Capturing the world with Photography, Painting and Drawing

Nature and Wildlife

A story of the falling rain …..

Flowers in the summer rain
Nikon Coolpix A
Nigel Borrington

A Short Story of Falling – Alice Oswald

It is the story of the falling rain
to turn into a leaf and fall again

it is the secret of a summer shower
to steal the light and hide it in a flower

and every flower a tiny tributary
that from the ground flows green and momentary

is one of water’s wishes and this tale
hangs in a seed-head smaller than my thumbnail

if only I a passerby could pass
as clear as water through a plume of grass

to find the sunlight hidden at the tip
turning to seed a kind of lifting rain drip

then I might know like water how to balance
the weight of hope against the light of patience

water which is so raw so earthy-strong
and lurks in cast-iron tanks and leaks along

drawn under gravity towards my tongue
to cool and fill the pipe-work of this song

which is the story of the falling rain
that rises to the light and falls again


Springtime photo Gallery ….


The Crow, a winter time art project …..

The crows
A winters art project 2020/2021
Nigel Borrington

The Crows

A winter time art project, Digital painting created using a Wacom art tablet and taken from a photographic study of our local landscape and the Crows that have made it their winter home.

I feel today’s painting is a big step closer to the final paintings I am hoping to create, I like this composition much more than my last painting and I feel that I am now starting to represent the crows and the movement they create in our winter fields much better….


Down on the Farm , The Light in your eyes ……

The White of your eyes
Black and white Images
Lumix GX1 camera
Nigel Borrington 2020


Dandelion seeds a poem by Whitney Albright

Dandelion Seeds
Woodland nature
Nikon D700
Nigel Borrington 2020

She stands out
Against the weeds
Oh, she spouts
Her dandelion seeds

The smiling song
Of spring she leads
May the sunshine on
Her dandelion seeds

From the damp land
Her roots feed
Causing silver strands
In her dandelion seeds

Wishes she carries
Wishes she bleeds
Wishes are scattered
In her dandelion seeds


Monday Poetry : Wildflowers by – Deb Jones

Wildflowers
By Deb Jones

Wildflowers
Every year I get a gallon
Of wildflowers seeds
Just imagine!

February is when I toss them
Into the wind
In an ever widening circle

Irish wild flowers
Sheeps bit
Slate quarry’s
County Kilkenny

The moisture laden breezes
carry them over 10 acres.

And the field I leave the most seeds in
is actually a pasture.

Violets, yellows, whites and blues
They come in such beautiful coloured hues

A field of wildflowers grow
And I let them grow unknown
Until they bloom no more

A pleasure to look at
A treat to sit in the middle of

Sometimes we need color in our lives
For no other reason
Than “Why not?”


Nature on the forest floor, Moss ….

Life on the forest floor
Moss
Nigel Borrington 2019

Moss is one of the most prevalent of woodland and forest plants, it covers almost all of the trees, living or dead. It green colour is one of the strongest to be found and when found in any patches of sun light breaking through the trees can be stunning.

Commercially there is a substantial market in mosses gathered from the wild. The uses for intact moss are principally in the florist trade and for home decoration. Decaying moss in the genus Sphagnum is also the major component of peat, which is “mined” for use as a fuel, as a horticultural soil additive, and in smoking malt in the production of Scotch whisky.

Sphagnum moss, generally the species S. cristatum and S. subnitens, is harvested while still growing and is dried out to be used in nurseries and horticulture as a plant growing medium.

The practice of harvesting peat moss should not be confused with the harvesting of moss peat. Peat moss can be harvested on a sustainable basis and managed so that regrowth is allowed, whereas the harvesting of moss peat is generally considered to cause significant environmental damage as the peat is stripped with little or no chance of recovery.

Some Sphagnum mosses can absorb up to 20 times their own weight in water. In World War I, Sphagnum mosses were used as first-aid dressings on soldiers’ wounds, as these mosses said to absorb liquids three times faster than cotton, retain liquids better, better distribute liquids uniformly throughout themselves, and are cooler, softer, and be less irritating. It is also claimed to have antibacterial properties. Native Americans were one of the peoples to use Sphagnum for diapers and napkins, which is still done in Canada.

In rural areas, types of moss were traditionally used to extinguish fires as it could be found in substantial quantities in slow-moving rivers and the moss retained large volumes of water which helped extinguish the flames. This historical use is reflected in its specific Latin/Greek name, the approximate meaning of which is “against fire”.

Traditional

Preindustrial societies made use of the mosses growing in their areas.

Laplanders, North American tribes, and other circumpolar people used mosses for bedding. Mosses have also been used as insulation both for dwellings and in clothing. Traditionally, dried moss was used in some Nordic countries and Russia as an insulator between logs in log cabins, and tribes of the northeastern United States and southeastern Canada used moss to fill chinks in wooden longhouses. Circumpolar and alpine peoples have used mosses for insulation in boots and mittens. Ötzi the Iceman had moss-packed boots.

The capacity of dried mosses to absorb fluids has made their use practical in both medical and culinary uses. North American tribal people used mosses for diapers, wound dressing, and menstrual fluid absorption. Tribes of the Pacific Northwest in the United States and Canada used mosses to clean salmon prior to drying it, and packed wet moss into pit ovens for steaming camas bulbs. Food storage baskets and boiling baskets were also packed with mosses.

National Tree week Kilkenny


Image

Life of the forest floor

Life of the Forest floor
Woodcock Butterfly
Nigel Borrington 2019


Life on the Forest floor ….. Wood from a fallen tree.

Dead wood
Life on the forest floor
Nigel Borrington 2019

The forest floor is always full on life old and new, it offers amazing images with a macro lens and man times I just love getting in close and then waiting to see the captured images when I get home 🙂 .

In this image it was not until I looked closer that I noticed a small grub( Bottom Center of the image), munching away at all the dead wood, its these little insects that act as the recycling machines of the forest as they turn all the fallen trees and branches into a compose for new tree growth.


Irish wildlife trust’s – People for Bees Project

Irish wildlife
People for Bees
Nigel Borrington
2019

People for Bees

The Irish wildlife trust are running a People for Bees project across the country once more in 2019. With People for Bees we deliver accessible talks on bees, their identification and how to create bee friendly habitats.

This training includes practical outdoor sessions where participants practice field skills like bee identification, bumblebee monitoring and biodiversity record taking. The project is aimed at community groups and members of the public in every province of Ireland.

The Irish Wildlife Trust works closely with the National Biodiversity Data Centre to support the All-Ireland Pollinator Plan and the Bumblebee Monitoring Scheme. With the new skills learnt through our People for Bees programme, participating groups have the knowledge and confidence to start carrying out bee population monitoring and habitat creation in their communities, thus completing two of the objectives of the All Ireland Pollinator Plan – “Making Ireland more pollinator friendly” and “Bee population monitoring”.

All-Ireland Pollinator Plan

In 2015 Ireland, North and South, developed a strategy to address pollinator decline and protect pollination services, the All-Ireland Pollinator Plan.

Sixty-eight governmental and non-governmental organisations agreed a shared Plan that identifies 81 actions to make Ireland pollinator friendly.

You can take part, using the guides and resources provided by the National Biodiversity Data Centre for your garden, school, local community group or council and map those actions on the online mapping system, Actions for Pollinators, to help track the build-up of food and shelter in our landscape.


All the elements that nature needs …….


Sheeps bit – Wild flowers at the old slate quarry

Irish wild flowers
Sheeps bit
Slate quarry’s
County Kilkenny

Sheeps bit – Wild flowers

The Slate Quarry at (Ahenny, Windgap, Co. Kilkenny) is one of our best local locations for wild life and wild flowers – at this time of year. There are three or four old open quarry pits most of which now form small lakes, along with many heaps of slate that remained in place after all the good slate in the area had been removed. In the summer the lakes are used for swimming in.

I often visit and today I captured these blue sheep’s bit flowers at lunch time and they cover most of the tops of the old slate heaps. Natural blue wild flowers are one of natures rarest finds so it was a true pleasure to see such a large amount growing in one place.

Here are some details about these very special little plants ….

Sheep’s-bit

Scientific Name: Jasione montana
Irish Name: Duán na gcaorach
Family Group: Campanulaceae

Also known as Sheep’s-bit Scabious, the books say this is a rather variable plant and can easily be mistaken for a composite or a scabious, but theAlso known as Sheep’s-bit Scabious, the books say this is a rather variable plant and can easily be mistaken for a composite or a scabious, but the florets have a 5-toothed calyx and not a pappus. Also the anthers in this plant do not project – unlike those of Devil’s Bit Scabious. I hope this helps. It is a pretty little downy biennial which grows in rocky places, cliffs and heaths up to 40cm high. It has bright blue rounded flowers aggregated in a compact head (15-25mm) which is borne on a slender stem. Its leaves have wavy edges and are hairy, grey-green and short-stalked. The plant is on flower from May to September. This plant is a native and belongs to the family Campanulaceae.

I first identified this flower in Laragh, Co Wicklow in 1976 and photographed it in Glenmalure, Co Wicklow in 2006.
florets have a 5-toothed calyx and not a pappus. Also the anthers in this plant do not project – unlike those of Devil’s Bit Scabious. I hope this helps. It is a pretty little downy biennial which grows in rocky places, cliffs and heaths up to 40cm high. It has bright blue rounded flowers aggregated in a compact head (15-25mm) which is borne on a slender stem. Its leaves have wavy edges and are hairy, grey-green and short-stalked. The plant is on flower from May to September. This plant is a native and belongs to the family Campanulaceae.

I first identified this flower in Laragh, Co Wicklow in 1976 and photographed it in Glenmalure, Co Wicklow in 2006.

If you are satisfied you have correctly identified this plant, please submit your sighting to the National Biodiversity Data Centre


Irish Butterflies – Wood White Leptidea sinapis (lep-TID-ee-uh sy-NAY-piss)

Irish Butterflies
Wood White
Leptidea sinapis (lep-TID-ee-uh sy-NAY-piss)

It a pleasure to be into photography at this time of year, nature is in full flight and at her very best.

For many personal reasons I have no been posting regularly here on my blog for the first time in many years so it also a pleasure to be able to make a start again.

Last week I spent as much time as I could taking my much love Nikon and macro lens out into our local woodlands and capturing lots of nature images. Here is just one of the many images I managed to get the time to process so far.

Now that I am starting again to post here, I plan to be very specific this summer with my images and close-up nature images will be one of my main areas.

Wood White

Family: Pieridae Swainson, 1820
Subfamily: Dismorphiinae Schatz, 1887
Tribe: Leptideini Verity, 1947
Genus: Leptidea Billberg, 1820
Subgenus:
Species: sinapis (Linnaeus, 1758)
Wingspan 42mm

The Wood White is one of our daintiest butterflies with one of the slowest and delicate flights of all the butterflies. When at rest, the rounded tips of the forewings provide one of the main distinguishing features between this butterfly and other “whites”. Adults always rest with their wings closed. In flight, the male can be distinguished from the female by a black spot at the tip of the forewings that is greatly reduced in the female. This butterfly lives discrete colonies and was only recently separated from the visibly-identical Cryptic Wood White. This local species can be found in central and southern England and also in Ireland on the limestone pavements of Clare and South-east Galway. This species is absent from Scotland, the Isle of Man and the Channel Islands.


350,000+ WordPress Blog likes and Visits – THANK YOU SO MUCH !!!

I added this thank you message to the post blow but feel that I should also post it by itself !

” I just noticed that the number of likes and visited to my Blog (started in 2011) went well over the 350,000 mark while I was away – I would like to say a massive THANK YOU to you all for this, I don’t post here with such figures in mind , I post to share the things a see and capture around me – That said ! Getting this level of interest and support with so many likes has been a massive boost to me and a huge reason to drive me on in 2019 to keeping sharing my images and a love I have of both Art and Photography!

THANK YOU SO MUCH !!!! “


October Hills John Rollin Ridge, 1827 – 1867

October Hills
John Rollin Ridge, 1827 – 1867

I look upon the purple hills
That rise in steps to yonder peaks,
And all my soul their silence thrills
And to my heart their beauty speaks.

What now to me the jars of life,
Its petty cares, its harder throes?
The hills are free from toil and strife,
And clasp me in their deep repose.

They soothe the pain within my breast
No power but theirs could ever reach,
They emblem that eternal rest
We cannot compass in our speech.

From far I feel their secret charm—
From far they shed their healing balm,
And lost to sense of grief or harm
I plunge within their pulseless calm.

How full of peace and strength they stand,
Self-poised and conscious of their weight!
We rise with them, that silent band,
Above the wrecks of Time or Fate;

For, mounting from their depths unseen,
Their spirit pierces upward, far,
A soaring pyramid serene,
And lifts us where the angels are.

I would not lose this scene of rest,
Nor shall its dreamy joy depart;
Upon my soul it is imprest,
And pictured in my inmost heart.


Octobers wood land nature, Spending some time with the spiders

A Noiseless Patient Spider – Poem by Walt Whitman

A noiseless, patient spider,
I mark’d, where, on a little promontory, it stood, isolated;
Mark’d how, to explore the vacant, vast surrounding,
It launch’d forth filament, filament, filament, out of itself;
Ever unreeling them—ever tirelessly speeding them.

And you, O my Soul, where you stand,
Surrounded, surrounded, in measureless oceans of space,
Ceaselessly musing, venturing, throwing,—seeking the spheres, to connect them;
Till the bridge you will need, be form’d—till the ductile anchor hold;
Till the gossamer thread you fling, catch somewhere, O my Soul.


In the October woodlands 3 :Lichens, but they aren’t quite what we thought they are !

A little more detailed this post than my usual Friday posts but I found this articular very interesting, if only for the fact that its amazing just how much there is to be found in our local woodlands and just how much study is being carried ou,t even after so many years to revival the hidden secrets to the life that surrounds us on our daily walks along a forest path …..

Lichens aren’t quite what we thought, shocked scientists discover

Most people know lichens, such as this wolf lichen, as those flaky, light green things that grow on tree bark. You probably learned in school that they’re a mutually beneficial partnership or “symbiosis” between fungi and algae, but many lichens have now been found to include a third partner, a yeast. (Tim Wheeler Photography)

Most people know lichens as those flaky, light green things that grow on tree bark, and learned in school that they’re a mutually beneficial partnership or “symbiosis” between fungi and algae.

But lichen scientists have made the shocking new discovery that many lichens are also made up of a previously undiscovered third partner — a new kind of yeast.

Not only does that potentially alter the fundamental definition of what a lichen is, but it “should change expectations about the diversity and ubiquity” of the organisms that form them, says a new study published Thursday in Science.

University of Montana researcher Toby Spribille samples Bryoria or horsehair lichens. He first started studying lichens 15 years ago in British Columbia. His new study was inspired by a mystery flagged by B.C. lichenologist Trevor Goward. (Christoph Rosche)

The new yeast has apparently gone undetected in lichens for more than a century, despite the fact that scientists all over the world have devoted entire careers to studying lichens closely with microscopes and genetic testing.

That seemed so unlikely that the scientists working on the project had trouble believing it themselves.

“It’s so surprising that you kind of doubt yourself for a long time,” said John McCutcheon, a microbiologist at the University of Montana and a research fellow with the Canadian Institute for Advanced Research who co-authored the new study published today in Science.

“We had to check our data more than 10 times,” recalled Toby Spribille, lead author of the paper. “It seemed to me so unlikely that so many people would have missed that.”
Lichen mystery

Spribille, a University of Montana botanist who first started studying lichens in British Columbia 15 years ago, was inspired by a mystery flagged by B.C. lichenologist Trevor Goward in a series of essays.
Wila or edible horsehair lichen, also known by the scientific name Bryoria fremontii, is a brown-coloured lichen that was an important traditional food for many First Nations in northwestern North America. (Toby Spribille)

It concerned two lichens that grow in B.C. and Montana and considered separate species for 100 years. One called wila or edible horsehair lichen, also known by the scientific name Bryoria fremontii, is a brown-coloured lichen that was an important traditional food for many First Nations in northwestern North America.

The other, called tortured horsehair lichen or Bryoria tortuosa, is yellow and poisonous. However, a recent genetic analysis showed that they were genetically identical — they were made up of exactly the same species of fungus and the same species of algae.

“There’s something really weird about that,” Spribille said.
Tortured horsehair lichen or Bryoria tortuosa, is yellow and poisonous. However, a recent genetic analysis showed that its fungus species and algae species are genetically identical to those in edible horsehair lichen. (Tim Wheeler)

He brought the problem up with McCutcheon, an expert in new, sophisticated genetic techniques that he typically uses to study insects.

Traditional DNA analysis relies on probes or lures to fish out certain characteristic regions of genetic material, partly based on what scientists expect to find — like calling out names in a dark room to see who’s there, Spribille said.

Newer techniques instead look for all genes that are in the process of being translated into proteins via “messenger” molecules called RNA. Spribille likens the technique to turning on the lights.

McCutcheon says that gives a sense of what an organism is doing at any given time.

To the researchers’ surprise, the RNA they found came not just from the fungus and the alga known to be associated with the lichens, but a mysterious third organism.

Further analysis showed it to be a new kind of yeast, belonging to the taxonomic group Basidiomycota, the same one that button mushrooms belong to. It was not at all related to the yeasts used to brew beer or bake bread. Yeast cells and DNA were extremely common in the yellow, poisonous lichen, but rare in the edible brown lichen.
A fluorescent microscope image shows the location of different cell types in a bryoria lichen, cut at the ends and lengthwise through the middle. Green are the yeasts, blue are the fungi, red are the algae. (Toby Spribille)

After running the experiment enough times to convince themselves the signal wasn’t due to contamination and pinpointing the yeast cells in the outer skin of the lichen, the researchers decided to see whether other lichens from around the world also contained the yeast. Sure enough, many did.

“Each lichen has a specific strain of the yeast,” McCutcheon said. “These form several new fungal families.”

DNA analysis suggests the yeast has been part of lichens for more than 100 million years — since the end of the Early Cretaceous, when dinosaurs like spinosaurus and allosaurus roamed the Earth, and flowering plants first appeared.

Spribille said the discovery “seriously challenges” a lot of assumptions that have been held by lichenologists for a century.

“At the next level up, it gives us insight into how one of the most fascinating symbioses works.”
‘Really major finding’

Goward, whose essay inspired the research, said he was delighted by the discovery.

“It’s all very exciting to me,” he added. “If Toby’s idea proves to be correct, this is the second really major finding that changes how we see these organisms” — after the 1860s discovery that lichens weren’t one organism, but made of two separate organisms, an alga and a fungus.

Irwin Brodo, an emeritus scientist at the Canadian Museum of Nature in Ottawa who has devoted himself to the study of lichens for decades, said the discovery was “plausible” but “not proven yet.”

Brodo, who first gave the horsehair lichens the name Bryoria, said he was surprised that the new yeast cells were discovered in a part of the lichen that a lot of lichenologists, including himself, have examined carefully.

“I never saw them,” he said.

But he added that the presence of the yeast might also explain other longstanding mysteries about other lichens that look very different but have been found to be genetically identical.


October on the forest floor : fallen leaves

October on the Forest floor
Fallen Leaves
Nigel Borrington 2018

Today was a typical Autumn day here in country Kilkenny, we have had some mixed weather over the last few days, some sun , some rain. Today was mild but wet, so all the falling leaves were full of rain drops something I just had to capture 🙂


October on the Forest Floor, 2 ….. The Spider

October On the Forest floor
The Spider Moves in
Nigel Borrington


October – Along the Forest Path 1… (Viburnum Opulus) Guelder Rose, Berries

Viburnum Opulus Hedging

Guelder Rose, Viburnum opulus, is one of Britain’s most beautiful native shrubs and it makes a great hedging plant, typically in a mixed country hedge. It also make a fine ornamental shrub for any garden: in the wild, it is often found in dappled woodland shade, but it needs full sun to give you the best show of flowers. Guelder Rose bushes will grow pretty much anywhere, including shady sites under large trees and chalky soils. It prefers a moist soil and will tolerate periods of waterlogging.
Guelder Rose is good for hedges up to about 5 metres high.
Browse all of our other varieties of Viburnum trees & shrubs plants. Alternatively, view our selection of native hedging or see our full range of hedging plants.

Guelder Rose hedge plants are only delivered bareroot, during winter (Nov-March).

Choosing a size: When you are ordering Guelder Rose plants for a hedge, we suggest that you buy smaller plants if you are not in a rush. They are cheaper and easier to handle than large plants. They will also give you a bushy hedge with little effort.

Spacing Guelder Rose hedging:
Plant Guelder Rose at 3 plants per metre, 33cms apart.
You can also plant Guelder Rose at 5 plants per metre in a staggered double row, with 33 cms between each plant and 40cms between the rows.
The Guelder Rose makes an excellent mixed hedge plant, typically with hawthorn.

General description of Guelder Rose plants:
It has large, three lobed leaves that colour up in autumn with a jumble of tones that bleed together in a rough, rustic manner. The flowers are quite unique, with a ring of dainty little smooth star shaped flowers rising above bed of even smaller, bud-like blooms. The smaller flowers are the ones that ripen into blood red fruit, in time for the excellent red and yellow autumn colours.

History & uses of Viburnum opulus
The Guelder Rose isn’t a rose at all, it is closely related to the elderflowers. The name probably comes from the Dutch region of Gelderland. Guelder Rose berries were one of the secondary food sources that our ancestors would have depended upon in hard times. We don’t recommend eating them, as even slightly unripe fruit will cause stomach upsets, but if civilisation happens to collapse and you find yourself living in the woods, you could feed yourself by boiling up them up into a soup. Until then, we recommend leaving the berries for the birds.


Image

October on the Forest Floor 1…. fungus

One of the most amazing sights at this time of year is one of all the Wild Mushrooms that appear in our local forests and fields, Ireland has some approximately 5,500 known species found throughout the country, some very common and some very hard to find.

I just love finding them as they appear on the woodland floor and on the dead wood alone with the lower parts of trees.


Sonnet to Collecting Seashells

Sonnet to Collecting Seashells

During youth I was quite the collector
of ocean cretin’s annealed sandcastles
Though the hosts inside could not be cheaper,
their fleshy coats were worth all the hassles

Content I was amassing worn seashells;
daily did this fine collection accrue
Though furnished, barren felt those wooden shelves,
as even pearls are lesser than a jewel

Still, the sand was warm; the waves were soothful
and regardless of what hollowness struck,
the beach granted a chance to feel fruitful
so long as one had either skill or luck

Alone was I, but daresay not lonely,
but I was not happy until married.

Original Poem


E.B. White: Song of the Queen Bee

A great poem by E.B. White, published in the New Yorker Magazine 1945, even back then people loved their bee’s .

These days they need lots of love and care as it feels like its getting harder and harder of find them !!!!!

“The breeding of the bee,” says a United States Department
of Agriculture bulletin on artificial insemination, “has
always been handicapped by the fact that the queen mates
in the air with whatever drone she encounters.”

When the air is wine and the wind is free
and the morning sits on the lovely lea
and sunlight ripples on every tree
Then love-in-air is the thing for me
I’m a bee,
I’m a ravishing, rollicking, young queen bee,
That’s me.
I wish to state that I think it’s great,
Oh, it’s simply rare in the upper air,
It’s the place to pair
With a bee.

Let old geneticists plot and plan,
They’re stuffy people, to a man;
Let gossips whisper behind their fan.
(Oh, she does?
Buzz, buzz, buzz!)
My nuptial flight is sheer delight;
I’m a giddy girl who likes to swirl,
To fly and soar
And fly some more,
I’m a bee.
And I wish to state that I’ll always mate
With whatever drone I encounter.

There’s a kind of a wild and glad elation
In the natural way of insemination;
Who thinks that love is a handicap
Is a fuddydud and a common sap,
For I am a queen and I am a bee,
I’m devil-may-care and I’m fancy-free,
The test tube doesn’t appeal to me,
Not me,
I’m a bee.
And I’m here to state that I’ll always mate
With whatever drone I encounter.

Mares and cows. by calculating,
Improve themselves with loveless mating,
Let groundlings breed in the modern fashion,
I’ll stick to the air and the grand old passion;
I may be small and I’m just a bee
But I won’t have science improving me,
Not me,
I’m a bee.
On a day that’s fair with a wind that’s free,
Any old drone is a lad for me.

I’ve no flair for love moderne,
It’s far too studied, far too stern,
I’m just a bee—I’m wild, I’m free,
That’s me.
I can’t afford to be too choosy;
In every queen there’s a touch of floozy,
And it’s simply rare
In the upper air
And I wish to state
That I’ll always mate
With whatever drone I encounter.

Man is a fool for the latest movement,
He broods and broods on race improvement;
What boots it to improve a bee
If it means the end of ecstasy?
(He ought to be there
On a day that’s fair,
Oh, it’s simply rare.
For a bee.)

Man’s so wise he is growing foolish,
Some of his schemes are downright ghoulish;
He owns a bomb that’ll end creation
And he wants to change the sex relation,
He thinks that love is a handicap,
He’s a fuddydud, he’s a simple sap;
Man is a meddler, man’s a boob,
He looks for love in the depths of a tube,
His restless mind is forever ranging,
He thinks he’s advancing as long as he’s changing,
He cracks the atom, he racks his skull,
Man is meddlesome, man is dull,
Man is busy instead of idle,
Man is alarmingly suicidal,
Me, I am a bee.

I am a bee and I simply love it,
I am a bee and I’m darn glad of it,
I am a bee, I know about love:
You go upstairs, you go above,
You do not pause to dine or sup,
The sky won’t wait —it’s a long trip up;
You rise, you soar, you take the blue,
It’s you and me, kid, me and you,
It’s everything, it’s the nearest drone,
It’s never a thing that you find alone.
I’m a bee,
I’m free.

If any old farmer can keep and hive me,
Then any old drone may catch and wife me;
I’m sorry for creatures who cannot pair
On a gorgeous day in the upper air,
I’m sorry for cows that have to boast
Of affairs they’ve had by parcel post,
I’m sorry for a man with his plots and guile,
His test-tube manner, his test-tube smile;
I’ll multiply and I’ll increase
As I always have—by mere caprice;
For I am a queen and I am a bee,
I’m devil-may-care and I’m fancy-free,
Love-in-air is the thing for me,
Oh, it’s simply rare
In the beautiful air,
And I wish to state
That I’ll always mate
With whatever drone I encounter.


Cows, a Poem by Paul Muldoon

Paul Muldoon (born 20 June 1951) is an Irish poet. He has published over thirty collections and won a Pulitzer Prize for Poetry and the T. S. Eliot Prize. He held the post of Oxford Professor of Poetry from 1999 to 2004.

At Princeton University he is both the Howard G. B. Clark ’21 Professor in the Humanities and Founding Chair of the Lewis Center for the Arts. He has also served as president of the Poetry Society (UK)[3] and Poetry Editor at The New Yorker. More ……

Cows by Paul Muldoon

Even as we speak, there’s a smoker’s cough
from behind the whitethorn hedge: we stop dead in our tracks;
a distant tingle of water into a trough.

In the past half-hour—since a cattle truck
all but sent us shuffling off this mortal coil—
we’ve consoled ourselves with the dregs

of a bottle of Redbreast. Had Hawthorne been a Gael,
I insist, the scarlet A on Hester Prynne
would have stood for “Alcohol.”

This must be the same truck whose taillights burn
so dimly, as if caked with dirt,
three or four hundred yards along the boreen

(a diminutive form of the Gaelic bóthar, “a road,”
from bó, “a cow,” and thar
meaning, in this case, something like “athwart,”

“boreen” has entered English “through the air”
despite the protestations of the O.E.D.):
why, though, should one taillight flash and flare

then flicker-fade
to an afterimage of tourmaline
set in a dark part-jet, part-jasper or -jade?

That smoker’s cough again: it triggers off from drumlin
to drumlin an emphysemantiphon
of cows. They hoist themselves onto their trampoline

and steady themselves and straight away divine
water in some far-flung spot
to which they then gravely incline. This is no Devon

cow-coterie, by the way, whey-faced, with Spode
hooves and horns: nor are they the metaphysicattle of Japan
that have merely to anticipate

scoring a bull’s-eye and, lo, it happens;
these are earth-flesh, earth-blood, salt of the earth,
whose talismans are their own jawbones

buried under threshold and hearth.
For though they trace themselves to the kith and kine
that presided over the birth

of Christ (so carry their calves a full nine
months and boast liquorice
cachous on their tongues), they belong more to the line

that’s tramped these cwms and corries
since Cuchulainn tramped Aoife.
Again the flash. Again the fade. However I might allegorize

some oscaraboscarabinary bevy
of cattle there’s no getting round this cattle truck,
one light on the blink, laden with what? Microwaves? Hi-fis?

Oscaraboscarabinary: a twin, entwined, a tree, a Tuareg;
a double dung-beetle; a plain
and simple hi-firing party; an off-the-back-of-a-lorry drogue?

Enough of Colette and Céline, Céline and Paul Celan:
enough of whether Nabokov
taught at Wellesley or Wesleyan.

Now let us talk of slaughter and the slain,
the helicopter gunship, the mighty Kalashnikov:
let’s rest for a while in a place where a cow has lain.