Capturing the world with Photography, Painting and Drawing

Posts tagged “art

A weekends drawing – Still life Study – Three Pears

Still life – Three Pears
Graphite pencils
A2 cartridge paper


New Charcoal drawing : There are places I remember all my life ……..

There are places I remember
Charcoal drawing
Nigel Borrington
2020

In My Life
Song by The Beatles

There are places I’ll remember
All my life, though some have changed
Some forever, not for better
Some have gone, and some remain
All these places had their moments
With lovers and friends, I still can recall
Some are dead, and some are living
In my life, I’ve loved them all
But of all these friends and lovers
There is no one compares with you
And these memories lose their meaning
When I think of love as something new
Though I know I’ll never lose affection
For people and things that went before
I know I’ll often stop and think about them
In my life, I’ll love you more
Though I know I’ll never lose affection
For people and things that went before
I know I’ll often stop and think about them
In my life I’ll love you more
In my life I’ll love you more


Tate Gallery online .

While art galleries like the Tate are closed at the Moment, they still have a great collection of art work online along with how to videos.

So if you want to have a go at learning some ART go check out some TATE How to videos πŸ™‚


Digital art work with a poem ( This Landscape Before Me By Sarah Holland-Batt)

The Landscape before me
A digital drawing
Using Krita and a Wacom Tablet
Nigel Borrington 2020

This Landscape Before Me
By : Sarah Holland-Batt

First the factory stood, quiet as an asylum.
Then the annihilating mallee with its red fists of blossoms
and the mountain ash creeping over it like a stain.

I have no proof, but I tell you
there were leadlight windows here once, barred.
They cast a little striped light on the women.

Now in scrub and yellow broom I stand on a history
braided and unbraided by stiff Irish wrists.
The rope and span and carded wool are unpicked
as are their faces and names.

Londonderry, Cork, Galway, Kildareβ€”
as I say the words they are sucked away
to a hemisphere in darkness.

I will not presume to say
what suffering is or how it was meted out in this place.
At what point it breaks a body I cannot tell.

But this morning I saw a young rabbit
hunched in brush and shadow.
I saw its lesioned face, its legs too thin to scramble,
the blood-berry red and pink scab of its eye.

It had caught the disease
we brought here for it
and wanted a quiet place to die.

And it was lucky, or as lucky as it would getβ€”
there was time and light, the hawks and dogs
had not been written yet, and were still out of sigh


Isolation in landscape a Charcoal drawing …..

isolation in  landscape
Charcoal on paper
Nigel Borrington
March 2020

Fresh from my drawing board πŸ™‚

To be honest it taken me a few days, just like us all! to come to terms with world wide events!

I hope everyone in the wordpress community is well and keeping safe and health !

This afternoon I setup by drawing board i did my first charcoal drawing for a week “isolation in landscape” is what I am going to call it πŸ™‚

Can I pass on some wishes for you all!

Eat well !
Sleep lots – go to bed way to early and listen to Music not the news !!
Take Vitamin D – it helps you fight off infections !!!
Do not stress – its the Number one biggest enemy of the Immune system !!!!

I am going to add don’t drink alcohol of any kind its also a killer of the Immune system !!!

Read lots of positive things, watch Positive TV !! Talk , have family fun or fun with your friends, get outside πŸ™‚ πŸ™‚

Please look after yourselves the world needs you as Do I xxx


New Art work 2020, A still life drawing of two Pears using ICON – Chalk Pastels

Still life study ,
Two pears,
Icon Chalk Pastels on Paper
Nigel Borrington 2020

Created as one of my first still life studies while attending an evening class at our local art school KCAT, located here in Callan, County Kilkenny this drawing is made using Chalk Pastels on cartridge paper. I love this type of still life study very much , it gave me a great chance to use ICON Chalk pastels for the first time and I loved the experience of using them and the results they created. The strong marks used to build up shades and form I truly feel creates a very strong result. πŸ™‚


A weekends Drawing – Manchester’s Industrial Landscape ( Charcoal on Paper )

Manchester’s Industrial Landscape
In the style of Trevor Grimshaw
Nigel Borrington
March 2020

This weekend I gave myself sometime to add a physical Charcoal on cartridge paper drawing to last weeks Digital version in my last post. I wanted to do some work in the style of Trevor Grimshaw as I like his drawings very much and felt there was a lot of value in attempting to produce my own versions, I feel that his use of monochrome with its many varying tones, so carefully worked is wonderful…

So here is my first attempt to produce an A3 size drawing πŸ™‚ I am happy with the results but will keep working hard in order to refine this style of working with Charcoal as a medium ……

I also want to add some Acrylic painting works to the project but for now I am loving using Charcoal πŸ™‚


Charcoal drawing – A tribute to the work of Trevor Grimshaw …….

Digital Charcoal drawing
In the style of Trevor Grimshaw

Following my post yesterday, I have started working with my PC based art application ( Krita ) in order to use its charcoal drawings tools to recreate as best as I can the landscapes style of Trevor Grimshaw.

Tomorrow I will give myself time to work at my desk with actual physical charcoal and chalk, I do feel very much however that a digital method of producing a work of art is just as valid in 2020, as working with physical materials, every mark made on my drawing above is made manually using a Wacom art tablet with an art pen. I often use this method of working to work out just how best to construct drawings and painting, when later it comes to sitting down with a sheet of physical paper or canvas.


February evening at Beach : Duncannon Beach, Co.Wexford, Ireland

Duncannon Beach, County Wexord, Digital painting,
Nigel Borrington 2020

February evening at Duncannon Beach

The light by the last wave lingers on fronds
of seaweed fingering wave-wet rocks where
brim-filled pools overflow before they
empty when the water surges then sucks,
surges, then sucks.

glistening, sun warmed, lit by the last
light of day while slow footsteps meander
with the gentle waves rhythms, rising, falling,
so calming in my ears, that crest falling
with an almost silent swish, hearbeat’s grace.

All troubles tumbled away calmed first,
washed by light where the last wave lingers.


High on a hill an Acrylic, February 2020 – Poem : In hallowed hills by : CA Guilfoyle Jun 2015

High on the hill
Acrylic on canvas
Feb:2020
Nigel Borrington

In hallowed hills

CA Guilfoyle, Jun 2015

When we were far
and very young, in a place with no roads to follow
only a winding path, a branch to grasp
a place to fill the hollow

Blue the summer, with drowsy daisies came
petals, petals, we drew circles round the sun
gold spun, our halo heads of pollen
gold the bees of sleepy flowers
amid clover grass heaven

Days we lived deep in hills
we were endless green, in unmapped countries
stretching past the farms afield, in other worlds
too far to see, we lived beyond the gray of days
and we were free, in the shining silver
of our hallowed hills of ever.


New art work 2020 – February light on Tipperary Fields

Acrylic on Canvas board
Nigel Borrington
Feb : 2020

Over the last few months and for the first time in a good few years, I have been attending some art Classes at our local art school KCAT, so I wanted to share some of the work they have helped me start to produce again, here on my blog!

The course has covered the subjects of drawing and of painting, I need to get my drawings and paintings so far captured so I can post them here, something I will do this week but for now here is an acrylic landscape painting, a view of a late February afternoon about 10 miles from home. I love these late winter days when its sunny, the Sun light on our green Irish landscapes is just amazing πŸ™‚


Hans Op de Beeck – Staging Silence

I feel in the need for some inspiration having taken a break from blogging over the last month or two in order to help with some big projects, Now I find myself a little removed from any creative ideas…

So over the next couple of weeks I am going to take a closer look at the work of some of my most loved artists.

Hans Op de Beeck (1969, Turnhout) is a Belgian visual artist who lives and works in Brussels. For over twenty years he has exhibiting internationally.

I first viewed his work at the Butler Gallery in Kilkenny back in 2014 and was instantly taken by his film making, I love his view of the world and the way he reflects on the passage of time in his videos.

Here is just one such a film : Staging Silence

‘Staging Silence’ is based around abstract, archetypal settings that lingered in the memory of the artist as the common denominator of the many similar public places he has experienced. The video images themselves are both ridiculous and serious, just like the eclectic mix of pictures in our minds. The decision to film in black and white heightens this ambiguity: the amateurish quality of the video invokes the legacy of slapstick, as well as the insidious suspense and latent derailmentof film noir. The title refers to the staging of such dormant decors where, in the absence of people, the spectator can project himself as the lone protagonist.

Memory images are disproportionate mixtures of concrete information and fantasies, and in this film they materialise before the spectator’s eyes through anonymous tinkering and improvising hands. Arms appear and disappear at random, manipulating banal objects, scale representations and artificial lighting into alienating yet recognizable locations. These places are no more or less than animated decors for possible stories, evocative visual propositions to the spectator. The film is accompanied by a score which, inspired by the images themselves, has been composed and performed by composer-musician Serge Lacroix.


A weekend drawing , Hookhead lighthouse county Wexford, Carbon Pencil on Paper.

Hookhead lighthouse
Carbon Pencil Drawing
Nigel Borrington
2019

Hookhead Lighthouse, County Wexford

This pencil drawing that I made a start on, on Friday evening and finished Sunday evening was taken from a set of photographs I took sometime back of the Hookhead Lighthouse, I was staying locally for a week and one evening just as the sun was setting on one side and the moon was rising on different sides of the lighthouse I took a photo that I have wanted for sometime to turn into a painting or a drawing.

The drawing is just the start I hope of creating a set of drawings and painting from all the images taken that week, this part of county Wexford is one on my favourite parts of Ireland, the coast here can be very dramatic and stormy at times yet stunning and peaceful on a summers day.


The Kite flyer, Charcoal on Paper

The Kite flyer
Charcoal on A2 paper
County Waterford
Nigel Borrington 2019


Allihies copper mine, Charcoal and graphite on paper – Nigel Borrington, 2019

Allihies copper mines
Beara Peninsula
County Cork
Charcoal and Graphite, on A2 paper
Nigel Borrington 2019

Allihies is just about as remote a place as they come in Ireland !!

Allihies copper Mine Museum

This Charcoal drawing shows just one of the pump houses at Allihies, county Cork. I think there are about 6 of them still standing around this small village.

It was In 1812 when life in Allihies changed utterly as a rich copper deposit was discovered in the area and the biggest copper mining enterprise in Ireland was established by the Puxley family .

The steam engine and pump house both pumped water out from the mine shafts and was used to lower the miners into and out-of the mine, some 250feet below the hill side. Its hard to imagine now the life these miners had , many did not live that long while doing this kind of work.

The Landscape around the mines is just wonderful with mountains facing the coastline of west cork, again its hard to image how the noise and smell of these pump houses change this location and the view of hundreds of miners returning home after a days work must have been something to see, they shared small homes in the village, mostly twenty of them shared the same small houses.


Independent Heart, A poem by : Jodie Moore

Charcoal drawing
Nigel Borrington 2019

Independent Heart

Soft words you spoken
From the heart that is broken

I know deep inside
You have a level of independence
With a mystery of suspense

You are recovering
Waiting for someone
To catch on to the discovering
Of the real you

With a heart so true
Giving of your best
Expecting nothing less

While hurt is making amends
Leaning on loving friends

Accounted for in time you spend
With words you write
Not giving into a broken hearts flight

Staying strong
Carrying others like me along

by Jodie Moore


Storm clouds, BlackValley, Killarney National Park – charcoal and Pastel drawing

Storm clouds at BlackValley
County Kerry
Ireland
Charcoal and Pastel
Nigel Borrington 2019


Hook head Light house county Wexford, Charcoal and Pastel, Nigel Borrington

Hookhead lighthouse
County Wexford
Charcoal and Pastel Nigel Borrington Feb 2019


Friday Charcoal and Pastel drawing

The lighthouse at Hookhead, county Wexford – Drawing using Charcoal and Pastel on a sheet of A2 cartridge paper.

I have wanted to include the hookhead lighthouse in drawing for sometime so today I used a photo taken about 6 years ago taken one February evening on a walk around the base of the lighthouse looking out to sea. It was late evening just after sunset and light had just just been turned on, a magical moment to be there.

The drawing today took about four hours to complete and is one of the drawing in the last week that I have enjoyed working on the most πŸ™‚ …..


Kilkenny landscape art – Charcoal and Pastels on Paper – Winter trees

Kilkenny landscape art,
Winter Trees,
Charcoal and Pastels on Paper



Kilkenny landscape art – Charcoal and Pastels on Paper – Winter trees

This is my second large scale drawing this week, worked on an A2 sheet of cartridge paper with the drawing itself being formatted to fit inside an A3 mounting card and frame.

I am really enjoying working with charcoal and pastels again, I feel that I could and most likely would be able to get more detail into each drawing if I used a set of pencils, high details for each landscape view however is not that much of a worry for me at the moment. The drawings I am working on at the moment are aimed at being Proprietary Artwork for later paintings.

I am learning all the time now about the possibilities of working with what is the very basic mediums of black charcoal and Pastel, the skills of blending and smoothing the charcoal on the paper, back into areas of grey. Drawing with both these mediums is very interesting, detail is possible but needs care to produce, each stage of the drawing needs fixing on the paper so that it is not smudged.

As with any drawing or painting when finished there are areas I like and areas I do not, here I loved working of the misty sky and the trees but found the foreground of the wet muddy field a challenge. I am happy overall and feel I have managed to work in lots of texture and levels of details hidden in the mud in the foreground and very happy with the blended sky.

I am not in all honesty yet looking for finished work as I want to keep learning as much as possible so the more I learn the better and the more that makes me have to look and think about a finished work the better. I am not finishing anything that I would not show to anyone so that is at least very pleasing.

This is the same drawing cropped down, I wonder if its better without the foreground area or better with it ?

If anyone wants to make a comment here – it would only help me πŸ™‚ πŸ™‚


Kilkenny landscape art – Charcoal and Pastels on Paper

KIlkenny Landscape art
Charcoal and Pastels on Cartridge paper
Format 297 Γ— 420 mm
Nigel Borrington 2019

Monday Drawing

Kilkenny landscape – A Charcoal and Pastels on Paper

This week I plan to continued building up my painting and drawing skills, I will continue selected from my landscape photographs and selecting ones that I wfeel will make good Mono drawings and paintings.

This evening I have just finished the above Charcoal and Pastel landscape, its drawn on A2 paper but framed for A3 dimensions. This is a good size from drawing as I feel I can work freely with this size, letting the charcoal move openly. It lets me stand up above by drawing board and move the Charcoal and Pastels with fully movement of my arms.

Just like with my last post I plan next to work the same landscape view in Acrylic paints working with cool grey tones to capture the feeling of a cold grey day, just like the day that I captured the original black and white image on.


Art Project – Kilkenny winter landscape – Photo,Drawing and Acrylic painting.

january frost county kilkenny 2019 3

January Forst
County Kilkenny
Irish Landscape Photography
Nigel Borrington 2019

Kilkenny winters Landscape project Jan 2019

This is the complete set of images including the original photograph, then the Charcoal and Pencil drawing and Acrylic painting on canvas, from the set of county Kilkenny landscape in winter photos captured last week and that I have spent most of this week working on.

This is only the first set of images and I have a lot more work to do yet to produce final drawings and painting of both this single photo and then the full set of other images I want to use. I am happy with the results so far as this is the first none digital art work that I have worked on for a while.

The main thing at the moment is that I am enjoying the process very much, its taken a while to get my art desk setup again and to get all the materials in place but now this is done I can just get working and start having some fun getting creative.

county kilkenny landscape art ballycuddihy nigel borrington 2019 1

county kilkenny landscape art
The view from Ballycuddihy
Charcoal and Graphite on paper
nigel borrington 2019

This drawing uses Charcoal and Graphite pencils on paper to produce what I hope is a moody image of a winters morning over the local Kilkenny landscape.

kilkennylandscapepaintingsacrylicwinterlandscapepaintingnigelborrington20191

County Kilkenny in Winter
Acrylic on Canvas
Nigel Borrington 2019

This Painting was produced using greys mixed from Acrylic (Cerulean blue, Crimson, Yellow Ocha and titanuim white)to produces grades of Greys, some cool and some warmer.

I hope that this helps to set a feeling of winter in my local Kilkenny landscape, on what was a very cold and frosty morning in mid January 2019.


County Kilkenny Art – The view from Ballycuddihy – charcoal and graphite drawing

County Kilkenny landscape art The view from Ballycuddihy
Charcoal and Graphite on paper
nigel borrington 2019

The view from Ballycuddihy – charcoal and graphite on paper

In my last post I uploaded some photos taken in the hills at Ballycuddihy county Kilkenny, I want to use these images and others as the source for a series of both drawings and acrylic paintings.

So over the weekend I started with a charcoal and graphite drawing. I like very much using these two drawing materials as I like to strip an image down into its monochrome tonal values before returning to repeating the painting in acrylic or oil paint and bring in colour paints. I plan this time however to paint these landscape views using acrylic paint, using black and white only, keeping the finished work to a maximum of ten grey scale values.

Here I have used the charcoal in both willow stick and compressed block form to produce a series of tonal values, using a brush to soften the charcoal into different grey values and tonal grades.The fine details in the drawing are created using graphite.

I am happy with the finished results considering that the drawing was completed within four hours, I have learnt many things here and will repeat this technique many time so that I keep getting to know much more about using charcoal and pencil together.


A Weekend in an Art Course – The art of colour mixing , Rod Moore

Art Courses 2019 – The art of colour mixing , Rod Moore

I have been into art and painting most of my life and you never stop needing to learn new areas or keep going back to basic and practice old ones, so at the start of this year I registered on a Udemy course run by Rod Moore (Rod Moore, Complete Colour mixing course for artists).

I started the course last week in the evenings and so far its very good, I like very much the structure of the courses run by Udemy as they are perfect for adult study allowing you to use your spare time to gain new skills.

Here are some of the basic colour mixing techniques I have covered so far…..

Creating a colour mixing wheel.

Here the colours provided in my watercolour palette are laid out on the very outside of the wheel, working inwards I have mixed the primary colours of Blue, Red and then Yellow to show the results of mixing primary colours.

Mixing Blue, Reds, Yellow and Greens.

Most sets of paints contain more than one type of Blue, Red, Yellow and green paints, so in the above images I have worked on taking all the paints in these groups one by one and mixing them with the other paints outside the selected group. The first image for example is using two versions of green, the second two versions of blue – then mixing these with all the other remaining colours.

This type of colour mixing produces some very interesting results and helps show just how different the results of mixing different Blues, Reds, Yellows and Greens with other colours can be.

Landscape colour mixing – wheel and chart.

As said above different available paints can fall into the basic descriptions of blues or yellows and reds, but are individually very different from each other, in the images above I have painted a colour wheel that uses more earth versions of these primary colours.

These versions of the Primary colours (Blue,Red and Yellow) when mixed help to produce results much more likely to be used in Landscape Painting, you can see that they results in a much more earthy looking colour wheel than one produced by more standard primary colours.

I have also produced a colour chart on the right hand side of this page that shows the same mixing results but in block of colour, the standard mixing chart is in the centre of the page and as you can see this produces a much more vivid set of resulting colours, ones much less suitable for landscape painting.

One thing I have noticed while working through these exercises is that watercolour paint does not mix very well compared to Acrylic or Oil paints, which both produce much better stronger results. Its harder to get watercolour to produce many different levels of the mixed colour and for these results to have much depth to them , so my next stage is to repeat all these exercises using artists acrylic paints.

So all in all I feel great about working with this course and had a very enjoyable time over the weekend, I am not intending to turn my blog into just Art and Painting so for now I will return to some photography but its be great fun sharing something different πŸ™‚


A weekend with colour …….

Colour mixing,
WaterColour and acrylics

A weekend in colour

This week I started an online course in colour mixing for watercolour and acrylic painting, so during this weekend I plan to spend as much time as possible learning colour theory.

I worked on the course in the evenings and have already used up a few pages of a new sketchbook, including the pages I have posted here.

I feel that one of the most important things I have learned so far, regardless of the type of paint used (Watercolour or Acrylic) is that I am getting to know them very well, how to mix the basic colours included in a sets of paints and what the results look like. Not all colours act the same even when used without mixing them, some colours produce very smooth results others produce a very grainy texture, some colours don’t seem to go into the paper or canvas very deeply others act more like a dye and the moment they touch a painting surface they stain and fix themselves in very quickly and most likely permanently.

The use of colours

When I first stated painting some years back, I would spend a large amount of time trying to match every single colour in a landscape I was painting, however I feel that since these days I have learnt that doing this is not only exhausting it also does not always produce a good painting. Colours can be used much more effectively when limited and balanced so that they are used to compliment each other. When colour is used to highlight areas in a painting or to soften other areas they can make some parts of a painting stand out and others while still included, fall into the background of the finished work.

It’s all these areas and more that I want to study and regain complete understanding again of both in practice and theory, I can then move onto producing colour sketches and full paintings again.



Colour mixing, using just Primary colours

In order to produces all the colours you want to include in a painting you actually only need three , The primary colours (RED,YELLOW and BLUE), what does counts here however is the type of red, yellow or blue you start with in the first place as this will allow you to produces very different final results.

So this weekend I plan to uses as much paper as possible and produce a colour notebook that I can use during the year to help me when producing any paintings I start working on.

If I get time I will post on my progress but if not, I will on Monday post some results and my thoughts on what I worked on.