

This is the complete set of images including the original photograph, then the Charcoal and Pencil drawing and Acrylic painting on canvas, from the set of county Kilkenny landscape in winter photos captured last week and that I have spent most of this week working on.

This is only the first set of images and I have a lot more work to do yet to produce final drawings and painting of both this single photo and then the full set of other images I want to use. I am happy with the results so far as this is the first none digital art work that I have worked on for a while.

The main thing at the moment is that I am enjoying the process very much, its taken a while to get my art desk setup again and to get all the materials in place but now this is done I can just get working and start having some fun getting creative.

county kilkenny landscape art ballycuddihy nigel borrington 2019 1

county kilkenny landscape art
The view from Ballycuddihy
Charcoal and Graphite on paper
nigel borrington 2019

This drawing uses Charcoal and Graphite pencils on paper to produce what I hope is a moody image of a winters morning over the local Kilkenny landscape.

kilkennylandscapepaintingsacrylicwinterlandscapepaintingnigelborrington20191

County Kilkenny in Winter
Acrylic on Canvas
Nigel Borrington 2019

This Painting was produced using greys mixed from Acrylic (Cerulean blue, Crimson, Yellow Ocha and titanuim white)to produces grades of Greys, some cool and some warmer.

I hope that this helps to set a feeling of winter in my local Kilkenny landscape, on what was a very cold and frosty morning in mid January 2019.


A Weekend in an Art Course – The art of colour mixing , Rod Moore

Art Courses 2019 – The art of colour mixing , Rod Moore

I have been into art and painting most of my life and you never stop needing to learn new areas or keep going back to basic and practice old ones, so at the start of this year I registered on a Udemy course run by Rod Moore (Rod Moore, Complete Colour mixing course for artists).

I started the course last week in the evenings and so far its very good, I like very much the structure of the courses run by Udemy as they are perfect for adult study allowing you to use your spare time to gain new skills.

Here are some of the basic colour mixing techniques I have covered so far…..

Creating a colour mixing wheel.

Here the colours provided in my watercolour palette are laid out on the very outside of the wheel, working inwards I have mixed the primary colours of Blue, Red and then Yellow to show the results of mixing primary colours.

Mixing Blue, Reds, Yellow and Greens.

Most sets of paints contain more than one type of Blue, Red, Yellow and green paints, so in the above images I have worked on taking all the paints in these groups one by one and mixing them with the other paints outside the selected group. The first image for example is using two versions of green, the second two versions of blue – then mixing these with all the other remaining colours.

This type of colour mixing produces some very interesting results and helps show just how different the results of mixing different Blues, Reds, Yellows and Greens with other colours can be.

Landscape colour mixing – wheel and chart.

As said above different available paints can fall into the basic descriptions of blues or yellows and reds, but are individually very different from each other, in the images above I have painted a colour wheel that uses more earth versions of these primary colours.

These versions of the Primary colours (Blue,Red and Yellow) when mixed help to produce results much more likely to be used in Landscape Painting, you can see that they results in a much more earthy looking colour wheel than one produced by more standard primary colours.

I have also produced a colour chart on the right hand side of this page that shows the same mixing results but in block of colour, the standard mixing chart is in the centre of the page and as you can see this produces a much more vivid set of resulting colours, ones much less suitable for landscape painting.

One thing I have noticed while working through these exercises is that watercolour paint does not mix very well compared to Acrylic or Oil paints, which both produce much better stronger results. Its harder to get watercolour to produce many different levels of the mixed colour and for these results to have much depth to them , so my next stage is to repeat all these exercises using artists acrylic paints.

So all in all I feel great about working with this course and had a very enjoyable time over the weekend, I am not intending to turn my blog into just Art and Painting so for now I will return to some photography but its be great fun sharing something different πŸ™‚