Capturing the world with Photography, Painting and Drawing

art

In The Green you can live ….

In The Green you can live ….

Don’t listen to the people
Who think they know it all
I open my heart
and write you a song

Time is Gone
Escape from all

And in the green
you can live
On the trees you can sleep
And the moon will make you smile
And the city says goodbye
And shout lalalalalala

I give you my bag
Old bag
For guitar and bread

I give you my shoes
Old shoes
And i give you my hat

Time is Gone
Escape from all

And in the green
you can live
On the trees you can sleep
And the moon will make you smile
And the city says goodbye
And shout lalalalalala


A weekends drawing – Still life Study – Three Pears

Still life – Three Pears
Graphite pencils
A2 cartridge paper


New Charcoal drawing : There are places I remember all my life ……..

There are places I remember
Charcoal drawing
Nigel Borrington
2020

In My Life
Song by The Beatles

There are places I’ll remember
All my life, though some have changed
Some forever, not for better
Some have gone, and some remain
All these places had their moments
With lovers and friends, I still can recall
Some are dead, and some are living
In my life, I’ve loved them all
But of all these friends and lovers
There is no one compares with you
And these memories lose their meaning
When I think of love as something new
Though I know I’ll never lose affection
For people and things that went before
I know I’ll often stop and think about them
In my life, I’ll love you more
Though I know I’ll never lose affection
For people and things that went before
I know I’ll often stop and think about them
In my life I’ll love you more
In my life I’ll love you more


Tate Gallery online .

While art galleries like the Tate are closed at the Moment, they still have a great collection of art work online along with how to videos.

So if you want to have a go at learning some ART go check out some TATE How to videos πŸ™‚


Digital art work with a poem ( This Landscape Before Me By Sarah Holland-Batt)

The Landscape before me
A digital drawing
Using Krita and a Wacom Tablet
Nigel Borrington 2020

This Landscape Before Me
By : Sarah Holland-Batt

First the factory stood, quiet as an asylum.
Then the annihilating mallee with its red fists of blossoms
and the mountain ash creeping over it like a stain.

I have no proof, but I tell you
there were leadlight windows here once, barred.
They cast a little striped light on the women.

Now in scrub and yellow broom I stand on a history
braided and unbraided by stiff Irish wrists.
The rope and span and carded wool are unpicked
as are their faces and names.

Londonderry, Cork, Galway, Kildareβ€”
as I say the words they are sucked away
to a hemisphere in darkness.

I will not presume to say
what suffering is or how it was meted out in this place.
At what point it breaks a body I cannot tell.

But this morning I saw a young rabbit
hunched in brush and shadow.
I saw its lesioned face, its legs too thin to scramble,
the blood-berry red and pink scab of its eye.

It had caught the disease
we brought here for it
and wanted a quiet place to die.

And it was lucky, or as lucky as it would getβ€”
there was time and light, the hawks and dogs
had not been written yet, and were still out of sigh


Isolation in landscape a Charcoal drawing …..

isolation in  landscape
Charcoal on paper
Nigel Borrington
March 2020

Fresh from my drawing board πŸ™‚

To be honest it taken me a few days, just like us all! to come to terms with world wide events!

I hope everyone in the wordpress community is well and keeping safe and health !

This afternoon I setup by drawing board i did my first charcoal drawing for a week “isolation in landscape” is what I am going to call it πŸ™‚

Can I pass on some wishes for you all!

Eat well !
Sleep lots – go to bed way to early and listen to Music not the news !!
Take Vitamin D – it helps you fight off infections !!!
Do not stress – its the Number one biggest enemy of the Immune system !!!!

I am going to add don’t drink alcohol of any kind its also a killer of the Immune system !!!

Read lots of positive things, watch Positive TV !! Talk , have family fun or fun with your friends, get outside πŸ™‚ πŸ™‚

Please look after yourselves the world needs you as Do I xxx


New Art work 2020, A still life drawing of two Pears using ICON – Chalk Pastels

Still life study ,
Two pears,
Icon Chalk Pastels on Paper
Nigel Borrington 2020

Created as one of my first still life studies while attending an evening class at our local art school KCAT, located here in Callan, County Kilkenny this drawing is made using Chalk Pastels on cartridge paper. I love this type of still life study very much , it gave me a great chance to use ICON Chalk pastels for the first time and I loved the experience of using them and the results they created. The strong marks used to build up shades and form I truly feel creates a very strong result. πŸ™‚


A weekends Drawing – Manchester’s Industrial Landscape ( Charcoal on Paper )

Manchester’s Industrial Landscape
In the style of Trevor Grimshaw
Nigel Borrington
March 2020

This weekend I gave myself sometime to add a physical Charcoal on cartridge paper drawing to last weeks Digital version in my last post. I wanted to do some work in the style of Trevor Grimshaw as I like his drawings very much and felt there was a lot of value in attempting to produce my own versions, I feel that his use of monochrome with its many varying tones, so carefully worked is wonderful…

So here is my first attempt to produce an A3 size drawing πŸ™‚ I am happy with the results but will keep working hard in order to refine this style of working with Charcoal as a medium ……

I also want to add some Acrylic painting works to the project but for now I am loving using Charcoal πŸ™‚


Charcoal drawing – A tribute to the work of Trevor Grimshaw …….

Digital Charcoal drawing
In the style of Trevor Grimshaw

Following my post yesterday, I have started working with my PC based art application ( Krita ) in order to use its charcoal drawings tools to recreate as best as I can the landscapes style of Trevor Grimshaw.

Tomorrow I will give myself time to work at my desk with actual physical charcoal and chalk, I do feel very much however that a digital method of producing a work of art is just as valid in 2020, as working with physical materials, every mark made on my drawing above is made manually using a Wacom art tablet with an art pen. I often use this method of working to work out just how best to construct drawings and painting, when later it comes to sitting down with a sheet of physical paper or canvas.


Artist from My Home town (Trevor Grimshaw)


Trevor Grimshaw
Open Space
1974

I guess we always, no matter how long we have lived away from our place of birth feel that Home is Home!…

I have lived here in Ireland for almost two decades now but when it come to artists I still have two at the top of my list who lived and worked as artists in or around the greater Manchester area in the UK.

At the top of my list will always be Ls Lowry πŸ™‚ I have a post on his work here Ls Lowry and here, If you want to know more about his life and work, Manchester has a great gallery (The lowry Gallery) dedicated to his life and his art work, its a fantastic Gallery and a great source for his history.

While I love the art work of LS Lowry the art work by my other favourite Manchester artist Travor Grimshaw has always been very much in my mind when I think of amazing drawings from the industrial past of the city Manchester, along with many other surrounding towns which at the time contained industrial landscapes such as Bolton.

Northern Townscape 1974 Trevor Grimshaw 1947-2001 Presented by Christie’s Contemporary Art through the Institute of Contemporary Prints 1975

What I like most about Grimshaw’s work is his ability to limit this images down to a single style and his limited use of materials – along with his his use of moody monochromes. I work a increasingly with drawings these days and love the feeling produced when just using medium’s such as charcoal or pastels along with graphite.

Here its like he knew perfectly well that these limited materials were perfect for representing the smoke and coal dust filled factory landscapes of the English north west and he stayed with these materials for the vast majority of this well know works.

Trevor Grimshaw (1947-2001) – Two Telegraph Poles – 1972

Take this image (Two Telegraph Poles) for example, like a lot of his drawings and painting there is little subject matter in them, if you compare these images to the paintings of LS. lowry, these landscape are empty. There are none of the hundreds of people all going about their activities.

All the art work is done here by empty views that contain some of the most moody drawings I think I have ever seen ….

Here is a full description of Trevor’s life and his working career ….

Life and work

Grimshaw was born in Hyde, Cheshire in 1947 and studied at the Stockport College of Art from 1963 to 1968. He developed a unique style working in oils, charcoal and graphite to produce atmospheric, stylised images of the Northern industrial landscape, mainly in monochrome.

As a child he had a passion for steam engines and trainspotting, which continued into adulthood; for example he made the journey to the scrapyard at Barry in South Wales which held hundreds of steam locomotives awaiting scrapping, and made a personal photographic record of the occasion, 34 photo images being used in his publication “Stilled Life”. Much of his work overall features steam engines.

He spent much of his working career at Manchester advertising agency Stowe Bowden Ltd.[citation needed]

Artistic career

Grimshaw exhibited widely in the UK (including at the Royal Scottish Academy and the Royal Academy in the 1970s) and in the US and Germany. His work was included in the private collections of L.S. Lowry, Edward Heath (two drawings purchased in 1973), the Warburton (Bread) Family and Gerald Kaufman MP., and he is represented in a number of public collections, including The Tate Gallery, Salford Art Gallery, Stockport Art Gallery and Bury Art Gallery.

He illustrated The Singing Street, a book of poems by Mike Harding, and executed limited edition lithographs for Christie’s Contemporary Art. He also did the title slide images for the early BBC Great Railway Journeys of the World series. Artist Geoffrey Key described Grimshaw, a long time friend, as “one of the most important graphic artists working in the north during the last half of the 20th century”.[This quote needs a citation]

While Grimshaw is most celebrated for his black and grey graphite portrayal of post-industrial Britain (e.g. canals, cityscapes, viaducts, steam trains) his portfolio included diverse other subjects such as megaliths, Stonehenge, quarries in North Wales, motorway construction and the solstices (often in combination). Colour treatment was largely reserved for Cheshire landscapes, and pictures of Clarice Cliff ceramics.

L.S.Lowry attended one of his earliest exhibitions, buying three of his major early works to hang alongside his small collection of Pre-Raphaelites. Grimshaw became a regular visitor to Lowry’s home in Mottram.[citation needed]

In 1973 the North West Arts Association published Townscape: Trevor Grimshaw, a book reproducing 30 drawings. In 2004 a major retrospective exhibition was held at Stockport Art Gallery.

By the time of his death, in a house fire in November 2001, Grimshaw had become an alcoholic and a reclusive figure. He held his last show in 1997 in the County Museum and Art Gallery at Prostejov, Moravia, Czech Republic, his 50th show in his 50th year.[citation needed]

Grimshaw’s daughter organised a retrospective exhibition of her father’s work, which took place from February to May 2004 at Stockport Art Gallery.

In June 2014 an exhibition of his paintings, organised by family friend (and owner of the collection).

Ceridwen Grimshaw (Trevor’s youngest daughter) recently discovered negatives taken from Grimshaw’s 1970’s 3 trips to Barry Scrapyard (see above). Almost 100 of these images were unused and 90 will be exhibited at Stockport War Museum and Art Gallery from 11 May 2019 to June 15, titled “Trevor Grimshaw – Unseen Barry Photographs”. Grimshaw’s intention was to show the effects of Barry’s salt air on over 100 steam locomotives awaiting scrapping (although most were eventually saved).


February evening at Beach : Duncannon Beach, Co.Wexford, Ireland

Duncannon Beach, County Wexord, Digital painting,
Nigel Borrington 2020

February evening at Duncannon Beach

The light by the last wave lingers on fronds
of seaweed fingering wave-wet rocks where
brim-filled pools overflow before they
empty when the water surges then sucks,
surges, then sucks.

glistening, sun warmed, lit by the last
light of day while slow footsteps meander
with the gentle waves rhythms, rising, falling,
so calming in my ears, that crest falling
with an almost silent swish, hearbeat’s grace.

All troubles tumbled away calmed first,
washed by light where the last wave lingers.


Images of Winter – In the storm

Digital Drawing
winter hedgerow
Nigel Borrington December 2018

Digital Drawing
Tone Brushes, MyPaint with Wacom Pro M Tablet
Winter Hedgerow
Nigel Borrington December 2018

With Storm Dennis on its way to Ireland this weekend, Winter is still very much here, oh well time for me to stay inside and draw πŸ™‚ πŸ™‚ or paint.

I am working on some still life work, a drawing of a sheep’s skull ……


High on a hill an Acrylic, February 2020 – Poem : In hallowed hills by : CA Guilfoyle Jun 2015

High on the hill
Acrylic on canvas
Feb:2020
Nigel Borrington

In hallowed hills

CA Guilfoyle, Jun 2015

When we were far
and very young, in a place with no roads to follow
only a winding path, a branch to grasp
a place to fill the hollow

Blue the summer, with drowsy daisies came
petals, petals, we drew circles round the sun
gold spun, our halo heads of pollen
gold the bees of sleepy flowers
amid clover grass heaven

Days we lived deep in hills
we were endless green, in unmapped countries
stretching past the farms afield, in other worlds
too far to see, we lived beyond the gray of days
and we were free, in the shining silver
of our hallowed hills of ever.


New art work 2020 – February light on Tipperary Fields

Acrylic on Canvas board
Nigel Borrington
Feb : 2020

Over the last few months and for the first time in a good few years, I have been attending some art Classes at our local art school KCAT, so I wanted to share some of the work they have helped me start to produce again, here on my blog!

The course has covered the subjects of drawing and of painting, I need to get my drawings and paintings so far captured so I can post them here, something I will do this week but for now here is an acrylic landscape painting, a view of a late February afternoon about 10 miles from home. I love these late winter days when its sunny, the Sun light on our green Irish landscapes is just amazing πŸ™‚


A weekend drawing , Hookhead lighthouse county Wexford, Carbon Pencil on Paper.

Hookhead lighthouse
Carbon Pencil Drawing
Nigel Borrington
2019

Hookhead Lighthouse, County Wexford

This pencil drawing that I made a start on, on Friday evening and finished Sunday evening was taken from a set of photographs I took sometime back of the Hookhead Lighthouse, I was staying locally for a week and one evening just as the sun was setting on one side and the moon was rising on different sides of the lighthouse I took a photo that I have wanted for sometime to turn into a painting or a drawing.

The drawing is just the start I hope of creating a set of drawings and painting from all the images taken that week, this part of county Wexford is one on my favourite parts of Ireland, the coast here can be very dramatic and stormy at times yet stunning and peaceful on a summers day.


The Kite flyer, Charcoal on Paper

The Kite flyer
Charcoal on A2 paper
County Waterford
Nigel Borrington 2019


Allihies copper mine, Charcoal and graphite on paper – Nigel Borrington, 2019

Allihies copper mines
Beara Peninsula
County Cork
Charcoal and Graphite, on A2 paper
Nigel Borrington 2019

Allihies is just about as remote a place as they come in Ireland !!

Allihies copper Mine Museum

This Charcoal drawing shows just one of the pump houses at Allihies, county Cork. I think there are about 6 of them still standing around this small village.

It was In 1812 when life in Allihies changed utterly as a rich copper deposit was discovered in the area and the biggest copper mining enterprise in Ireland was established by the Puxley family .

The steam engine and pump house both pumped water out from the mine shafts and was used to lower the miners into and out-of the mine, some 250feet below the hill side. Its hard to imagine now the life these miners had , many did not live that long while doing this kind of work.

The Landscape around the mines is just wonderful with mountains facing the coastline of west cork, again its hard to image how the noise and smell of these pump houses change this location and the view of hundreds of miners returning home after a days work must have been something to see, they shared small homes in the village, mostly twenty of them shared the same small houses.


Storm clouds, BlackValley, Killarney National Park – charcoal and Pastel drawing

Storm clouds at BlackValley
County Kerry
Ireland
Charcoal and Pastel
Nigel Borrington 2019


Hook head Light house county Wexford, Charcoal and Pastel, Nigel Borrington

Hookhead lighthouse
County Wexford
Charcoal and Pastel Nigel Borrington Feb 2019


Friday Charcoal and Pastel drawing

The lighthouse at Hookhead, county Wexford – Drawing using Charcoal and Pastel on a sheet of A2 cartridge paper.

I have wanted to include the hookhead lighthouse in drawing for sometime so today I used a photo taken about 6 years ago taken one February evening on a walk around the base of the lighthouse looking out to sea. It was late evening just after sunset and light had just just been turned on, a magical moment to be there.

The drawing today took about four hours to complete and is one of the drawing in the last week that I have enjoyed working on the most πŸ™‚ …..


Kilkenny landscape art – Charcoal and Pastels on Paper – Winter trees

Kilkenny landscape art,
Winter Trees,
Charcoal and Pastels on Paper



Kilkenny landscape art – Charcoal and Pastels on Paper – Winter trees

This is my second large scale drawing this week, worked on an A2 sheet of cartridge paper with the drawing itself being formatted to fit inside an A3 mounting card and frame.

I am really enjoying working with charcoal and pastels again, I feel that I could and most likely would be able to get more detail into each drawing if I used a set of pencils, high details for each landscape view however is not that much of a worry for me at the moment. The drawings I am working on at the moment are aimed at being Proprietary Artwork for later paintings.

I am learning all the time now about the possibilities of working with what is the very basic mediums of black charcoal and Pastel, the skills of blending and smoothing the charcoal on the paper, back into areas of grey. Drawing with both these mediums is very interesting, detail is possible but needs care to produce, each stage of the drawing needs fixing on the paper so that it is not smudged.

As with any drawing or painting when finished there are areas I like and areas I do not, here I loved working of the misty sky and the trees but found the foreground of the wet muddy field a challenge. I am happy overall and feel I have managed to work in lots of texture and levels of details hidden in the mud in the foreground and very happy with the blended sky.

I am not in all honesty yet looking for finished work as I want to keep learning as much as possible so the more I learn the better and the more that makes me have to look and think about a finished work the better. I am not finishing anything that I would not show to anyone so that is at least very pleasing.

This is the same drawing cropped down, I wonder if its better without the foreground area or better with it ?

If anyone wants to make a comment here – it would only help me πŸ™‚ πŸ™‚


Kilkenny landscape art – Charcoal and Pastels on Paper

KIlkenny Landscape art
Charcoal and Pastels on Cartridge paper
Format 297 Γ— 420 mm
Nigel Borrington 2019

Monday Drawing

Kilkenny landscape – A Charcoal and Pastels on Paper

This week I plan to continued building up my painting and drawing skills, I will continue selected from my landscape photographs and selecting ones that I wfeel will make good Mono drawings and paintings.

This evening I have just finished the above Charcoal and Pastel landscape, its drawn on A2 paper but framed for A3 dimensions. This is a good size from drawing as I feel I can work freely with this size, letting the charcoal move openly. It lets me stand up above by drawing board and move the Charcoal and Pastels with fully movement of my arms.

Just like with my last post I plan next to work the same landscape view in Acrylic paints working with cool grey tones to capture the feeling of a cold grey day, just like the day that I captured the original black and white image on.


Berlin from the river Spree

Berlin
from the river spree nigel borrington 2019

Selecting images for an drawing and painting portfolio

Over the next few weeks any images I post on my blog will relate to a selection process I am making for producing some art work. I want to go through my blog photos posted since 2011 and select images that could related to both pencil/ink and Charcoal drawings along with images the will make good subjects for Painting in Acrylic/oil paints. I also have many images that I never posted here, as when I get my camera into the landscape I try to almost exhaust the location as much as possible by taking many images.

With this image of Berlin from the river Spree, I felt it would make a great subject for Charcoal, Pencil and Pen and ink work.

This is a process I have wanted to do for sometime, as it will help me get focused on the art work I want to produce during 2019…..


County Kilkenny Art – The view from Ballycuddihy – charcoal and graphite drawing

County Kilkenny landscape art The view from Ballycuddihy
Charcoal and Graphite on paper
nigel borrington 2019

The view from Ballycuddihy – charcoal and graphite on paper

In my last post I uploaded some photos taken in the hills at Ballycuddihy county Kilkenny, I want to use these images and others as the source for a series of both drawings and acrylic paintings.

So over the weekend I started with a charcoal and graphite drawing. I like very much using these two drawing materials as I like to strip an image down into its monochrome tonal values before returning to repeating the painting in acrylic or oil paint and bring in colour paints. I plan this time however to paint these landscape views using acrylic paint, using black and white only, keeping the finished work to a maximum of ten grey scale values.

Here I have used the charcoal in both willow stick and compressed block form to produce a series of tonal values, using a brush to soften the charcoal into different grey values and tonal grades.The fine details in the drawing are created using graphite.

I am happy with the finished results considering that the drawing was completed within four hours, I have learnt many things here and will repeat this technique many time so that I keep getting to know much more about using charcoal and pencil together.


A Weekend in an Art Course – The art of colour mixing , Rod Moore

Art Courses 2019 – The art of colour mixing , Rod Moore

I have been into art and painting most of my life and you never stop needing to learn new areas or keep going back to basic and practice old ones, so at the start of this year I registered on a Udemy course run by Rod Moore (Rod Moore, Complete Colour mixing course for artists).

I started the course last week in the evenings and so far its very good, I like very much the structure of the courses run by Udemy as they are perfect for adult study allowing you to use your spare time to gain new skills.

Here are some of the basic colour mixing techniques I have covered so far…..

Creating a colour mixing wheel.

Here the colours provided in my watercolour palette are laid out on the very outside of the wheel, working inwards I have mixed the primary colours of Blue, Red and then Yellow to show the results of mixing primary colours.

Mixing Blue, Reds, Yellow and Greens.

Most sets of paints contain more than one type of Blue, Red, Yellow and green paints, so in the above images I have worked on taking all the paints in these groups one by one and mixing them with the other paints outside the selected group. The first image for example is using two versions of green, the second two versions of blue – then mixing these with all the other remaining colours.

This type of colour mixing produces some very interesting results and helps show just how different the results of mixing different Blues, Reds, Yellows and Greens with other colours can be.

Landscape colour mixing – wheel and chart.

As said above different available paints can fall into the basic descriptions of blues or yellows and reds, but are individually very different from each other, in the images above I have painted a colour wheel that uses more earth versions of these primary colours.

These versions of the Primary colours (Blue,Red and Yellow) when mixed help to produce results much more likely to be used in Landscape Painting, you can see that they results in a much more earthy looking colour wheel than one produced by more standard primary colours.

I have also produced a colour chart on the right hand side of this page that shows the same mixing results but in block of colour, the standard mixing chart is in the centre of the page and as you can see this produces a much more vivid set of resulting colours, ones much less suitable for landscape painting.

One thing I have noticed while working through these exercises is that watercolour paint does not mix very well compared to Acrylic or Oil paints, which both produce much better stronger results. Its harder to get watercolour to produce many different levels of the mixed colour and for these results to have much depth to them , so my next stage is to repeat all these exercises using artists acrylic paints.

So all in all I feel great about working with this course and had a very enjoyable time over the weekend, I am not intending to turn my blog into just Art and Painting so for now I will return to some photography but its be great fun sharing something different πŸ™‚