Capturing the world with Photography, Painting and Drawing

Posts tagged “irish history

Allihies copper mine, Charcoal and graphite on paper – Nigel Borrington, 2019

Allihies copper mines
Beara Peninsula
County Cork
Charcoal and Graphite, on A2 paper
Nigel Borrington 2019

Allihies is just about as remote a place as they come in Ireland !!

Allihies copper Mine Museum

This Charcoal drawing shows just one of the pump houses at Allihies, county Cork. I think there are about 6 of them still standing around this small village.

It was In 1812 when life in Allihies changed utterly as a rich copper deposit was discovered in the area and the biggest copper mining enterprise in Ireland was established by the Puxley family .

The steam engine and pump house both pumped water out from the mine shafts and was used to lower the miners into and out-of the mine, some 250feet below the hill side. Its hard to imagine now the life these miners had , many did not live that long while doing this kind of work.

The Landscape around the mines is just wonderful with mountains facing the coastline of west cork, again its hard to image how the noise and smell of these pump houses change this location and the view of hundreds of miners returning home after a days work must have been something to see, they shared small homes in the village, mostly twenty of them shared the same small houses.


Ireland’s Historic Buildings : Pearse’s Cottage (Teach an Phiarsaigh),Rosmuc, County Galway

Patrick Henry Pearse (also known as Pádraig or Pádraic Pearse; Irish: Pádraig Anraí Mac Piarais; An Piarsach) was born in Dublin on the 10th of November 1879 and he died in Kilmainham Gaol(Jail), county Dublin on the 3rd of May 1916. He was primarily an Irish teacher but was also a great barrister, poet, writer and original Irish nationalist. He was one of the leaders of the Easter Rising in 1916. Following his execution along with fifteen others, Pearse came to be seen by many as the embodiment of the rebellion.

Patrick Pearse’s Cottage at Ros Muc, county Galway in the heart of the Conamara Gaeltacht, ( an Irish speaking and strongly Irish cultural area) was used by Patrick Pearse (1879 – 1916), while he spent time teaching and marking students papers.

The cottage and its interior, although burned during the War of Independence, has been perfectly reconstructed and contains an exhibition and a number of momentous of Pearse’s life.

The cottage was Pearse’s summer residence between 1903 and 1915. It was also as a summer school for his pupils from St Enda’s in Dublin where he worked during the main Academic year.

The historic cottage, has been developed as a national monument and tourist attraction as part of the 1916 centenary commemorations; and is a key ‘discovery point’ on the Wild Atlantic Way route.

I was lucky enough to visit the cottage last week and enjoyed my time here very much, the staff helped greatly when it came to understanding the life of this great Irish man and his time spent here.

If your in county Galway, you just have to call in and spend some valuable time here !

Pearse’s Cottage (Teach an Phiarsaigh), County Galway, Gallery


Kilcooley Abbey, County Tipperary. The silence of the Abbey in the field.

Kilcooley abbey is located near the town of Thurles in county Tipperary, it was founded by the Cistercians in 1182AD when the lands were granted to them by Donal Mor O’Brien. It became one of the three great Abbeys in the local area, the other two being Jerpoint and Holy Cross.

It would have been in use at least until the dissolution of Abbeys in the 1500’s and it now sits hidden away on the lands of the Kilcooley estate.

I always love visiting this abbey as its one of the most peaceful of places you could wish of, surrounded by woodlands and farms, very little sound from the modern world penetrates the field its located in. As such you can sense the times when this abbey was first lived in and used on a daily basis as a refuge and place of worship for the Cistercian monks who would have lived here.

If there are such things a Ghosts then how could they not be found still living within and around the grounds of this great Abbey.


Cutting Turf , Irish landscape History

Irish Bog lands and Turf cutting
Irish landscapes
Nigel Borrington

On Wednesday I posted some picture showing the results of a Wildfire on the bog lands of Littleton in country Tipperary, having done so I just wanted to share some more images from another Bog land in county Waterford and share some of the history of these amazing places along with some details about the history of turf cutting in Ireland.

The Irish tradition of turf cutting

In the past, Irish people heated their homes and cooked their food using turf taken from from the bog as fuel. Turf was cut from the bog by hand, using a two-sided spade called a sleán. Entire families often helped to save the turf on the bog.

Saving the turf involved turning each sod of turf to ensure the sun and wind could help in the drying process. The turf was then placed upright or ‘footed’ for further drying. Footing the turf was a back-breaking job and involved placing five or six sods of turf upright and leaning against each other. Finally, the turf was brought home and stored in sheds or ricks.

In the midlands and the West of Ireland, the tradition of using turf or peat as fuel has continued in many homes.The turf is mainly cut by machine nowadays, but saving the turf still involves lots of work and requires good weather.


Images from County Kilkenny : Kells Priory in black and white


Weekend visits : Emo Court House & Gardens, County Laois, Ireland


Emo Court House & Gardens

Emo Court is one of Ireland treasures and it is a location I have visited more than once over the years. Its a great place to visit on a weekend with its great walks through the wooded grounds along with a tour into the house and finally a visit to the cafe afterwards for a cake and a cup of tea ….

Emo Court House is a neo-classical mansion in County Laois that attracts visitors from all over the country and beyond. Designed by noted architect James Gandon, it features magnificent gardens and is located just 2.5 km from Emo village and 7 km from Portarlington Railway Station.

Designed in 1790 for the Earls of Portarlington, Emo Court House is a magnificent example of the neo-classical style. After some periods of lying empty, it was acquired by the Jesuits in the middle of the 20th century. Functional renovations were made to the estate before it was sold to Major Cholmeley Harrison, a former London stockbroker, in the 1960s.

Cholmeley Harrison’s vision was to restore Emo Court House to its former glory and today the results of his efforts are obvious. Leading London architect Sir Albert Richardson was commissioned to take on the restoration of the house which remained a private residence, though the public were encouraged to enjoy the gardens for a small entrance fee.

In 1994 Cholmeley Harrison presented Emo Court House to the people of Ireland, continuing to live there in private apartments until his death in 2008. Staff of the Office of Public Works (OPW) now care for the estate and preserve its stately elegance for modern visitors.

Visit Emo Court House to enjoy the beautiful gardens and parklands which were first laid out in the 18th century, containing formal lawns and a lake. Walks through the woodland are a popular way to explore the beautiful grounds.

The Cupcake Café at Emo Court House offers lunch and is open every day from 1 February to 31 October. From 1 November to 31 January it’s open on Saturdays and Sundays. Groups are welcomed at Emo Court House, but booking is required.

Emo Court A Gallery


Irish Landscape Images : The Hell Fire Club, Mount Pelier Hill

The Hell Fire Club
Mount Pelier Hill
County Dublin, Ireland
Irish Landscape Images
Nigel Borrington 2018

The Hell Fire Club on Mount Pelier Hill
William Conolly’s Hunting Lodge

The building now known as the Hell Fire Club was built around 1725 as a hunting lodge by William Conolly, the Speaker of the Irish House of Commons. It was named Mount Pelier by Conolly but over the years has also been known as “The Haunted House”, “The Shooting Lodge”, “The Kennel”, and “Conolly’s Folly”. It was one of several exclusive establishments using the name Hellfire Club that existed in Britain and Ireland in the 18th century.

While the building has a rough appearance today, the architecture is of a Palladian design. The upper floor consists of a hall and two reception rooms. On the eastern side, there was a third, timber-floored, level where the sleeping quarters were located. On the ground floor is a kitchen, servants’ quarters and stairs to the upper floors. The entrance, which is on the upper floor, was reached by a long flight of stairs which is now missing. At each side of the building is a room with a lean-to roof which may have been used to stable horses. A stone mounting block to assist people onto their horses can be seen on the eastern side. To the front there was a semi-circular courtyard, enclosed by a low stone wall and entered by a gate.

View of Dublin port
From Mount Pelier Hill
Irish Landscape Images
Nigel Borrington 2018

The house faces to the north, looking over Dublin and the plains of Meath and Kildare, including Conolly’s primary residence at Castletown House in Celbridge. The grounds around the lodge consisted of a 1,000-acre (4.0 km2; 1.6 sq mi) deer park. The identity of the architect is unknown: the author Michael Fewer has suggested it may have been Edward Lovett Pearce (1699–1733) who was employed by Conolly to carry out works at Castletown in 1724.

There was a prehistoric burial site at the summit of Mount Pelier Hill and stones from it were used in the construction of the lodge. A nearby standing stone was also used for the lintel over the fireplace. Shortly after its completion, a great storm blew the original slate roof off. Local superstition held that this was the work of the Devil, an act of revenge for disturbing the ancient cairn. Conolly had the roof replaced with an arched stone roof constructed in a similar fashion to that of a bridge. This roof has remained intact to the present day, even though the building has been abandoned for over two centuries and despite the roof being set alight with tar barrels during the visit of Queen Victoria to Ireland in 1849. There is little evidence that the lodge was put to much use. Conolly himself died in 1729.


Irish Archaeology, Brownshill Portal Tomb, Co. Carlow

Brownshill Portal Tomb, Co. Carlow
Irish Archaeology
Nigel Borrington

Dating from the Early Neolithic period (4000-3000 BC), Brownshill dolmen in Co. Carlow is one of the most impressive megalithic monuments in Ireland. The capstone is truly massive and has to be seen in person to be really appreciated. It is estimated to weigh in excess of 150 tonnes and is believed to be one of the heaviest capstones in Europe. It is still not certain how it was raised up, but it may have involved a combination of wooden rollers, ropes and man/animal power, aided by ramps of earth or stone.

The Brownshill dolmen is classified as a portal tomb by archaeologists and there are approximately 174 of these monuments in the country. The tombs generally consist of two large portal-stones defining the entrance and a back-stone, all of which support the cap-stone. Although Brownshill has never been excavated, finds are known from other portal tombs. These include burnt and unburnt human bone, pottery and flint artefacts as well as personal items such as bone pins and beads.

One of the very few portal tombs that has been investigated by archaeologists is Poulnabrone in Co. Clare (Lynch 2014). At this site the remains of twenty two people were uncovered inside the tomb, including sixteen adults and six children. Of these bodies only eight could be sexed and these were equally split between males and females. The bones were found in a largely disarticulated state and this suggests that the human remains had undergone a complex burial ritual. It appears that the dead were initially placed in the tomb as complete bodies and allowed to decompose. Then at a later date certain body parts were removed, in particular the skulls and long bones. The reasoning behind this is uncertain, although it may have been related to some form of ancestor worship, where the dead, via their skeletal remains, continued to play a role in the daily lives of their descendants.

A truly ancient monument, Brownshill portal tomb is located just outside the town of Carlow and is easily accessible, with a small car park present and path leading up to the monument. If you are ever in the area you should definitely visit!


The Winter Solstice Live Stream 2017 – Newgrange Ireland

Today I just want to share this You tube link !

For the first time tomorrow morning the website “Ireland ancient east” are sharing the great events that have been taking place at Newgrange for over 5000 year. This is usually a private by invention only event but now the world can share the moment that the sun light travels down the passage tomb opening and falls on the wall at the back of the tomb,

If you can please log on it would be great if as many people as possible can share this Ancient event …..

https://www.irelandsancienteast.com/wintersolstice

Every year, the Winter Solstice at Newgrange, Ireland, attracts crowds to witness the solstice sun illuminate the ancient tomb’s passage and chamber. At dawn, from December 19th to 23rd, a narrow beam of light penetrates the roof-box and reaches the floor of the chamber, gradually extending to the rear of the chamber. As the sun rises higher, the beam widens within the chamber so that the whole room becomes dramatically illuminated. This event lasts for 17 minutes, beginning around 9am.


Reefert church, Glendalough, County Wicklow

Reefort, Glendalough Monastic City, Glendalough

Glendalough has one of the biggest collections of Monastic remains in Europe, one of the most beautiful simply has to be Reefort church, located in the ancient woodlands above the lough this little chapel and is small grave yard are such a perfect reminder of an age that has long past us by.

The remains of Reefert Church are situated in a oak woodland setting, on the south-eastern shore of the Upper Lake close to an Information Office. Reefert derives its name from the Irish ‘Righ Fearta’ meaning burial place of the kings (referring to the local rulers – the O’Toole family). It dates from the eleventh century and is likely to have been built on the site of an earlier church. The church and graveyard were originally surrounded by a stone wall enclosure known in Gaelic as a ‘caiseal’. Most of the present surrounding walls however are modern. The upper parts of the church walls were re-built over 100 years ago using the original stones.

Gallery


Kells priory, county Kilkenny, Art work and Photography.

Kells Priory
County Kilkenny
Pencil on Paper
Nigel Borrington

One of the location that I love to take both my camera and sketch book is Kells Priory, county Kilkenny. Its an amazing location to capture in many forms and I am very lucky to live only a few miles away. I have posted here on my blog about it many time, you can used the search box to find these post if you wish.

The above is a Pencil on Paper drawing I worked on from about two weeks ago and below is a photo taken earlier in the summer when there was many more visitors around the site.


Ancient Ireland : Poulnabrone Dolmen and Portal Tomb, Caherconnell, county Clare Ireland

Poulnabrone Portal tomb
County Clare
Ireland
Nigel Borrington

Poulnabrone Dolmen and Portal Tomb is one of the most Dramatic megalithic sites in Ireland, it has superb sculptured form and is easily access from the road.

During the summer months it must be one of the most visited dolmens in the country. The day I visited and took these pictures it was overcast and grey, so there was less visitors than I can imagine at other times. When the site was excavated in 1986 they found some human remains some 16 adults and children plus some of their artifacts, together they dated the tomb to around 3600 B C.

The entrance some 2 meters high faces north, The capstone is tilted at the usual angle for a Doland of this type, it measures about 3 1/2 metres long and some 2 metres wide.

The name Poulnabrone means ‘ the hole of the sorrows’ There are many other interesting sites near poulnabrone including the Wedge tomb at Gleninsheen and Baur South and the Stone Fort at Caherconnell.

Situated on Karst limestone, in a field east of the Ballyvaughan – Corrofin Road the Poulnabrone Dolmen is one of Irelands more accessable megalithic structures.


Ireland’s Ancient East , Knockroe Passage Tomb, County Kilkenny

Knockroe Passage Tomb, County Kilkenny
Nigel Borrington

Knockroe Passage Tomb, County Kilkenny

Knockroe Passage tomb is located in a picturesque setting on the slopes above the Lingaun River and old slate quarries which were abandoned in the early 1900’s. The site dates to around 3,000 BC and has many similarities to the far more famous examples such as Newgrange and Knowth in the Brú na Bóinne complex in County Meath.

Originally Knockroe would have been a similar tomb to Newgrange, albeit on a smaller scale. It is likely that it too would have had an earthen mound surrounded by large kerbstones. However unlike Newgrange, Knockroe has two burial chambers, located at the eastern and western sides of the feature. These tombs are exposed, and had long ago lost their earthen cover. Many of the stones lining the passageways of these tombs at Knockroe are highly decorated with megalithic art such as spirals, hollowed ‘cup marks’, and zig-zags. You can still find them in their original locations, and when you see them it is impossible not to wonder about the possible meaning of the decorations – was it purely decorative or did it have a deeper symbolism, and what messages may be in that symbolism? You can also still see the quartz which possibly would have formed a wall around the entrance to the passageways.

Also like Newgrange, Knockroe is aligned with the Winter Solstice. Every year around the 21st December people gather at Knockroe to witness the sun setting in perfect alignment with the length of western tomb.

Knockroe is one of a group of tombs located in this region, all of which are aligned with the large
mound on the summit of Slievenamon in County Tipperary. Knockroe is one of those wonderful sites that you can’t help to keep thinking about long after your visit, without being encumbered with its earthen mound, Knockroe is like the stony skeleton of a Neolithic passage tomb.

Gallery


Loop Head Lighthouse, county Clare, Ireland


Loop Head Lighthouse,
September 2017,
county Clare, Ireland
Nigel Borrington

Loop Head Lighthouse, county Clare, Ireland

I have just spent a few days visiting County Clare, west Ireland, finishing with a visit to the great Loophead lighhouse. As you can see the day was very typical for a Septembers day here in Ireland, wet and windy.

It was still possible to visit the top of the lighthouse however which was great fun in the strong breeze.

I have very much enjoyed visiting some of Ireland’s lighthouses over the years from the north coast down to Hookhead, on the south coast, these remote location with their lighthouse keepers buildings that would have been both a place of work and a home, all year around and in all weather conditions, are a great reminder of the past.

A past that has almost gone but can in places like these still be felt very strongly.

Sometime back I found this video and have shared it before with other lighthouse posts, its still very much worth sharing again however as it reflects on the family life’s of Ireland’s lighthouse keepers …..

Here is a little history of the Loophead lighthouse

History

The first lighthouse on Loophead was one of four known Irish stone vaulted cottage type lights built about 1670. These cottages accommodated the lightkeeper and his family in two or three rooms and had an internal stone stairway between two of the rooms leading up to a platform on the roof where a coal burning brazier or chauffer was positioned. Part of the old cottage with its battered outside wall can still be seen near the lightkeepers’ dwellings.

The light must have fallen into disuse towards the end of the 17th century because it was re-established in 1720 after aldermen and merchants of Limerick petitioned the Irish Parliament in 1717 for a light on the Head.

The cottage-lighthouse with its coal fire was replaced in 1802 by a more conventional lighthouse, built by Thomas Rogers, who was also the contractor. The tower was about the same height as the present tower with four rooms and a lantern. The ground floor room was an oil store and access to the first floor or entrance room by an outside staircase of 19 steps. An internal spiral staircase connected the other two rooms and lantern. The twelve-foot diameter lantern contained twelve oil lamps, each with its own concave parabolic reflector. The reflected light shone through a 22″ diameter convex lens of solid glass, not unlike the ‘bottle glass’ or “bulls-eye” fitted into windows of modern psuedo-Georgian houses.

By 1811 the keeper was living in an adjoining cottage, rather than in the tower.

More …..

Loop Head Lighthouse, county Clare, Ireland , Gallery


Sense of place : Cullahill Chapel and castle in County Laois, Ireland

Cullahill castle and chapel
County Laois
Ireland
Nigel Borrington

The village of Cullahill, county Laois is located just over the boarder from county Kilkenny. It is home to some great old castle tower home and village chapel remains. Cullahill Castle was the principal stronghold of the MacGillapatricks of Upper Ossory built around 1425 and destroyed around 1650.

There are many places like this in the Irish republic, that have retained the remains of long lost times, this small village located on the R369 just north of Johnstown county kilkenny, is a perfect example of the way most small Irish villages would have been in the 1400’s. this small place is well worth a visit just to get a sense of old Ireland.


Gallery


History in Images, County Kilkenny, Ireland, Kells Priory

Irish History
Kells Priory
County Kilkenny
Nigel Borrington

Kells Priory (Irish: Prióireacht Cheanannais) is one of the largest and most impressive medieval monuments in Ireland.

The Augustine priory at Kells, county Kilkenny is situated alongside King’s River beside the village of Kells, about 15 km south of the medieval city of Kilkenny. The priory is a National Monument and is in the guardianship of the (OPW)Office of Public Works. One of its most striking feature is a collection of medieval tower houses spaced at intervals along and within walls which enclose a site of just over 3 acres (12,000 m2). These give the priory the appearance more of a fortress than of a place of worship and from them comes its local name of “Seven Castles”.

4 km southeast of the priory on the R697 regional road is Kilree round tower and 9th century High Cross, said to be the burial place of Niall Caille Niall mac Áeda (died 917) who was a High King of Ireland.

The Priory has been undergoing a ten year long renovation project that is approaching its completion, the priory is looking amazing and has been secured for many years to come.

Here I post some new images taken during a very enjoyable visit last Sunday afternoon.

A History of Kells Priory


Kells Priory, Gallery


Aghaviller Round Tower and Church

Aghaviller Round Tower and Church
County Kilkenny
Ireland
Nigel Borrington

Aghaviller

Round Tower and Church

Located in county Kilkenny, Aghaviller Round Tower and Church are together one of the most interesting of Irish Historic sites. Based on the presence of the round tower, it is believed that the Agherviller monastic settlement was once a relatively high-status ecclesiastical foundation dating back to Early Christian times. The church and a holy well not far from the site have been dedicated to St Brennain. We don’t know who founded the monastery but it could have been St Brennain. The round tower is built on top of a square stone plinth, an unusual feature which is only found in one other place in Ireland –at nearby Kilree. Sadly, only the lower 9.6 metres of the round tower survived.

The original NE facing round-arched doorway is in its customary location about 4 metres above ground level, although a ground-level lintelled doorway has been added in more recent times. The sandstone tower was unfortunately in deep shade from the nearby dense woods on our late afternoon visit, but it is worth a return trip in morning light to photograph the stonework which is beautifully dressed to the curve inside and out. There is a southwest facing square-headed window at the second storey level.

The church dates to the 12th Century but was significantly modified in the 15th by the addition of a massive tower over the chancel that served as a residence. Only the foundation of the nave remains. An archaeological excavation revealed a gully filled with kiln material and a sizeable ditch/boundary running north–south with stone revetting on its eastern side. This ditch is believed to have surrounded a second or outer enclosure, a common feature of high-status monastic sites.

Gallery


Portumna Work House, The Story of Irish Workhouses

Portumna Work House
Nigel Borrington

The Workhouse Story

The Irish Workhouse – An Overview

What was the workhouse?

The workhouse has been described as “the most feared and hated institution ever established in Ireland.”

The workhouse was an institution which operated in Ireland for a period of some 80 years, from the early 1840s to the early 1920s. There were 163 workhouses in total. If people could not support themselves, they could come into the workhouse. Here they would do some work in return for food. People had to stay and live in the workhouse and so the system was known as indoor relief.

The whole family had to enter together. This was a way for the landlords to clear the land of tenants who could not pay rent. Life in the workhouse was meant to be harsh so as not to encourage people to stay. One of the cruellest aspects of the workhouse was that family members were split up into separate quarters. Children aged two or less could stay with their mothers. Sometimes, family members never saw each other again.

The workhouse was not a prison. People could leave if they liked. The high walls surrounding the workhouses were for keeping out, not for keeping people in.

How did workhouses come about?

In Ireland under Brehon Law, the native laws dating back to Celtic times, rulers had to take care of the sick and the poor. In the 5th Century, Christianity came to Ireland and with it monasteries began to develop. Over time, these monasteries took on the role of caring for the less fortunate. From the mid 1500s, Ireland was invaded by Protestant English settlers. The land was taken from the Irish, the religious were prosecuted and the whole care system broke down.

The situation was so bad that by the beginning of the 1800s, it is estimated that some 2.3 million people were at near starvation level. At the time Ireland’s population was nearing 8 million. By this time also, most of Ireland’s small farmers and landless labourers were dependent on the potato as their main food.

In England, Scotland and Wales there was poverty too. The workhouse was an English system. The first workhouses in England opened in 1836. Almost 700 workhouses were built in England and Wales. The main concern of the Poor Law Commissioners in England was to ensure that the system was not abused by lazy people. Scotland by contrast had a more humane system based on outdoor relief. One of the key differences between England and Ireland at the time was that work was available in England whereas in Ireland, whilst people were willing to work, there was no employment.

In 1800, under the Act of Union, Ireland became part of Britain. Numerous committees were set up to investigate the extreme poverty in Ireland, but nothing was done. However, as more and more Irish people flocked toBritain in search of employment, the British Government acted and sent over one of the English Poor Law Commissioners, George Nicholls, to find a solution. This was his first time i nIreland. He did a quick tour and reported back that Ireland needed a workhouse system similar to the English one. The Irish Poor Law Act became law in 1838.

What did this Poor Law actually mean in practice?

It divided the country into 130 unions. A further 33 were added after the “famine” years. Each union was to have a workhouse and the workhouses were to be financed by a tax on land. George Wilkinson was appointed as architect to the Irish Poor Law Commissioners, to design and supervise the building of the workhouses. The first workhouses opened in 1841.

Before the “famine years”, the number of people entering the workhouses was low. People were slow to leave their holdings. However, by the autumn of 1846, it became clear just how bad the situation was. The potato crop was diseased and inedible. It was emigration, starvation or the workhouse. People began to flood in.

The system, based as it was on indoor relief, could not cope with the overcrowding, the disease and the deaths. Corpses, without coffins, were carried on carts day after day to be thrown into mass burial pits in the workhouse grounds. (The years from 1846 to 1851 are known as the “famine” years. It should be noted however, that while the potato crop was largely wiped out through disease, there were plenty of other foodstuffs such as grain and livestock being exported toEngland.)

After the “famine” years, the numbers of people entering the workhouse decreased and over time it became a place for people that society did not want: unmarried mothers, children born outside of marriage, orphaned and abandoned children, “lunatics and idiots”, old and infirm people, tramps who travelled the roads.

Between 1838 and 1921, the principal features of the poor law and the workhouse system remained largely unchanged. The system was abolished in the early 1920s, when Ireland gained independence from Britain.

What was life in the workhouse like?

Life in the workhouse was harsh and frequently cruel. There were many rules. The food was poor. There was little to do. People were separated from their families, hungry, frustrated, badly treated, bored and mostly without hope. Often the inmates reacted against this, by breaking the rules and by fighting amongst themselves. Some preferred prison to the workhouse as the food was better and the regime not as strict.

Staff were often ex police men or army. There was a very high dismissal rate with many of staff being cruel, incompetent and dishonest.

The diet varied somewhat from workhouse to workhouse. Generally, it consisted of stirabout, which is like porridge, milk and potatoes. Children got bread. Adults received two meals a day and children three. Reports of the time show that the food was often of very poor quality. The workhouse diet remained very basic and it was not until the end of the 1800s that tea, bread for adults and a meat soup dinner were introduced.

Very little productive work was carried out. One of the rules was that the workhouse should not enter into competition with outside businesses. When numbers in the workhouse were large, it was difficult to find work for everybody. In the earlier years, the Capstan wheel was in operation in some workhouses. Women & children, maybe up to several hundred, went around in circles pushing a big wheel for grinding corn. Breaking stones for building roads was a common occupation for the men. The women did domestic jobs such as cleaning or helping in the kitchen or laundry and looking after the sick. Older inmates were put to work mending clothes and spinning wool. Girls were meant to be trained for domestic service. Oakum picking was carried out in many workhouses. This involved separating out the strands of old ship rope so that it could be reused.

There were large numbers of children in the workhouse. In 1850, there were up to 120,000 children. Conditions were terrible for them. An English Clergyman who was in Ireland at the time expressed his shock at the total failure to provide for these children. He described the children in Limerick workhouse as skeletons covered in soars and dressed in rags. Many of the children who survived the “famine” years grew up in the workhouse. They have been described as having “the same guttural voice, a blank expression and of having a strange similarity.” These children only knew the workhouse existence.

Children were supposed to go to school in the workhouse where they were meant to learn reading, writing, arithmetic and the principles of the Christian religion. The reality was quite different. School teachers were often incompetent and cruel, incapable of teaching enormous classes of hungry and dirty children. From the 1860s onwards, social reformers pressed for the boarding out of children to foster families but this was slow to happen, probably because the workhouse would have had to pay the foster families. From about the 1870s onwards, the religious orders began to get involved and started setting up industrial schools, where children were meant to receive training. By the early 1900s, the days of children in the workhouse were beginning to draw to a close.


Did people ever leave the workhouse?

One of the ways that workhouse numbers decreased was through emigration. The cost of emigration to landlords was less than that of keeping paupers in the workhouse. An Emigration Commission was set up. Its representatives visited every workhouse in Ireland. Those who wanted to emigrate were offered free passage, clothing and a little money. Between the years 1848-1850, 4,175 orphan girls aged 14-18 left Irish workhouses forAustralia under a scheme supported by the Australian government. In the 1850s, the Poor Law started to assist young female paupers to Canada where there was demand for domestic servants. Over 15,000 girls were sent there.

Was there anything good about the workhouse system?

Though separate, the workhouse was also paradoxically a part of the locality in which it was situated. It provided business to local suppliers, some employment and medical care to the general population. Originally, the workhouse infirmary or hospital was just for the sick inmates. No qualifications were required for nurses and the level of care was very poor. From the 1860s, qualified nursing sisters began to make their way into the workhouses. Care of the sick improved greatly and the workhouse hospital was opened to non inmates. These local hospitals were missed by many when the system was abolished in the early 1920s. Some of the workhouses became county hospitals or homes. However, for generations that followed, people had an awful fear of spending their final years in the County Home, being as it was part of the workhouse system.

Portumna Work House, A Gallery


First Post after the Easter Holidays

irish national heritage park.
County Wexford
Nigel Borrington

I was only back in-front my laptop for the first time yesterday evening, uploading some of the images I captured over the Easter Holidays.

It was a great break, this year we stayed in Ireland but chose to visit many of the great locations the south east and west of the country has to offer.

The Irish National Heritage Park, was just one of these places, the Park gives you an historic journey that takes you deep into Ireland’s past, Through 9000 years of Irish History. It is a very special place where Ireland’s heritage comes alive with sights and sounds that shaped a country and helped to shape the bigger world.

Located on the banks of the picturesque River Slaney, The Irish National Heritage Park truly is the cornerstone of Ireland’s Ancient East.

With an outdoor museum depicting 9000 years of re-created Irish History situated within natural forestry & wet woodlands.

The following images are just some from the many I took on the day we visited ….


Irish standing stones : Carrigeen, Nire Valley, County Waterford

Irish standing stones Carrigeen Nire Valley  County Waterford

Irish standing stones
Carrigeen
Nire Valley
County Waterford

Irish Standing stones : Carrigeen,

Carrigeen standing stone is among the best located stones in Ireland. It stands in a superb location at the top of the picturesque Nire valley from where there is magnificent panoramic views of the surrounding mountainous region. On the day this image was taken it was -2 degrees and the mountains had a thick covering of mist.

The stone stands some height, an impressive 2.5 meters and tapering to a sharp point. It stands solidly upright and is oriented in a WNW-ESE direction.

An interesting observation here, was when looking westwards, that the jagged crest of the stone seemed to align somewhat with the distant profile of the mountain ridge to the west. (see photo below). This may be just coincidental or was it of significance and could this jagged profile of the stone have survived through thousands of years?

Apart from this speculation, Carrigeen standing stone and its surroundings is a ‘must see’.


Irish Castles : A Lament for Kilcash – Monday Poetry

Irish Castles Kilcash castle Nigel Borrington

Irish Castles
Kilcash castle
Nigel Borrington

A Lament for Kilcash

Now what will we do for timber,
with the last of the woods laid low?
There’s no talk of Cill Chais or its household
and its bell will be struck no more.
That dwelling where lived the good lady
most honoured and joyous of women
– earls made their way over wave there
and the sweet Mass once was said.

Ducks’ voices nor geese do I hear there,
nor the eagle’s cry over the bay,
nor even the bees at their labour
bringing honey and wax to us all.
No birdsong there, sweet and delightful,
as we watch the sun go down,
nor cuckoo on top of the branches
settling the world to rest.

A mist on the boughs is descending
neither daylight nor sun can clear.
A stain from the sky is descending
and the waters receding away.
No hazel nor holly nor berry
but boulders and bare stone heaps,
not a branch in our neighbourly haggard,
and the game all scattered and gone.

Then a climax to all of our misery:
the prince of the Gael is abroad
oversea with that maiden of mildness
who found honour in France and Spain.
Her company now must lament her,
who would give yellow money and white
– she who’d never take land from the people
but was friend to the truly poor.

I call upon Mary and Jesus
to send her safe home again:
dances we’ll have in long circles
and bone-fires and violin music;
that Cill Chais, the townland of our fathers,
will rise handsome on high once more
and till doom – or the Deluge returns –
we’ll see it no more laid low.

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Kilcash Castle located on the county Kilkenny / Tipperary boarders but firmly in county Tipperary is one of the most haunting places to be found locally. It has a long history that started with its construction in the sixteenth century by the wall family who latter passed it on to the Butlers of Ormond who much latter sold it to the Irish State in 1997 for £500

Brief History of Kilkash castle and the Poem

By the late 20th century Kilcash Castle was in a dangerous state of repair, and it was sold to the State by the trustees of the Ormond estate for £500 in 1997. It is undergoing extensive structural repairs to save it from collapsing. But this means it is covered in scaffolding and the site is closed off to visitors.

The author of the popular Irish poem and song Cill Chaise (Kilcash) casts himself back in time to mourn the death of Margaret Butler, the former Lady Iveagh, in 1744. Her death moves the writer to lament her tolerance and to compare the cutting down of the woods of Kilcash with the destruction of the Gaelic way of life.

But the woods were not destroyed by the English, but through their sale by the Butler family, who needed the income to supplement their new lifestyle in Kilkenny Castle.

Traditionally, the poem has been attributed to Father John Lane, Parish Priest of nearby Carrick-on-Suir, who was educated for the priesthood at the expense of the former Lady Iveagh, the deagh-bhean or good lady in the song. However, the dating is misplaced, for Father Lane died in 1776 and the sale of the timber at Kilcash was not advertised in local newspapers until 1797.

Although the timber was sold off between 1797 and 1801, the earliest manuscripts of the text do not appear for another 40 years, which means Cill Chaise was written no earlier than the early 1800s, but perhaps much later. The air seems to be Bliadhin ’sa taca so phós mé (This time twelve months I married), which was collected by George Petrie in Clare and published in 1855.

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The Copper mine , Monday Poetry

Copper_Mine_Nigel_Borrington_Panorama1

The Copper Mine

A mine spread out its vast machinery.

Her engines with their huts and smoky stacks,

Cranks, wheels, and rods, boilers and hissing steam,

Pressed up the water from the depths below.

Here fire-whims ran till almost out of breath,

And chains cried sharply, strained with fiery force.

Here blacksmiths hammered by the sooty forge,

And there a crusher crashed the copper ore.

Here girls were cobbing under roofs of straw,

And there were giggers at the oaken hutch.

Here a man-engine glided up and down,

A blessing and a boon to mining men:

And near the spot, where many years before,

Turned round and round the rude old water wheel,

A huge fire-stamps was working evermore,

And slimy boys were swarming at the trunks.

The noisy lander by the trap-door bawled

With pincers in his hand; and troops of maids

With heavy hammers brake the mineral stones.

The cart-man cried, and shook his broken whip;

And on the steps of the account-house stood

The active agent, with his eye on all.

Below were caverns grim with greedy gloom,

And levels drunk with darkness; chambers huge

Where Fear sat silent, and the mineral-sprite

For ever chanted his bewitching song;

Shafts deep and dreadful, looking darkest things

And seeming almost running down to doom;

Rock under foot, rock standing on each side;

Rock cold and gloomy, frowning overhead;

Before; behind, at every angle, rock.

Here blazed a vein of precious copper ore,

Where lean men laboured with a zeal for fame,

With face and hands and vesture black as night,

And down their sides the perspiration ran

In steaming eddies, sickening to behold.

But they complained not, digging day and night,

And morn and eve, with lays upon their lips.

Here yawned a tin-cell like a cliff of crags,

Here Danger lurked among the groaning rocks,

And oftimes moaned in darkness. All the air

Was black with sulphur and burning up the blood.

A nameless mystery seemed to fill the void,

And wings all pitchy flapped among the flints,

And eyes that saw not sparkled min the spars.

Yet here men worked, on stages hung in ropes,

With drills and hammers blasting the rude earth,

Which fell with such a crash that he who heard

Cried, “Jesu, save the miner!” Here were the ends

Cut through hard marble by the miners’ skill,

And winzes, stopes and rizes: pitches here,

Where worked the heroic, princely tributer,

This month for nothing, next for fifty pounds.

Here lodes ran wide, and there so very small

That scarce a pick-point could be pressed between;

Here making walls as smooth as polished steel,

And there as craggy as a rended hill.

And out of sparry vagues the water oozed,

Staining the rock with mineral, so that oft

It led the labourer to a house of gems.

Across the mine a hollow cross-course ran

From north to south, an omen of much good;

And tin lay heaped on stulls and level-plots;

And in each nook a tallow taper flared,

Where pale men wasted with exhaustion huge.

Here holes exploded, and there mallets rang,

And rocks fell crashing, lifting the stiff hair

From time-worn brows, and noisy buckets roared

In echoing shafts; and through this gulf of gloom

A hollow murmur rushed for evermore.


Returning to Skellig Michael, an island escape

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Skellig Michael, county Kerry, Ireland
Landscape Photography : Nigel Borrington

I first visited Skellig Michael in 2012 and the following images and post were taken and created during and following this visit, since then the island has been used during the making of the latest Star Wars movie “The Force Awakens”.

While no one worried too much about this remote and sacred place being used for this purpose, I think a lot of people are very much hoping that it does not mark the start of the island being openly used in such away, here it Ireland places like this are treasured and their peace is defended strongly. The Island is also the home to some very unique and protected wildlife.

Skellig Michael : an island escape

Skellig Michael is an Island some 12 to 16 kilometres by boat from the ring of kerry, county Kerry, Ireland. It is most famous for the fact that during the 6th to the 8th Century’s a religious settlement was established here.

The Island is a world heritage site and falls under the guardianship of UNESCO, you can find the official historic details from the link on the world heritage web page here : Skellig Michael

In my last two posts I shared the boat trip to the Island and then the long but wonderful walk up to the settlement at the very top of the Island some 218 meters from sea level. Today I just want to share images of the inside area , the location that the people who lived here spent their life’s and also the location in which they are buried and there final resting place.

The images in the Gallery below are placed in the order that you view the buildings when you walk through the site, the only access is through a small passage in the outer walls.

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The very first thing that greets you are two small head stones, in a very small patch of grass. These are the graves of two young boys, it was a tradition that monks in this period would take very young boys as members to their orders. These boys where from families on the main land and once they moved here they would most likely never return to see there families. Our guide informed us that it is a possibility that both boys were killed by Viking invaders as when the remains where examined wounds were found that indicate that they were killed by the use of weapons, both boys did not pass the ages of ten or twelve. It is also thought that other graves in the pictures here, in the centre of the living area contain some adult victims of such attacks.

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A monastery may have been founded as early as the sixth century, reputedly by Saint Fionán but in 1044 rededicated to Saint Michael, the image here shows a large sculpture that is located towards the middle of the complex. It was described by our guide as being a cross but it could also be very much in the form of a human figure, with the arms to the side and a head looking over the site.

The word Skellig is defined as meaning “splinter of a stone”, and thus this rocky island was dedicated to saint Michael, there are also other Islands around Europe and maybe further away that are dedicated to this saint ( Mont Saint-Michel France, St Michael’s Mount Cornwall)

Skellig Michael 24

One of the most famous features of Skellig Michael are the so called Beehive structures, there were may be six or seven of these of which six are still standing, they were the living spaces for each of the monks, this fact would indicate that a maximum of seven people lived here in the beehives at any one time, there is a structure at the very end of the settlement that is constructed completely differently, It is thought that the head of the order would have lived in this building but few fact to prove this exist.

In any case the indications are that eight people lived on Skellig Michael at anyone time during its long history.

Living with in these stone constructions looks very harsh , during the time they were occupied however they would have looked very different, in some of the pictures you can see supporting stones that stick out of the main buildings by some amount, it is thought that these stones supported a covering of thatch consisting of straw and clay, this would have been deep and was used to keep the inner stone structure warn and dry. Not all but some of the Beehives have a hole in the roof that was used to let out smoke from fires inside.

At some point I want to post about the life’s of these people, who they where and why they chose to live here, I need to read a little more however , so for the moment that’s it. Three post over the last three day, that I hope share a visit to this wonderful and mystical island.

If you get a chance I would really encourage you to visit. Its an experience of a lifetime and helps you to open your mind to European history.

I cannot help however feeling that this place holds something else other than the official history, The question as to why these monks felt the need to occupy Skellig Michael, so far of the Irish coast line, is very big !

This place feels like an escape, a refuge but from what and why ?

With such massive risk’s taken by a small group of people to construct three stone stair-ways to the top of the Island and then build the walled settlement, the question of why looms very large. These were times when the word of Christianity was first being spread across Ireland so why the need to hide away here ?

I need to do much more reading, before I understand these bigger questions 🙂 and even then maybe some of the answers have been lost !

Gallery

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European passage tombs ( Knockroe, county Kilkenny and Kilmartin, Argyll, Scotland )

Knockroe passage tomb

Knockroe, county Kilkenny

Knockroe http://www.megalithicireland.com/Knockroe%20Passage%20Tomb.html

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Kilmartin, Argyll, Scotland

Kilmartin http://en.wikipedia.org/wiki/Kilmartin_Glen

A link through time

These two mystical European locations stand two hundred and fifteen miles apart, Knockroe is in county Kilkenny republic of Ireland and the other, Kilmartin is in Argyll, Scotland, about 15 miles south of Oban.

Knockroe panel

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The reason I displaying these images in the same post is simply to highlight something that only occurred to me when one year I happened to visit them only weeks apart. The fact is you could view these two sites individually and study them by themselves all you like, however you would be missing something very important!

Knockroe Markings

The people’s who created these sites shared the same time period and clearly the same beliefs and culture. They lived in Europe both in Ireland and Scotland located in the Geographical British Isles; however some 5500 years ago they knew nothing of recent nations and nationalism , of national borders or even the concept of a European nation.

Knockroe scetch

Both monuments are passage tombs, placed for their dead to be remembered, they both also contain elements for marking the passing of the year and its seasons, by measuring the movement of the sun and the moon.

The structures in these places along with the cultural function they served is identical, to me this shows that these people traveled the seas and not only shared goods and beliefs they in fact where the same peoples. They did not just get on with each other through trade they were each other as brother and sister, mother and father, family and friends.

When they knew nothing of modern boundaries and divisions, what else could they be?

These same people who traveled from one place to another in order to expand their options and abilities did not in any shape or form see themselves as English or Scottish or Irish they were family to each other and nothing more or less!