Capturing the world with Photography, Painting and Drawing

Posts tagged “Nigel Borrington

A weekends drawing – Still life Study – Three Pears

Still life – Three Pears
Graphite pencils
A2 cartridge paper


The waves below the Metal Men , Tramore, County Waterford

Waves below the Metal Men
Tramore
county Waterford
January 2020

I am so desperate to go for an evening walk along Tramore beach again I could pop !!
for the moment this image taken before the lock down will have to do !!
I can still here the wave and the gulls above !
For me this is essential travel !!!!

Anyway one day soon and when it does happen it will feel like heaven !!!!


New Charcoal drawing : There are places I remember all my life ……..

There are places I remember
Charcoal drawing
Nigel Borrington
2020

In My Life
Song by The Beatles

There are places I’ll remember
All my life, though some have changed
Some forever, not for better
Some have gone, and some remain
All these places had their moments
With lovers and friends, I still can recall
Some are dead, and some are living
In my life, I’ve loved them all
But of all these friends and lovers
There is no one compares with you
And these memories lose their meaning
When I think of love as something new
Though I know I’ll never lose affection
For people and things that went before
I know I’ll often stop and think about them
In my life, I’ll love you more
Though I know I’ll never lose affection
For people and things that went before
I know I’ll often stop and think about them
In my life I’ll love you more
In my life I’ll love you more


Digital art work with a poem ( This Landscape Before Me By Sarah Holland-Batt)

The Landscape before me
A digital drawing
Using Krita and a Wacom Tablet
Nigel Borrington 2020

This Landscape Before Me
By : Sarah Holland-Batt

First the factory stood, quiet as an asylum.
Then the annihilating mallee with its red fists of blossoms
and the mountain ash creeping over it like a stain.

I have no proof, but I tell you
there were leadlight windows here once, barred.
They cast a little striped light on the women.

Now in scrub and yellow broom I stand on a history
braided and unbraided by stiff Irish wrists.
The rope and span and carded wool are unpicked
as are their faces and names.

Londonderry, Cork, Galway, Kildare—
as I say the words they are sucked away
to a hemisphere in darkness.

I will not presume to say
what suffering is or how it was meted out in this place.
At what point it breaks a body I cannot tell.

But this morning I saw a young rabbit
hunched in brush and shadow.
I saw its lesioned face, its legs too thin to scramble,
the blood-berry red and pink scab of its eye.

It had caught the disease
we brought here for it
and wanted a quiet place to die.

And it was lucky, or as lucky as it would get—
there was time and light, the hawks and dogs
had not been written yet, and were still out of sigh


Isolation in landscape a Charcoal drawing …..

isolation in  landscape
Charcoal on paper
Nigel Borrington
March 2020

Fresh from my drawing board 🙂

To be honest it taken me a few days, just like us all! to come to terms with world wide events!

I hope everyone in the wordpress community is well and keeping safe and health !

This afternoon I setup by drawing board i did my first charcoal drawing for a week “isolation in landscape” is what I am going to call it 🙂

Can I pass on some wishes for you all!

Eat well !
Sleep lots – go to bed way to early and listen to Music not the news !!
Take Vitamin D – it helps you fight off infections !!!
Do not stress – its the Number one biggest enemy of the Immune system !!!!

I am going to add don’t drink alcohol of any kind its also a killer of the Immune system !!!

Read lots of positive things, watch Positive TV !! Talk , have family fun or fun with your friends, get outside 🙂 🙂

Please look after yourselves the world needs you as Do I xxx


New Art work 2020, A still life drawing of two Pears using ICON – Chalk Pastels

Still life study ,
Two pears,
Icon Chalk Pastels on Paper
Nigel Borrington 2020

Created as one of my first still life studies while attending an evening class at our local art school KCAT, located here in Callan, County Kilkenny this drawing is made using Chalk Pastels on cartridge paper. I love this type of still life study very much , it gave me a great chance to use ICON Chalk pastels for the first time and I loved the experience of using them and the results they created. The strong marks used to build up shades and form I truly feel creates a very strong result. 🙂


A weekends Drawing – Manchester’s Industrial Landscape ( Charcoal on Paper )

Manchester’s Industrial Landscape
In the style of Trevor Grimshaw
Nigel Borrington
March 2020

This weekend I gave myself sometime to add a physical Charcoal on cartridge paper drawing to last weeks Digital version in my last post. I wanted to do some work in the style of Trevor Grimshaw as I like his drawings very much and felt there was a lot of value in attempting to produce my own versions, I feel that his use of monochrome with its many varying tones, so carefully worked is wonderful…

So here is my first attempt to produce an A3 size drawing 🙂 I am happy with the results but will keep working hard in order to refine this style of working with Charcoal as a medium ……

I also want to add some Acrylic painting works to the project but for now I am loving using Charcoal 🙂


Charcoal drawing – A tribute to the work of Trevor Grimshaw …….

Digital Charcoal drawing
In the style of Trevor Grimshaw

Following my post yesterday, I have started working with my PC based art application ( Krita ) in order to use its charcoal drawings tools to recreate as best as I can the landscapes style of Trevor Grimshaw.

Tomorrow I will give myself time to work at my desk with actual physical charcoal and chalk, I do feel very much however that a digital method of producing a work of art is just as valid in 2020, as working with physical materials, every mark made on my drawing above is made manually using a Wacom art tablet with an art pen. I often use this method of working to work out just how best to construct drawings and painting, when later it comes to sitting down with a sheet of physical paper or canvas.


February evening at Beach : Duncannon Beach, Co.Wexford, Ireland

Duncannon Beach, County Wexord, Digital painting,
Nigel Borrington 2020

February evening at Duncannon Beach

The light by the last wave lingers on fronds
of seaweed fingering wave-wet rocks where
brim-filled pools overflow before they
empty when the water surges then sucks,
surges, then sucks.

glistening, sun warmed, lit by the last
light of day while slow footsteps meander
with the gentle waves rhythms, rising, falling,
so calming in my ears, that crest falling
with an almost silent swish, hearbeat’s grace.

All troubles tumbled away calmed first,
washed by light where the last wave lingers.


Images of Winter – In the storm

Digital Drawing
winter hedgerow
Nigel Borrington December 2018

Digital Drawing
Tone Brushes, MyPaint with Wacom Pro M Tablet
Winter Hedgerow
Nigel Borrington December 2018

With Storm Dennis on its way to Ireland this weekend, Winter is still very much here, oh well time for me to stay inside and draw 🙂 🙂 or paint.

I am working on some still life work, a drawing of a sheep’s skull ……


High on a hill an Acrylic, February 2020 – Poem : In hallowed hills by : CA Guilfoyle Jun 2015

High on the hill
Acrylic on canvas
Feb:2020
Nigel Borrington

In hallowed hills

CA Guilfoyle, Jun 2015

When we were far
and very young, in a place with no roads to follow
only a winding path, a branch to grasp
a place to fill the hollow

Blue the summer, with drowsy daisies came
petals, petals, we drew circles round the sun
gold spun, our halo heads of pollen
gold the bees of sleepy flowers
amid clover grass heaven

Days we lived deep in hills
we were endless green, in unmapped countries
stretching past the farms afield, in other worlds
too far to see, we lived beyond the gray of days
and we were free, in the shining silver
of our hallowed hills of ever.


New art work 2020 – February light on Tipperary Fields

Acrylic on Canvas board
Nigel Borrington
Feb : 2020

Over the last few months and for the first time in a good few years, I have been attending some art Classes at our local art school KCAT, so I wanted to share some of the work they have helped me start to produce again, here on my blog!

The course has covered the subjects of drawing and of painting, I need to get my drawings and paintings so far captured so I can post them here, something I will do this week but for now here is an acrylic landscape painting, a view of a late February afternoon about 10 miles from home. I love these late winter days when its sunny, the Sun light on our green Irish landscapes is just amazing 🙂


Hans Op de Beeck – Staging Silence

I feel in the need for some inspiration having taken a break from blogging over the last month or two in order to help with some big projects, Now I find myself a little removed from any creative ideas…

So over the next couple of weeks I am going to take a closer look at the work of some of my most loved artists.

Hans Op de Beeck (1969, Turnhout) is a Belgian visual artist who lives and works in Brussels. For over twenty years he has exhibiting internationally.

I first viewed his work at the Butler Gallery in Kilkenny back in 2014 and was instantly taken by his film making, I love his view of the world and the way he reflects on the passage of time in his videos.

Here is just one such a film : Staging Silence

‘Staging Silence’ is based around abstract, archetypal settings that lingered in the memory of the artist as the common denominator of the many similar public places he has experienced. The video images themselves are both ridiculous and serious, just like the eclectic mix of pictures in our minds. The decision to film in black and white heightens this ambiguity: the amateurish quality of the video invokes the legacy of slapstick, as well as the insidious suspense and latent derailmentof film noir. The title refers to the staging of such dormant decors where, in the absence of people, the spectator can project himself as the lone protagonist.

Memory images are disproportionate mixtures of concrete information and fantasies, and in this film they materialise before the spectator’s eyes through anonymous tinkering and improvising hands. Arms appear and disappear at random, manipulating banal objects, scale representations and artificial lighting into alienating yet recognizable locations. These places are no more or less than animated decors for possible stories, evocative visual propositions to the spectator. The film is accompanied by a score which, inspired by the images themselves, has been composed and performed by composer-musician Serge Lacroix.


Monday Poetry : Wildflowers by – Deb Jones

Wildflowers
By Deb Jones

Wildflowers
Every year I get a gallon
Of wildflowers seeds
Just imagine!

February is when I toss them
Into the wind
In an ever widening circle

Irish wild flowers
Sheeps bit
Slate quarry’s
County Kilkenny

The moisture laden breezes
carry them over 10 acres.

And the field I leave the most seeds in
is actually a pasture.

Violets, yellows, whites and blues
They come in such beautiful coloured hues

A field of wildflowers grow
And I let them grow unknown
Until they bloom no more

A pleasure to look at
A treat to sit in the middle of

Sometimes we need color in our lives
For no other reason
Than “Why not?”


Nature on the forest floor, Moss ….

Life on the forest floor
Moss
Nigel Borrington 2019

Moss is one of the most prevalent of woodland and forest plants, it covers almost all of the trees, living or dead. It green colour is one of the strongest to be found and when found in any patches of sun light breaking through the trees can be stunning.

Commercially there is a substantial market in mosses gathered from the wild. The uses for intact moss are principally in the florist trade and for home decoration. Decaying moss in the genus Sphagnum is also the major component of peat, which is “mined” for use as a fuel, as a horticultural soil additive, and in smoking malt in the production of Scotch whisky.

Sphagnum moss, generally the species S. cristatum and S. subnitens, is harvested while still growing and is dried out to be used in nurseries and horticulture as a plant growing medium.

The practice of harvesting peat moss should not be confused with the harvesting of moss peat. Peat moss can be harvested on a sustainable basis and managed so that regrowth is allowed, whereas the harvesting of moss peat is generally considered to cause significant environmental damage as the peat is stripped with little or no chance of recovery.

Some Sphagnum mosses can absorb up to 20 times their own weight in water. In World War I, Sphagnum mosses were used as first-aid dressings on soldiers’ wounds, as these mosses said to absorb liquids three times faster than cotton, retain liquids better, better distribute liquids uniformly throughout themselves, and are cooler, softer, and be less irritating. It is also claimed to have antibacterial properties. Native Americans were one of the peoples to use Sphagnum for diapers and napkins, which is still done in Canada.

In rural areas, types of moss were traditionally used to extinguish fires as it could be found in substantial quantities in slow-moving rivers and the moss retained large volumes of water which helped extinguish the flames. This historical use is reflected in its specific Latin/Greek name, the approximate meaning of which is “against fire”.

Traditional

Preindustrial societies made use of the mosses growing in their areas.

Laplanders, North American tribes, and other circumpolar people used mosses for bedding. Mosses have also been used as insulation both for dwellings and in clothing. Traditionally, dried moss was used in some Nordic countries and Russia as an insulator between logs in log cabins, and tribes of the northeastern United States and southeastern Canada used moss to fill chinks in wooden longhouses. Circumpolar and alpine peoples have used mosses for insulation in boots and mittens. Ötzi the Iceman had moss-packed boots.

The capacity of dried mosses to absorb fluids has made their use practical in both medical and culinary uses. North American tribal people used mosses for diapers, wound dressing, and menstrual fluid absorption. Tribes of the Pacific Northwest in the United States and Canada used mosses to clean salmon prior to drying it, and packed wet moss into pit ovens for steaming camas bulbs. Food storage baskets and boiling baskets were also packed with mosses.

National Tree week Kilkenny


Image

Life of the forest floor

Life of the Forest floor
Woodcock Butterfly
Nigel Borrington 2019


Life on the Forest floor ….. Wood from a fallen tree.

Dead wood
Life on the forest floor
Nigel Borrington 2019

The forest floor is always full on life old and new, it offers amazing images with a macro lens and man times I just love getting in close and then waiting to see the captured images when I get home 🙂 .

In this image it was not until I looked closer that I noticed a small grub( Bottom Center of the image), munching away at all the dead wood, its these little insects that act as the recycling machines of the forest as they turn all the fallen trees and branches into a compose for new tree growth.


Irish wildlife trust’s – People for Bees Project

Irish wildlife
People for Bees
Nigel Borrington
2019

People for Bees

The Irish wildlife trust are running a People for Bees project across the country once more in 2019. With People for Bees we deliver accessible talks on bees, their identification and how to create bee friendly habitats.

This training includes practical outdoor sessions where participants practice field skills like bee identification, bumblebee monitoring and biodiversity record taking. The project is aimed at community groups and members of the public in every province of Ireland.

The Irish Wildlife Trust works closely with the National Biodiversity Data Centre to support the All-Ireland Pollinator Plan and the Bumblebee Monitoring Scheme. With the new skills learnt through our People for Bees programme, participating groups have the knowledge and confidence to start carrying out bee population monitoring and habitat creation in their communities, thus completing two of the objectives of the All Ireland Pollinator Plan – “Making Ireland more pollinator friendly” and “Bee population monitoring”.

All-Ireland Pollinator Plan

In 2015 Ireland, North and South, developed a strategy to address pollinator decline and protect pollination services, the All-Ireland Pollinator Plan.

Sixty-eight governmental and non-governmental organisations agreed a shared Plan that identifies 81 actions to make Ireland pollinator friendly.

You can take part, using the guides and resources provided by the National Biodiversity Data Centre for your garden, school, local community group or council and map those actions on the online mapping system, Actions for Pollinators, to help track the build-up of food and shelter in our landscape.


All the elements that nature needs …….


Sheeps bit – Wild flowers at the old slate quarry

Irish wild flowers
Sheeps bit
Slate quarry’s
County Kilkenny

Sheeps bit – Wild flowers

The Slate Quarry at (Ahenny, Windgap, Co. Kilkenny) is one of our best local locations for wild life and wild flowers – at this time of year. There are three or four old open quarry pits most of which now form small lakes, along with many heaps of slate that remained in place after all the good slate in the area had been removed. In the summer the lakes are used for swimming in.

I often visit and today I captured these blue sheep’s bit flowers at lunch time and they cover most of the tops of the old slate heaps. Natural blue wild flowers are one of natures rarest finds so it was a true pleasure to see such a large amount growing in one place.

Here are some details about these very special little plants ….

Sheep’s-bit

Scientific Name: Jasione montana
Irish Name: Duán na gcaorach
Family Group: Campanulaceae

Also known as Sheep’s-bit Scabious, the books say this is a rather variable plant and can easily be mistaken for a composite or a scabious, but theAlso known as Sheep’s-bit Scabious, the books say this is a rather variable plant and can easily be mistaken for a composite or a scabious, but the florets have a 5-toothed calyx and not a pappus. Also the anthers in this plant do not project – unlike those of Devil’s Bit Scabious. I hope this helps. It is a pretty little downy biennial which grows in rocky places, cliffs and heaths up to 40cm high. It has bright blue rounded flowers aggregated in a compact head (15-25mm) which is borne on a slender stem. Its leaves have wavy edges and are hairy, grey-green and short-stalked. The plant is on flower from May to September. This plant is a native and belongs to the family Campanulaceae.

I first identified this flower in Laragh, Co Wicklow in 1976 and photographed it in Glenmalure, Co Wicklow in 2006.
florets have a 5-toothed calyx and not a pappus. Also the anthers in this plant do not project – unlike those of Devil’s Bit Scabious. I hope this helps. It is a pretty little downy biennial which grows in rocky places, cliffs and heaths up to 40cm high. It has bright blue rounded flowers aggregated in a compact head (15-25mm) which is borne on a slender stem. Its leaves have wavy edges and are hairy, grey-green and short-stalked. The plant is on flower from May to September. This plant is a native and belongs to the family Campanulaceae.

I first identified this flower in Laragh, Co Wicklow in 1976 and photographed it in Glenmalure, Co Wicklow in 2006.

If you are satisfied you have correctly identified this plant, please submit your sighting to the National Biodiversity Data Centre


Irish Butterflies – Wood White Leptidea sinapis (lep-TID-ee-uh sy-NAY-piss)

Irish Butterflies
Wood White
Leptidea sinapis (lep-TID-ee-uh sy-NAY-piss)

It a pleasure to be into photography at this time of year, nature is in full flight and at her very best.

For many personal reasons I have no been posting regularly here on my blog for the first time in many years so it also a pleasure to be able to make a start again.

Last week I spent as much time as I could taking my much love Nikon and macro lens out into our local woodlands and capturing lots of nature images. Here is just one of the many images I managed to get the time to process so far.

Now that I am starting again to post here, I plan to be very specific this summer with my images and close-up nature images will be one of my main areas.

Wood White

Family: Pieridae Swainson, 1820
Subfamily: Dismorphiinae Schatz, 1887
Tribe: Leptideini Verity, 1947
Genus: Leptidea Billberg, 1820
Subgenus:
Species: sinapis (Linnaeus, 1758)
Wingspan 42mm

The Wood White is one of our daintiest butterflies with one of the slowest and delicate flights of all the butterflies. When at rest, the rounded tips of the forewings provide one of the main distinguishing features between this butterfly and other “whites”. Adults always rest with their wings closed. In flight, the male can be distinguished from the female by a black spot at the tip of the forewings that is greatly reduced in the female. This butterfly lives discrete colonies and was only recently separated from the visibly-identical Cryptic Wood White. This local species can be found in central and southern England and also in Ireland on the limestone pavements of Clare and South-east Galway. This species is absent from Scotland, the Isle of Man and the Channel Islands.


The River And The Hill – Poem by Henry Kendall

And they shook their sweetness out in their sleep
On the brink of that beautiful stream,
But it wandered along with a wearisome song
Like a lover that walks in a dream:
So the roses blew
When the winds went through,
In the moonlight so white and still;
But the river it beat
All night at the feet
Of a cold and flinty hill –
Of a hard and senseless hill!

I said, “We have often showered our loves
Upon something as dry as the dust;
And the faith that is crost, and the hearts that are lost –
Oh! how can we wittingly trust?
Like the stream which flows,
And wails as it goes.
Through the moonlight so white and still,
To beat and to beat
All night at the feet
Of a cold and flinty hill –
Of a hard and senseless hill?

“River, I stay where the sweet roses blow,
And drink of their pleasant perfumes!
Oh, why do you moan, in this wide world alone,
When so much affection here blooms?
The winds wax faint,
And the moon like a saint
Glides over the woodlands so white and still!
But you beat and you beat
All night at the feet
Of that cold and flinty hill –
Of that hard and senseless hill!”
The River And The Hill
Henry Kendall


A weekend drawing , Hookhead lighthouse county Wexford, Carbon Pencil on Paper.

Hookhead lighthouse
Carbon Pencil Drawing
Nigel Borrington
2019

Hookhead Lighthouse, County Wexford

This pencil drawing that I made a start on, on Friday evening and finished Sunday evening was taken from a set of photographs I took sometime back of the Hookhead Lighthouse, I was staying locally for a week and one evening just as the sun was setting on one side and the moon was rising on different sides of the lighthouse I took a photo that I have wanted for sometime to turn into a painting or a drawing.

The drawing is just the start I hope of creating a set of drawings and painting from all the images taken that week, this part of county Wexford is one on my favourite parts of Ireland, the coast here can be very dramatic and stormy at times yet stunning and peaceful on a summers day.


The Kite flyer, Charcoal on Paper

The Kite flyer
Charcoal on A2 paper
County Waterford
Nigel Borrington 2019