Over the last few months and for the first time in a good few years, I have been attending some art Classes at our local art school KCAT, so I wanted to share some of the work they have helped me start to produce again, here on my blog!
The course has covered the subjects of drawing and of painting, I need to get my drawings and paintings so far captured so I can post them here, something I will do this week but for now here is an acrylic landscape painting, a view of a late February afternoon about 10 miles from home. I love these late winter days when its sunny, the Sun light on our green Irish landscapes is just amazing 🙂
In January , I spend sometime capturing images of a family of otters on the river Suir, county Tipperary, this was great fun and one of the highlights of the year for my own nature photography.
A winters morning along the river Suir county Tipperary ….
February and while sometimes it can feel like spring is just around the corner, some mornings can be as cold the coldest the winter can offer here. With this cold weather can come some of the most stunning views of the season along the river banks here in the south of Ireland, frost and mist and the deep blue of a morning sky …..
Irish Landscape Photography : Slievenamon Bog, County Tipperary, The Bog Lands a Poem By : William A. Byrne
The Bog Lands
By William A. Byrne
THE purple heather is the cloak
God gave the bogland brown,
But man has made a pall o’ smoke
To hide the distant town.
Our lights are long and rich in change,
Unscreened by hill or spire,
From primrose dawn, a lovely range,
To sunset’s farewell fire.
No morning bells have we to wake
Us with their monotone,
But windy calls of quail and crake
Unto our beds are blown.
The lark’s wild flourish summons us
To work before the sun;
At eve the heart’s lone Angelus
Blesses our labour done.
We cleave the sodden, shelving bank
In sunshine and in rain,
That men by winter-fires may thank
The wielders of the slane.
Our lot is laid beyond the crime
That sullies idle hands;
So hear we through the silent time
God speaking sweet commands.
Brave joys we have and calm delight—
For which tired wealth may sigh—
The freedom of the fields of light,
The gladness of the sky.
And we have music, oh, so quaint!
The curlew and the plover,
To tease the mind with pipings faint
No memory can recover;
The reeds that pine about the pools
In wind and windless weather;
The bees that have no singing-rules
Except to buzz together.
And prayer is here to give us sight
To see the purest ends;
Each evening through the brown-turf light
The Rosary ascends.
And all night long the cricket sings
The drowsy minutes fall,—
The only pendulum that swings
Across the crannied wall.
Then we have rest, so sweet, so good,
The quiet rest you crave;
The long, deep bogland solitude
That fits a forest’s grave;
The long, strange stillness, wide and deep,
Beneath God’s loving hand,
Where, wondering at the grace of sleep,
The Guardian Angels stand.
Mending the Wall
By Robert Frost
Something there is that doesn’t love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.
The work of hunters is another thing:
I have come after them and made repair
Where they have left not one stone on a stone,
But they would have the rabbit out of hiding,
To please the yelping dogs. The gaps I mean,
No one has seen them made or heard them made,
But at spring mending-time we find them there.
I let my neighbour know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
“Stay where you are until our backs are turned!”
We wear our fingers rough with handling them.
Oh, just another kind of out-door game,
One on a side. It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, “Good fences make good neighbours.”
Spring is the mischief in me, and I wonder
If I could put a notion in his head:
“Why do they make good neighbours? Isn’t it
Where there are cows? But here there are no cows.
Before I built a wall I’d ask to know
What I was walling in or walling out,
And to whom I was like to give offence.
Something there is that doesn’t love a wall,
That wants it down.” I could say “Elves” to him,
But it’s not elves exactly, and I’d rather
He said it for himself. I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me,
Not of woods only and the shade of trees.
He will not go behind his father’s saying,
And he likes having thought of it so well
He says again, “Good fences make good neighbours.”
Night on the Mountain
By George Sterling
The fog has risen from the sea and crowned
The dark, untrodden summits of the coast,
Where roams a voice, in canyons uttermost,
From midnight waters vibrant and profound.
High on each granite altar dies the sound,
Deep as the trampling of an armored host,
Lone as the lamentation of a ghost,
Sad as the diapason of the drowned.
The mountain seems no more a soulless thing,
But rather as a shape of ancient fear,
In darkness and the winds of Chaos born
Amid the lordless heavens’ thundering–
A Presence crouched, enormous and austere,
Before whose feet the mighty waters mourn.
The last two days here in Ireland have brought the first Snow of this winter. The local Mountains including Slievenamon have been covered at the highest levels and its a great sight to wake-up to.
The following Poem is based on the great TV series “Game of Thrones”!
To : Game of Thrones
18 July 2013 · Barrie, Canada ·
A Game of Thrones (Poem) by James J. A. Gray
Summer is swiftly ending,
Its warm sunny days are past;
Life grows short in this time of changing seasons.
Gone are the Wolves in the North,
Their howling song drowned out in blood and betrayal;
Gone is the galloping of horses in the west,
Only echoes and mirages remain in the dust and sand;
Gone is the royal stag;
The proud beast laid low.
Here now Lions rule a liar’s kingdom
While the spider weaves its intricate web,
And the Mockingbird sings many songs in eager ears,
And the fear of recurring myth hangs heavy
Over an Iron Throne with
Fire and Brimstone, Scales, and Wings.
The sun fades slowly in the west,
The bird-song grows quiet each passing day,
And the blue turns to gray as the sky darkens.
The days grow shorter.
The nights grow longer.
A chill settles in,
Descending from the North like a great beast toward the wall and the Black,
And with it the White and the Wildlings,
And the wind, and Snow.
Winter is coming.
Ever since I started watching Game of Thrones, I could not help but relate it to the amazing history that surrounds us here in Ireland, the Landscape is filled with ruins of long ago, Wars from the distant past. Viking invasions and hundreds of years of the Normans, French Lords who ruled over these Lands. Game of Thrones is mainly based around life in the North and South of What is now the United Kingdom along with looking to the lands of the east, but Ireland was ruled by exactly the same powers in the periods covered by the Historic settings behind the Game of Thrones and would have fallen under the same kingdoms.
Carey’s Castle in just one of these places, a reminder of the past, it rests in woodlands near Clonmel in Co. Tipperary, on the banks of the Glenary River, running past the castle and adding to a very peaceful atmosphere here. To locate it you walk for around 500m down a wonderful woodland trail, it is well worth the effort when the trees part and Carey’s Castle appears before your eyes.
Carey’s Castle, Gallery
The Irish great elk is an extinct species of deer it was one of the largest deer that ever lived. Its range extended across Eurasia, from Ireland to northern Asia and Africa.
The skull and antlers in the main image above are located in the old 11th century dining hall at Cahir Castle county Tipperary Ireland. With antlers spanning 2.7 metres (8.9 ft) this Skull hangs high on one of the gable ends of the hall and seams to fill the room with its presence.
It is some 7000 to 8000 years since these amazing elk walked around the Irish landscape, it is not fully known exactly why or when the became extinct but the most recent specimen of M. giganteus in northern Siberia, dated to approximately 7,700 years ago.
The Irish Elk stood about 2.1 metres (6.9 ft) tall at the shoulders carrying the largest antlers of any known cervid (a maximum of 3.65 m (12.0 ft) from tip to tip and weighing up to 40 kg (88 lb)).
In body size the Irish Elk matched the extant moose subspecies of Alaska (Alces alces gigas) as the largest known deer. The Irish Elk is estimated to have attained a total mass of 540–600 kg (1,190–1,323 lb), with large specimens having weighed 700 kg (1,543 lb) or more, roughly similar to the Alaskan Moose. A significant collection of M. giganteus skeletons can be found at the Natural History Museum in Dublin.
It is understood that the first humans to live in Ireland were the Mesolithic hunter-gatherers, settling in Ireland after 8000 BC so it is possible that the first people to live here lived along side these animals and even hunted them for food and for their very skin and bones.
Finnish paganism and the Elk
The elk is a common image in many Finnish pagan art works …
Finnish paganism was the indigenous pagan religion in Finland, Estonia and Karelia prior to Christianisation. It was a polytheistic religion, worshipping a number of different deities. The principal god was the god of thunder and the sky, Ukko; other important gods included Jumi, Ahti, and Tapio.
Shows many similarities with the religious practices of neighbouring cultures, such as Germanic, Norse and Baltic paganism. However, it has some distinct differences due to the Uralic and Finnic culture of the region.
Finnish paganism provided the inspiration for a contemporary pagan movement Suomenusko (Finnish: Finnish faith), which is an attempt to reconstruct the old religion of the Finns.
The Swiss cottage in country Tipperary is one of Ireland’s unsung treasures, it was built around 1810 and is a fine example of cottage orné, or ornamental cottage. It was originally part of the estate of Richard Butler, 10th Baron Cahir who married Emily Jefferys of Blarney , and the cottage was primarily used for entertaining day guests of the couple.
The cottage was designed by the architect John Nash, famous for designing many Regency buildings.
The cottage has been restored by the local group and the OPW and must be one of their most loved properties as the condition is just amazing.
If you are visiting county Tipperary this is a must see location !
Wiki link for John Nash
Swiss Cottage, Cahir, Co. Tipperary – A sense of place Gallery
Bee Keeping in Ireland is often a personal activity, with many hives being kept on family farms and Gardens, even sometimes with the permission of the forestry services.
I often come across a set of Hives while out walking in our local woodland. In the images here , taken last weekend the hives are located on the some hills facing to the north, the great mountain of Slievenamon just across the river Suir.
Very soon these Hives will be active again and I will return to get so more images.
The Federation of Irish Beekeepers’ Associations have a great web site and help on getting going with keeping bee’s, this must be a great activity and very needed with modern farming methods having massively reduced Bee numbers. I have included the text from this site on “How to become a beekeeper” below the following two images, if you would like to read it.
The beginner should first of all find out if he/she is in any way allergic to bee stings and if so not to attempt acquiring bees or taking up beekeeping without seeking medical advice.
When the urge to keep bees first hits you, the impulse is to go out and buy a hive straight away, and learn by doing in isolation – this is not the best approach. The best first step is to join your local branch of the Beekeepers’ Association, preferably in the Autumn.
You can then attend their classes for beginners and programme of winter lectures which are held frequently and cover all aspects of beekeeping. There are 45 such Associations scattered throughout the country.
Other benefits of membership include the use of a library – video and book, plenty of friendly advice and you are kept up to date with developments within the craft. You can also use the Association extractor, can avail of sugar at concessionary prices and benefit from the low cost of FIBKA Public Liability Insurance. The latter is an absolute must as accidents can happen.
It is worthwhile if only for your own piece of mind. Whilst a subscription to “An Beachaire” may be optional, a good book is essential and the FIBKA’s “Bees, Hives and Honey” or Ted Hooper’s “Guide to Bees and Honey” are standard references for beginners and experienced alike.
Some Associations also provide a mentoring facility whereby the beginner is assigned to an experienced beekeeper within his or her local area for the purpose of giving advice for the first couple of years. This is an excellent idea as having someone close at hand or at the end of a telephone is a useful asset.
If you wish to keep bees, and irrespective of all the protective measures that you might take, you will receive the occasional sting. Everyone will show some reaction to bee stings, such as the initial pain, and later a slight swelling of the affected area, later followed by some itching.
The effects can be reduced by applying an antihistamine cream or even taking tablets such as Piriton, but generally the body will quickly become accustomed to the occasional sting and will display few adverse effects.
There are many forms of protective clothing on the market which range from veils right through to full bee suits. And the prices are commensurate with the degree of cover. A full bee suit is the ideal acquisition but the prices are fairly steep and it may not be even to your taste.
A smock, together with the type of trousers worn by nurses or painters, may be more suitable.
Be wary of veils which slip over the head and are attached by straps or loops under the armpits; bees invariably find a way to gain access to your neck and face. The safest way to wear that sort of veil is in conjunction with a zip up overall.
Any protective clothing should be light in colour, nothing dark. Nylon should be avoided as it generates static, which is annoying to bees. Woolly clothing should also be shunned, as they get tangled up in it.
When handling bees, beginners should also use gloves. With full gauntlets they are costly but should last several years. I use rubber gloves which are less clumsy – “Nitrile” or “Marigold” brands.
The ultimate objective is to obtain a strain of bee that is not overly defensive, become proficient in handling them, and so dispense with gloves altogether.
Ankles are prime targets for bees and calf length rubber boots should be worn.
The monthly beekeeping journal carries advertisements from firms selling all types of beekeeping equipment. The first two essential items you need to acquire are a smoker and a hive tool.
Smokers come in two standard sizes, the diameters of the fireboxes being 8cms and 10cms. The smaller version is quite adequate for up to ten hives.
When servicing the smoker, ensure that the legs of the fire grate are not restricting the air entry hole at the base of the firebox and also check that this hole is directly in line with the air exit hole from the bellows.
As for fuel, I use dried grass which provides a constant supply of cool smoke. What you don’t want is a type of fuel which burns too quickly and turns your smoker into a flame thrower which scorches the bee’s wings. This aggravates the bees and they will not delay in letting you know of their displeasure.
There are many types of hives available on the Irish market. However, in selecting a hive type it is important to determine that the component parts for the brood chambers and supers are readily available.
The most common type of hives used in Ireland which would measure up to these requirements are the National, the Smith Hive and the Modified Commercial Hive. The approximate comb areas of the various frames are: National and Smith Deep – 5000 worker cells Commercial Deep – 7000 worker cells.
The two most popular hives are the National and the Commercial. Although the latter have larger frames, the outer dimensions of component boxes are the same, to within a quarter of an inch, so that supers, queen excluders, crown boards, floors and roofs are all compatible.
My first choice would be the National hive because it has the following advantages:
The frames are easier to handle as they have longer lugs (38mm) than the Commercial (16mm).
The National brood box and Super are also easier to handle as the design has a built in handle at both sides.
The capacity of the National brood box and super is smaller than that of the Commercial which means it is lighter to lift when examining the hive and taking off the crop of honey.
The most important advantage is the higher honey yield from the National compared to the Commercial as the National brood box is too small to accommodate brood and much stores, therefore most of the honey is stored in the supers where it can be easily taken off for extraction. This is especially true in a bad year with poor weather conditions during the Summer. The Commercial is best suited to localities where the honey crop is above average.
In addition to the brood box, varroa screen floor, crown board, queen excluder and roof you should make provision for three supers per hive.
It is usually best to treat exterior surfaces with a good preservative, like Cuprinol – green or Fencelife and taking care to air well for a week or more. Normal paint stops the wood ‘breathing’ and can lead to moisture lifting the paint in bubbles.
Obtaining your first colony : A Nucleus
By the Spring you will have a good background of knowledge to help you decide on what to buy and how to start up.
It is essential that you start with a healthy and productive stock of bees. You should contact a reputable beekeeper in your region for assistance in obtaining your first colony.
While it is also possible to start by obtaining a swarm, this is an unreliable method and you have no assurance of the health status of the resulting colony.
You may be tempted to buy a strong colony in the hope of a quick return of honey this Summer, but sometimes the difficulty of handling a large stock as a beginner can put a newcomer off for life.
It is far better to arrange with a local beekeeper to buy a four-frame nucleus with a young queen, taking delivery at the end of May or early in June. This is also the time when outdoor open hive demonstrations are organised by your Association where you can learn how to handle and control a stock of bees.
You can now expand this newly acquired nucleus by regular feeding with sugar syrup into a full hive of eleven frames by July. They will be very quiet and easy to handle and as they grow in strength you will gain in experience, confidence and the necessary manual skills of beekeeping.
There will be no swarming problems to cope with in your first year and with autumn feeding the stock will cope with the coldest winter
By the following Spring you will be well placed to increase to two stocks by making an artificial swarm from your own hive in May.
If you have built or acquired a couple of empty hives over the Winter you will also be ready to take or buy in swarms sometime in May or June, and by July you will have at least three good stocks and the experience necessary to manage them.
You should also have a crop of honey and an opportunity to learn the techniques involved in taking it off, extracting, bottling and preparing it for sale.
It will still only be fifteen months since you first owned bees but you have come a long way, and it might be wise to stay with just two or three hives for another year. It is much better to make your mistakes on two or three hives than on twenty. Possibly three hives are all you intend to have anyway.
In either case, make a four frame nucleus from your strongest stock some time in the Summer and see it through the Winter to sell to another beginner, to increase you own stocks or as a reserve in case anything goes wrong.
The Honey Crop
Honey yield is greatly influenced by seasonality. However a beekeeper who attends to the basic principles of management should be able to achieve an average of 20kg per hive per annum.
The yields obtained at the Teagasc Beekeeping Research Station at Clonroche, County Wexford confirm this view. The yield from 75 colonies managed commercially at Clonroche has been 25 kg per colony per annum. This has been achieved by working to a planned programme of management and disease control.
The beginner should be familiar with the varroa control measures as outlined in the FIBKA Guidelines on Varroa Destructor – Integrated Control Programme . The varroa mite is a major threat to the survival of all our bee colonies
Where can I keep my bees?
The newcomer to the craft of beekeeping must decide where to site his or her apiary. Even a small garden is adequate for the keeping of a few hives. Bees fly anything up to three miles to forage so you have no need to worry about that. Even the largest beehive will measure about two feet square and that is all that is needed for each hive, but don’t forget to add a little space to stand along side it to work the colony.
You might like your honeybees but it is unlikely that your neighbour will display the same enthusiasm. Bees have no need to disturb others, whether human or animals, it is just a case of ensuring that their flight paths to and from the hive do not coincide with neighbours working in their gardens. Hives standing in full sun should be avoided, try to provide some midday shade.
Some say that entrances should face south-east to catch the early morning sun. The best layout is to have a hive facing each of the four cardinal points of the compass-one facing north, one facing south etc. This does help to prevent bees drifting from their own hive into another.
Some beekeepers have an out-apiary away from their home and your local Association will have a demonstration apiary for the members to use.
How much time do I need to devote to the bees?
We usually regard the period from October to March as the ‘off-season’ so far as opening up hives, lifting out frames and manipulations generally are concerned, but a limited inspection on a mild day in March can be justified on the grounds that we can only help our bees if we know what help they need. Just three questions have to be answered at this time of year.
Have they a laying queen? In some cases the answer may be obvious; for example if the bees are flying freely around midday and taking in massive loads of pollen, then all is well with the queen.
Have they enough food? If the hive still feels really heavy when hefted, they have enough food. Possibly about 1 hive in 3 will either feel light, or show little flying activity with not much pollen going in, and in these cases some action is required.
What is the natural varroa mite mortality per day? If this figure exceeds seven mites per day then control is necessary using one of the approved treatments. Check the updated F.I.B.K.A. policy on varroa for details. You have to continue with your colony inspections right through the Summer. So the time you need to devote to your bees could be as little as 15 minutes per hive every 10-14 days during the season from April to September. Usually the problem is that new beekeepers are unable to leave the bees alone for the first season.
Where Go the Boats?
Dark blue is the river.
Golden is the sand.
It flows along for ever,
With trees on either hand.
Green leaves a-floating,
Castles of the foam,
Boats of mine a-boating—
Where will all come home?
On goes the river
And out past the mill,
Away down the valley,
Away down the hill.
Away down the river,
A hundred miles or more,
Other little children
Shall bring my boats ashore
Robert Louis, Stevenson
This morning it felt like Spring for the first time here in Ireland, we have a good chance of a period of sunny days for the entire week and it was a wonderful Morning.
I took the chance to visits our nearest Mountain Slievenamon and walk around its lower paths and fields, one of these fields contains the remains of an old Norman Motte. From the top of which you get some wonderful views of the Landscape around this area.
A Motte is the foundations for a motte-and-bailey castle with consisted of a wooden or stone keep situated on a raised earthwork called a motte, accompanied by an enclosed courtyard, or bailey, surrounded by a protective ditch and palisade. These castles were built across northern Europe from the 10th century onwards, spreading from Normandy and Anjou in France, into the Holy Roman Empire in the 11th century. The Normans introduced the design into England and Wales following their invasion in 1066. Motte-and-bailey castles were adopted in Scotland and Ireland.
This is a location I will return to many times this year just to capture how the seasons effect the look of this wonderful setting.
The Irish Landscape is full of old Farms and home places, filled with many memories of generations past…..
This farm is located very close to the mountain of Slievenamon, country Tipperary.
Carey’s Castle rests in a woodland setting near Clonmel in Co. Tipperary, the Glenary River running past the castle and adding to a very peaceful atmosphere here. A walk of around 500m down a wonderful woodland trail is well worth the effort when the trees part and Carey’s Castle appears before your eyes.
The Castle was built sometime during the 1800s by the Carey family who live locally, they were schoolmasters in the area. A mixture of architectural styles exist through out the grounds, including Romanesque and Gothic windows, Gothic arches, a Celtic round tower and a Norman Keep, which all adds up to make a beautiful building in a wonderful location.
The Castle and it grounds were occupied by monks at one stage and the remains of and older walled garden exist at the back of the Castle in the woods.
Carey’s Castle, Gallery