Capturing the world with Photography, Painting and Drawing

Welcome

I started this blog in 2011 with the aim of sharing some of my images capturing many of the locations here in Ireland where I live, along with some great places visited on my travels. I very much hope you enjoy the posts you find here, since 2011 this blog has had well over 150,000 visits and 70,000 likes for it's pages and I would like to say a big THANK YOU ! to everyone who has already visited this blog leaving a like or making a comment, both of which are very much appreciated. I look forward to many more posts and also reading all the great blog posts from so many great people in the WordPress community :)

Latest

This is Manchester !!!

People living and working on one of the most culturally diverse streets in Britain are being celebrated in a new photographic exhibition.

Panoramic snapshots of life in Manchester’s multicultural Cheetham Hill Road

On this blog I do my best to keep away from political events and areas of life that can only affect people in a negative way !!!

However flowing last nights terrorist attack in my home town of Manchester I just wanted to make a quick comment and to share what I feel is such a great city, its people and its very heart !!!

This is Manchester, the Manchester I love and grew-up in !!!!

MULTICULTURAL !!!

LOVING!

CARING!!!

SOFT SHARING PEOPLE!!!

My Heart is Broken!! For the people who have lost loved ones last night and for anyone affected in anyway !!!!

Please go and read this article, it reflects upon the best aspects of life in the city I love the most !!! MANCHESTER , UK …..

Monday Poetry : Bicycle Beats By Christian Reid Oct 2014

Christian Reid Oct 2014
Bicycle Beats

Axels and chains and
Feet and brains
It’s the bicycle beats
And the trees and the streets
Join the lines in the sidewalk
As I ride and I talk
To myself,
“Breathe in,” &
“Breathe out,” —
Burning and churning to the
Grooves and the cracks
Red light’s the only chance to relax
Racing the bus and flashing a grin
To the sorry folks trapping themselves therein
Ecstasy building with each revolution
Wiping my sweat away, tasting pollution
Grinding and winding a path on my bike
Where cars and pedestrians hate me alike

York Minster , Inside out …..

Cathedral and Metropolitical
Church of St Peter
Nigel Borrington

The Cathedral and Metropolitical Church of Saint Peter in York, commonly known as York Minster, is the cathedral of York, England, and is one of the largest of its kind in Northern Europe. The minster is the seat of the Archbishop of York, the second-highest office of the Church of England, and is the mother church for the Diocese of York and the Province of York. It is run by a dean and chapter, under the Dean of York. The title “minster” is attributed to churches established in the Anglo-Saxon period as missionary teaching churches, and serves now as an honorific title. Services in the minster are sometimes regarded as on the High Church or Anglo-Catholic end of the Anglican continuum.

The minster has a very wide Decorated Gothic nave and chapter house, a Perpendicular Gothic Quire and east end and Early English North and South transepts. The nave contains the West Window, constructed in 1338, and over the Lady Chapel in the east end is the Great East Window (finished in 1408), the largest expanse of medieval stained glass in the world. In the north transept is the Five Sisters Window, each lancet being over 52 feet (16 m) high. The south transept contains a rose window, while the West Window contains a heart-shaped design colloquially known as ‘The Heart of Yorkshire’.

York Minster , Inside out …..

What do Hover flies and Insect see with their compound eyes ?

Nature Photography
Macro image of a Hover fly
Nigel Borrington

Hover Flies, such as the this one above, look at the world in quite a different way than humans do. The structure and function of a flies eye are completely different from ours, and so they see shapes, motion and color differently. Flies are also able to see light in a way humans cannot.

Structure of a Compound Eye

Compound eyes are made up of thousands of individual visual receptors, called ommatidia. Each ommatidium is a functioning eye in itself, and thousands of them together create a broad field of vision for the fly. Each ommatidium is a long, thin structure, with the lens on the outer surface of the eye, tapering to a nerve at the eye’s base. When the ommatidium receives light, it is filtered through the lens, then a crystalline cone structure, pigment cells and visual cells. Every ommatidium has its own nerve fiber connecting to the optic nerve, which relays information to the flies brain.


Flies Can’t Focus

A human’s eye is attached to muscles that allow it to move, expanding the field of vision and making it possible for the eye to gather more information about its surroundings. Instead of moving their eyes, flies receive information from several different points simultaneously. A flies eyes are immobile, but because of their spherical shape and protrusion from the flies head they give the fly an almost 360-degree view of the world. In a human eye, the pupil controls how much light comes into it, which is focused by the lens onto the retina. The retina then relays information to the brain via the optic nerve. Because fly eyes have no pupils they cannot control how much light enters the eye. With no control over how much light passes through the lens, the fly cannot focus the image it sees. Flies are also short-sighted — a visible range of a few yards is considered good for an insect.

The Mosaic Effect

The best analogy to describe a flies vision is to compare it to a mosaic — thousands of tiny images convalesce, and together represent one visual image. Each one of these pictures represents information from the fly’s individual ommatidium. The effect is much like how we see stippling or newspaper print — up close the image is a lot of tiny dots, but take a step back and it’s a complete image. The more ommatidia a compound eye contains, the clearer the image it creates.

Motion Detection

There’s a reason why flies are especially jumpy creatures that take off at the slightest flinch. A flies vision is nowhere near as clear or effective as a human’s, but it’s especially good at picking up form and movement. As an object moves across the fly’s field of view the ommatidia fire and stop firing. This is called a flicker effect. It’s similar to how a scrolling marquis works — with lights turning on and off to give the illusion of motion. Because a fly can easily see motion and form, but not necessarily what the large moving object is, they are quick to flee, even if the moving object is harmless.


Interpreting Light Waves

Flies have limited color vision. Each color has its own wave frequency, but flies have only two kinds of color receptor cells. This means they have trouble distinguishing between colors, for instance discerning between yellow and white. Insects cannot see the color red, which is the lowest color frequency humans can see. However, houseflies have the ability to see polarized light, but humans cannot differentiate between polarized and unpolarized light. Polarized light is light in which the waves travel only in one plane.

Macro Images – Wolf Spider

Macro Images
Wolf spider
Nature Images
Nigel Borrington Kilkenny

Wolf Spiders are members of the family Lycosidae. They are so named because their method of hunting is to run down their prey like that of a wolf. Wolf Spiders are robust and agile hunters that rely on good eyesight to hunt, typically at night. Wolf Spiders resemble nursery web spiders (family Pisauridae), however, they carry their egg sacs by attaching them to their spinnerets (instead of by means of their jaws and pedipalps).

Wolf spider Characteristics

Wolf Spiders range from about half an inch to 2 inches in length. They are hairy and typically brown to grey in colour with a distinct Union Jack impression on their backs. The spiders undersides are light grey, cream or black, sometimes salmon pink.

Wolf Spiders have eight eyes arranged in three rows. The bottom row consists of four small eyes, the middle row has two very large eyes and the top row has two medium-sized eyes.

Wolf Spiders depend on their good eyesight to hunt. Their sense of touch is also acute. The sides of their jaws may have a small raised orange spot or ‘boss’.

Because they depend on camouflage for protection, Wolf Spiders do not have the flashy appearance of some other kinds of spiders. In general their colouration is appropriate to their favoured habitat.

Wolf Spiders eyes reflect light well and one way of finding them is to hunt at night using a flashlight strapped to ones forehead so that the light from the light is reflected from their eyes directly back toward its source.

Wolf spider Habitat and Webs

Wolf spiders can be found in a wide range of habitats both coastal and inland. These include shrub lands, woodland, wet coastal forest, alpine meadows and suburban gardens.

Wolf spiders are commonly known as household pests as when the weather starts getting colder, they look for warm places to overwinter in homes. Wolf Spiders are commonly found around doors, windows, house plants, basements, garages and in almost all terrestrial habitats. Wolf Spiders do not spin a web, instead, they roam at night to hunt for food. Wolf spiders are often confused with the Brown Recluse spider, however, they lack the violin-shaped marking of the Recluse. The wolf spider is shy and is most likely to run away when disturbed.

Wolf spider Diet

Two Wolf spider species are known to be predators of cane toads. Lycosa lapidosa will take small toads and frogs while Lycosa obscuroides has been noted biting and killing a large toad within one hour.

Wolf spider Reproduction

Mating takes place outside the females burrow at night. Some adult male Wolf spiders of smaller-sized species are known to disperse by air in order to find mates. The male is attracted by scent markings left by the female, often associated with her drag-line silk. Males perform a courtship ritual prior to mating, often involving complex leg and palp signaling to the female.

The female Wolf spider constructs an egg sac of white papery silk, shaped like a ball with an obvious circular seam, which she then carries around attached with strong silk to her spinnerets. When the spiderlings hatch, they are carried around on the females back until they are ready to disperse by ballooning or on the ground. Such a high degree of parental care is relatively unusual among spiders. Wolf spiders live for up to 2 years.

Wolf spider Venom

The Wolf Spider is not aggressive, however, it will inject venom freely if continually provoked. Symptoms of its venomous bite include swelling, mild pain and itching. Though usually considered harmless to humans, its bite may be painful.

Macro Wednesday Dolycoris baccarum (Sloe Bug) – Hairy Shieldbug Family: Pentatomidae

Dolycoris baccarum Hairy Shieldbug
Family: Pentatomidae

A large and distinctive purple-brown and greenish shieldbug which is covered with long hairs. The antennae and connexivum are banded black and white. During the winter, the ground colour becomes uniformly dull brown.

This bug overwinters as an adult, emerging in the spring. Larvae, which are also hairy, may be found on numerous plants, particularly those in the Roasaceae. The new generation is complete from August onwards.

Common and widepsread in many habitats throughout Britain, particularly hedgerows and woodland edges, becoming scarcer and mainly coastal in the north.

Adult: All year
Length 11-12 mm

The Hand of Glory: The Nurse’s Story : Richard Harris Barham

The path to Top Withens,Earnshaw family house Wuthering Heights, Emily Brontë.
Nigel Borrington

The Hand of Glory: The Nurse’s Story
Richard Harris Barham

On the lone bleak moor,
At the midnight hour,
Beneath the Gallows Tree,
Hand in hand
The Murderers stand
By one, by two, by three!
And the Moon that night
With a grey, cold light
Each baleful object tips;
One half of her form
Is seen through the storm,
The other half ‘s hid in Eclipse!
And the cold Wind howls,
And the Thunder growls,
And the Lightning is broad and bright;
And altogether
It ‘s very bad weather,
And an unpleasant sort of a night!
‘Now mount who list,
And close by the wrist
Sever me quickly the Dead Man’s fist!—
Now climb who dare
Where he swings in air,
And pluck me five locks of the Dead Man’s hair!’

There ‘s an old woman dwells upon Tappington Moor,
She hath years on her back at the least fourscore,
And some people fancy a great many more;
Her nose it is hook’d,
Her back it is crook’d,
Her eyes blear and red:
On the top of her head
Is a mutch, and on that
A shocking bad hat,
Extinguisher-shaped, the brim narrow and flat!
Then,— My Gracious!— her beard!— it would sadly perplex
A spectator at first to distinguish her sex;
Nor, I’ll venture to say, without scrutiny could be
Pronounce her, off-handed, a Punch or a Judy.
Did you see her, in short, that mud-hovel within,
With her knees to her nose, and her nose to her chin,
Leering up with that queer, indescribable grin,
You’d lift up your hands in amazement, and cry,
‘— Well!— I never did see such a regular Guy!’

And now before
That old Woman’s door,
Where nought that ‘s good may be,
Hand in hand
The Murderers stand
By one, by two, by three!

Oh! ‘tis a horrible sight to view,
In that horrible hovel, that horrible crew,
By the pale blue glare of that flickering flame,
Doing the deed that hath never a name!
‘Tis awful to hear
Those words of fear!
The prayer mutter’d backwards, and said with a sneer!
(Matthew Hopkins himself has assured us that when
A witch says her prayers, she begins with ‘Amen.’) —
—’ Tis awful to see
On that Old Woman’s knee
The dead, shrivell’d hand, as she clasps it with glee!—

And now, with care,
The five locks of hair
From the skull of the Gentleman dangling up there,
With the grease and the fat
Of a black Tom Cat
She hastens to mix,
And to twist into wicks,
And one on the thumb, and each finger to fix.—
(For another receipt the same charm to prepare,
Consult Mr Ainsworth and Petit Albert.)

‘Now open lock
To the Dead Man’s knock!
Fly bolt, and bar, and band!
— Nor move, nor swerve
Joint, muscle, or nerve,
At the spell of the Dead Man’s hand!
Sleep all who sleep!— Wake all who wake!—
But be as the Dead for the Dead Man’s sake!!’

All is silent! all is still,
Save the ceaseless moan of the bubbling rill
As it wells from the bosom of Tappington Hill.
And in Tappington Hall
Great and Small,
Gentle and Simple, Squire and Groom,
Each one hath sought his separate room,
And sleep her dark mantle hath o’er them cast,
For the midnight hour hath long been past!

All is darksome in earth and sky,
Save, from yon casement, narrow and high,
A quivering beam
On the tiny stream
Plays, like some taper’s fitful gleam
By one that is watching wearily.

Within that casement, narrow and high,
In his secret lair, where none may spy,
Sits one whose brow is wrinkled with care,
And the thin grey locks of his failing hair
Have left his little bald pate all bare;
For his full-bottom’d wig
Hangs, bushy and big,
On the top of his old-fashion’d, high-back’d chair.
Unbraced are his clothes,
Ungarter’d his hose,
His gown is bedizen’d with tulip and rose,
Flowers of remarkable size and hue,
Flowers such as Eden never knew;
— And there, by many a sparkling heap
Of the good red gold,
The tale is told
What powerful spell avails to keep
That careworn man from his needful sleep!

Haply, he deems no eye can see
As he gloats on his treasure greedily,—
The shining store
Of glittering ore,
The fair Rose-Noble, the bright Moidore,
And the broad Double-Joe from beyond the sea,—
But there’s one that watches as well as he;
For, wakeful and sly,
In a closet hard by
On his truckle bed lieth a little Foot-page,
A boy who ‘s uncommonly sharp of his age,
Like young Master Horner,
Who erst in a corner
Sat eating a Christmas pie:
And, while that Old Gentleman’s counting his hoards,
Little Hugh peeps through a crack in the boards!

There ‘s a voice in the air,
There ‘s a step on the stair,
The old man starts in his cane-back’d chair;
At the first faint sound
He gazes around,
And holds up his dip of sixteen to the pound.
Then half arose
From beside his toes
His little pug-dog with his little pug nose,
But, ere he can vent one inquisitive sniff,
That little pug-dog stands stark and stiff,
For low, yet clear,
Now fall on the ear,
— Where once pronounced for ever they dwell,—
The unholy words of the Dead Man’s spell!
‘Open lock
To the Dead Man’s knock!
Fly bolt, and bar, and band!—
Nor move, nor swerve,
Joint, muscle, or nerve,
At the spell of the Dead Man’s hand!
Sleep all who sleep!— Wake all who wake!—
But be as the Dead for the Dead Man’s sake!‘Now lock, nor bolt, nor bar avails,
Nor stout oak panel thick-studded with nails.
Heavy and harsh the hinges creak,
Though they had been oil’d in the course of the week,
The door opens wide as wide may be,
And there they stand,
That murderous band,
Lit by the light of the GLORIOUS HAND,
By one!— by two!— by three!

They have pass’d through the porch, they have pass’d through the hall,
Where the Porter sat snoring against the wall;
The very snore froze,
In his very snub nose,
You’d have verily deem’d he had snored his last
When the Glorious HAND by the side of him pass’d!
E’en the little wee mouse, as it ran o’er the mat
At the top of its speed to escape from the cat,
Though half dead with affright,
Paused in its flight;
And the cat that was chasing that little wee thing
Lay crouch’d as a statue in act to spring!
And now they are there,
On the head of the stair,
And the long crooked whittle is gleaming and bare,
— I really don’t think any money would bribe
Me the horrible scene that ensued to describe,
Or the wild, wild glare
Of that old man’s eye,
His dumb despair,
And deep agony.
The kid from the pen, and the lamb from the fold,
Unmoved may the blade of the butcher behold;
They dream not — ah, happier they!— that the knife,
Though uplifted, can menace their innocent life;
It falls;— the frail thread of their being is riven,
They dread not, suspect not, the blow till ‘tis given.—
But, oh! what a thing ‘tis to see and to know
That the bare knife is raised in the hand of the foe,
Without hope to repel, or to ward off the blow!—
— Enough!— let ‘s pass over as fast as we can
The fate of that grey, that unhappy old man!

But fancy poor Hugh,
Aghast at the view,
Powerless alike to speak or to do!
In vain doth be try
To open the eye
That is shut, or close that which is clapt to the chink,
Though he’d give all the world to be able to wink!—
No!— for all that this world can give or refuse,
I would not be now in that little boy’s shoes,
Or indeed any garment at all that is Hugh’s!
—’ Tis lucky for him that the chink in the wall
He has peep’d through so long, is so narrow and small.

Wailing voices, sounds of woe
Such as follow departing friends,
That fatal night round Tappington go,
Its long-drawn roofs and its gable ends:
Ethereal Spirits, gentle and good,
Aye weep and lament o’er a deed of blood.

‘Tis early dawn — the morn is grey,
And the clouds and the tempest have pass’d away,
And all things betoken a very fine day;

But, while the lark her carol is singing,
Shrieks and screams are through Tappington ringing!
Upstarting all,
Great and small
Each one who ‘s found within Tappington Hall,
Gentle and Simple, Squire or Groom,
All seek at once that old Gentleman’s room;
And there, on the floor,
Drench’d in its gore,
A ghastly corpse lies exposed to the view,
Carotid and jugular both cut through!
And there, by its side,
‘Mid the crimson tide,
Kneels a little Foot-page of tenderest years;
Adown his pale cheek the fast-falling tears
Are coursing each other round and big,
And he ‘s staunching the blood with a full-bottom’d wig!
Alas! and alack for his staunching!—‘tis plain,
As anatomists tell us, that never again
Shall life revisit the foully slain,
When once they’ve been cut through the jugular vein.

There’s a hue and a cry through the County of Kent,
And in chase of the cut-throats a Constable’s sent,
But no one can tell the man which way they went:
There’s a little Foot-page with that Constable goes,
And a little pug-dog with a little pug nose.

In Rochester town,
At the sign of the Crown,
Three shabby-genteel men are just sitting down
To a fat stubble-goose, with potatoes done brown;
When a little Foot-page
Rushes in, in a rage,
Upsetting the apple-sauce, onions, and sage.
That little Foot-page takes the first by the throat,
And a little pug-dog takes the next by the coat,
And a Constable seizes the one more remote;
And fair rose-nobles and broad moidores,
The Waiter pulls out of their pockets by scores,
And the Boots and the Chambermaids run in and stare;
And the Constable says, with a dignified air,
‘You’re wanted, Gen’lemen, one and all,
For that ‘ere precious lark at Tappington Hall!’

There ‘a a black gibbet frowns upon Tappington Moor,
Where a former black gibbet has frown’d before:
It is as black as black may be,
And murderers there
Are dangling in air,
By one!— by two!— by three!

There ‘s a horrid old hag in a steeple-crown’d hat,
Round her neck they have tied to a hempen cravat
A Dead Man’s hand, and a dead Tom Cat!
They have tied up her thumbs, they have tied up her toes,
They have tied up her eyes, they have tied up her limbs!
Into Tappington mill-dam souse she goes,
With a whoop and a halloo!—‘She swims!— She swims!’
They have dragg’d her to land,
And every one’s hand
Is grasping a faggot, a billet, or brand,
When a queer-looking horseman, drest all in black,
Snatches up that old harridan just like a sack
To the crupper behind him, puts spurs to his hack,
Makes a dash through the crowd, and is off in a crack!
No one can tell,
Though they guess pretty well,
Which way that grim rider and old woman go,
For all see he ‘s a sort of infernal Ducrow;
And she scream’d so, and cried,
We may fairly decide
That the old woman did not much relish her ride!

Ancient European beliefs, The powers of the Hand of Glory

The Hand of Glory,
Whitby Museum
Pannet Park, Whitby,
Yorkshire,
England

Today’s post is about as far away from wild Landscapes and attractive views as you could wish for 🙂 , I can fully understand if this post is not for everyone but I hope at least you find it an interesting reflection of social beliefs and traditions from our some what dark European past ….

Abbey Steps
Whitby
Yorkshire

Earlier this month (May 2017) while visiting the great English seaside town of Whitby, with it great Museum, I came across an item that I had never heard of or seen before. Sitting in a glass cabinet in the beliefs and local traditions area was the very old and grey hand, from a long dead man, a man who would have lived locally in the town but at some point in his life come across the misfortune of being found guilty of a crime for which he would have been hanged.

The hand was described as “The hand of Glory” and in the early 19th century it would have been very much a price possession as it was believed that it offered great power, when using it according to old European beliefs along with a candle made of the fat from a malefactor who died on the gallows, lighted, and placed (as if in a candlestick) in the Hand of Glory, which comes from the same man as the fat in the candle, it then would render motionless all persons to whom it was presented.

The second of the Ingoldsby Legends (a collection of myths, legends, ghost stories and poetry written supposedly by Thomas Ingoldsby of Tappington Manor), “The Hand of Glory, or, The Nurse’s Story”, describes the making and use of a Hand of Glory. The first lines are:

Now open, lock!
To the Dead Man’s knock!
Fly, bolt, and bar, and band!
Nor move, nor swerve,
Joint, muscle, or nerve,
At the spell of the Dead Man’s hand!
Sleep, all who sleep! — Wake, all who wake!
But be as the dead for the Dead Man’s sake!

Like many people, I fine absolutely fascinating these old and somewhat dark traditions, here is a full description of this ones history and its reported uses ….

The Hand of Glory – History of the term

Etymologist Walter Skeat reports that, while folklore has long attributed mystical powers to a dead man’s hand, the specific phrase “Hand of Glory” is in fact a folk etymology: it derives from the French main de gloire, a corruption of mandragore, which is to say mandrake.Skeat writes, “The identification of the hand of glory with the mandrake is clinched by the statement in Cockayne’s Leechdoms, i. 245, that the mandrake “shineth by night altogether like a lamp”. Cockayne in turn is quoting Pseudo-Apuleius, in a translation of a Saxon manuscript of his Herbarium.
Powers attributed

According to old European beliefs, a candle made of the fat from a malefactor who died on the gallows, lighted, and placed (as if in a candlestick) in the Hand of Glory, which comes from the same man as the fat in the candle, this would render motionless all persons to whom it was presented. The method for holding the candle is sketched in Petit Albert. The candle could be put out only with milk. In another version, the hair of the dead man is used as a wick, and the candle would give light only to the holder. The Hand of Glory also purportedly had the power to unlock any door it came across. The method of making a Hand of Glory is described in Petit Albert, and in the Compendium Maleficarum.

Process

The 1722 Petit Albert describes in detail how to make a Hand of Glory, as cited from him by Grillot De Givry:

Take the right or left hand of a felon who is hanging from a gibbet beside a highway; wrap it in part of a funeral pall and so wrapped squeeze it well. Then put it into an earthenware vessel with zimat, nitre, salt and long peppers, the whole well powdered. Leave it in this vessel for a fortnight, then take it out and expose it to full sunlight during the dog-days until it becomes quite dry. If the sun is not strong enough put it in an oven with fern and vervain. Next make a kind of candle from the fat of a gibbeted felon, virgin wax, sesame, and ponie, and use the Hand of Glory as a candlestick to hold this candle when lighted, and then those in every place into which you go with this baneful instrument shall remain motionless

De Givry points out the difficulties with the meaning of the words zimat and ponie, saying it is likely “ponie” means horse-dung. De Givry is expressly using the 1722 edition, where the phrase is, according to John Livingston Lowes “du Sisame et de la Ponie” and de Givry notes that the meaning of “ponie” as “horse dung” is entirely unknown “to us”, but that in local Lower Normandy dialect, it has that meaning. His reason for regarding this interpretation as “more than probable” is that horse-dung is “very combustible, when dry”.

In the French 1752 edition (called Nouvelle Édition, corrigée & augmentée., i.e., “New Edition, corrected and augmented”), however, this reads as “..du sisame de Laponie..”, that is, in Francis Grose’s translation from 1787, “sisame of Lapland”, or Lapland sesame. This interpretation can be found many places on the Internet, and even in books published at university presses. Two books, one by Cora Daniels, another by Montague Summers, perpetuate the Lapland sesame myth, while being uncertain whether zimat should mean verdigris or the Arabian sulphate of iron.

The Petit Albert also provides a way to shield a house from the effects of the Hand of Glory:

The Hand of Glory would become ineffective, and thieves would not be able to utilize it, if you were to rub the threshold or other parts of the house by which they may enter with an unguent composed of the gall of a black cat, the fat of a white hen, and the blood of the screech-owl; this substance must be compounded during the dog-days

The hand of glory on display at Whitby Museum

An actual Hand of Glory is kept at the Whitby Museum in North Yorkshire, England, together with a text published in a book from 1823.[14] In this manuscript text, the way to make the Hand of Glory is as follows:

It must be cut from the body of a criminal on the gibbet; pickled in salt, and the urine of man, woman, dog, horse and mare; smoked with herbs and hay for a month; hung on an oak tree for three nights running, then laid at a crossroads, then hung on a church door for one night while the maker keeps watch in the porch-“and if it be that no fear hath driven you forth from the porch…then the hand be true won, and it be yours”

Skipton Waterway Festival 2017, a weekend on the Leeds and Liverpool Canal.

Skipton Waterway Festival
Leeds and Liverpool Canal,
Yorkshire, England
Nigel Borrington

Held every May Bank Holiday in Yorkshire, the Skipton Waterway Festival is a 3 day canal boat event which runs every year on the 1st May day Bank holiday weekend. It is an event which is a non-profit making Festival, which solely relies on donations and sponsorship from the local community. they are also organized by volunteers from Pennine Cruisers and the local community, without these people the event would not run as smoothly as it does each year.

The 1st Skipton Waterway Festival was held in 2001 and they have gone on to grow more and more each year. The festival was originally organized by CRT (British Waterways then) and Pennine Cruisers for around 5 years, however Pennine Cruisers then took on the event, as they saw how much the local boaters and town enjoyed it. As Pennine Cruisers look forward to this event each year, it is part of their year now, as they have organized it for a long time, they say that they would be a little lost without it.

As an event they attract around 8, 000 – 10,000 visitors each year over the full 3 days. It is noticed when people/families visit the festival each and every year. They put on various entertainment, stalls from craft to charity stalls, children’s activities and an array of food/concession stalls. There is something for almost everyone.

This years Festival was great to visit with many Craft stalls and lots of Local history with the new presentation of an internet based database of all the families who worked and still work on the Leeds and Liverpool canal from the first times it was open for use.

Leeds and Liverpool Canal Society

Robin Hood’s Bay, A fishing Village, North York Moors National Park

Robin Hood’s Bay Fishing village North York Moors National Park
Nigel Borrington

Robin Hood’s Bay is a small fishing village and a bay located within the North York Moors National Park, five miles south of Whitby and fifteen miles north of Scarborough on the stunning coast line of North Yorkshire, England.

“Bay Town” is its local name, in the ancient chapelry of Fylingdales in the wapentake of Whitby Strand. The origin of the name is uncertain, and it is doubtful if Robin Hood was ever in the vicinity.

An English ballad and legend tell a story of Robin Hood encountering French pirates who came to pillage the fisherman’s boats and the northeast coast. The pirates surrendered and Robin Hood returned the loot to the poor people in the village that is now called Robin Hood’s Bay

This Village on the Yorkshire Coast is one of the most Beautiful villages in the UK, Here I share a collection of Photographs taken during a visit at the start of May 2017, I hope that I have captured a small sense of this idyllic English sea side village as I enjoyed our time spend here very much and will look back with very fond memories …..

Robin Hood’s Bay, A Sense of place ….

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