Life drawing, from sketchbook into A2 charcoal finished work …..
Following on from my last post, I have now completed a finished A2 sized Charcoal drawing based on the sketch work I posted two days ago.
I have very much enjoyed this process of working from sketchbook into a full sized drawing and I intend to use this method from now on …….
Figure drawing from the studio, May 2021
For sometime I have wanted to start sharing my charcoal and pencil figure drawings here on my blog, first however I wanted to get my drawing skills up-to a level I was truly happy with, I feel that I still have a lot of work to do in order to be consistent from drawing to drawing.
I am happy however to start sharing with people some of the drawings and painting I have been creating, this drawing was produced today , drawing as freely as possible and doing my best to make the minimum of marks needed to produce the finish work ……
Morning at the Barn …….
I march this year I treated myself to a new Panasonic gx80, micro four thirds camera with an Olympus 17mm f1.8 lens. This kit is my first M/43 kit and so far I have been very pleased with the results produced by this little gem of a camera.
I have a long history of working with black and white photography going way back to using Ilford XP2 and HP5 film, loaded into a Nikon FM2. This medium sized sensor camera is the first digital compact camera I have owned that can and does reproduce the look and feel of these black and white films with its MONO-L shooting profiles.
This image of a barn on the land owned by some friends of ours, during a stay at the start of April, was taken in the early morning sunlight and is taken using a Cokin-P ND4 gradient filter to darken the sky so that the foreground of the image could be exposed as I wanted it to be. I also used this filter system to help me make as few adjustments as possible in post processing.
The Bed on the Beach, by Hannah Flagg Gould
By what rude waves hast thou been tossed,
To gain this quiet beach?
What wide-spread waters hast thou crossed,
This peaceful shore to reach?
An awful secret dost thou tell
About the yawning deep,
That, while her billows war and swell,
They most profoundly keep.
Thou speakest of one whose weary frame
Has sought repose on thee;
But not of kindred, home, or name,
Sad outcast of the sea!
Thou giv’st no record of his birth,
No token of the clime,
Where he was last a child of earth,
Or when he passed from time.
And who must now, on some far shore,
Await the coming sail
Of him, they will behold no more
Till mortal sight shall fail?
For fearful things dost thou present
Before the spirit’s view;
The parting bark! the canvass rent!
The helpless, dying crew!
Of one dread scene the fatal whole,
In thought, I hear and see.
It chills my blood—it makes my soul
Grow sick to look at thee.
‘The seas must render up their dead!’
Is all thou dost reply;
While o’er thee, cold and restless bed,
The tide rolls proud and high!
The guilty deep is taking back
The witness of her wrath,
To bury it with every track
That marks its troubled path!
The sea in the midday sun …….
The midday sun glistened in the sea,
who would stand in the scorching sand,
Or get burned by the salty waves,
But there he was, a man
Frolicking, unafraid of the heat,
of the midday sun and it’s brilliant blaze,
He didn’t care for the sweet serenity,
of the dawn past, or the dusk to come
It was a dance, of a moth drawn to fire,
In solitude, for it was one’s goal alone,
A dark speck, that shined in the splendor,
It dashed towards a destiny, carved for those,
who dared to dance, where no one stood.
The places I remember, all my life ……
I spent the early years of my life growing up in Altrincham in the greater Manchester area of northwest England. It was in these years, between the 1970’s and the late 1980’s that marked the end of the industrial age for the town.
This period left much of our local area with factories that became redundant and closed, some locations included empty land where factories once stood, a lot of these locations existed beside the Bridgewater canal.
I am currently working on a visual art project that is calling on my memories of these locations, working both digitally and with charcoal on paper, creating some compositions that reflect on this period of my life, places from my childhood. I am in my 50’s so this is not easy at times but I feel its a great exercise in visual storytelling…
Posted by nigel borrington | April 28, 2021 | Categories: art work, charcoal, Comment, Digital art work, Digital art work, drawings, Forgotten places, History, manchester, Solo images, Story telling gallery | Tags: Altrincham, charcoal, digital art, drawing, History, Industrial landsacpes, Industry, manchester, mypaint, Nigel Borrington, wacom | 1 Comment