An industrial landscape : Acrylic ink on Board
My childhood was spend in Altrincham, greater Manchester, towards the end of hundreds of years of history lived within the Industrial age. I can just about remember the look of the towns industry parks like broadheath near the bridgewater canal, that passed through our town on its way into the city of Manchester.
I have been working on a personal art project for about the last twelve months, working mainly with charcoal on paper, I felt that charcoal was the perfect medium to work with as I can remember just how black these places looked as a result of the smoke created from the burning of coal used to create the energy needed to drive the factory machine.
This week I have moved onto creating a series of images painted onto timber boards, using black Acrylic ink. The boards I am using have a great pink and red feel to them and they also have a fantastic horizontal grain that adds a very likeable texture to the finished work! At first I was considering painting the board with a white under painted ground, In the end I made a great choice (I feel) in just painting directly onto the timber.
I intend now to work on a good collection of these boards, working with many different compositions, talking of which I feel this subject is all about composition and I am learning a lot in this area by doing this work, treating the factory buildings as shapes to be visually moved around in my mind, overlapping them and working them into a valuable depth from background to foreground, never letting any object rest and stand by itself until the ones that are the closest to the viewer…..
Charcoal drawing – A tribute to the work of Trevor Grimshaw …….
Digital Charcoal drawing
In the style of Trevor Grimshaw
Following my post yesterday, I have started working with my PC based art application ( Krita ) in order to use its charcoal drawings tools to recreate as best as I can the landscapes style of Trevor Grimshaw.
Tomorrow I will give myself time to work at my desk with actual physical charcoal and chalk, I do feel very much however that a digital method of producing a work of art is just as valid in 2020, as working with physical materials, every mark made on my drawing above is made manually using a Wacom art tablet with an art pen. I often use this method of working to work out just how best to construct drawings and painting, when later it comes to sitting down with a sheet of physical paper or canvas.
Nigel Borrington 
The places I remember, all my life ……
Altrincham, Greater Manchester, UK
Digital art work
I spent the early years of my life growing up in Altrincham in the greater Manchester area of northwest England. It was in these years, between the 1970’s and the late 1980’s that marked the end of the industrial age for the town.
This period left much of our local area with factories that became redundant and closed, some locations included empty land where factories once stood, a lot of these locations existed beside the Bridgewater canal.
I am currently working on a visual art project that is calling on my memories of these locations, working both digitally and with charcoal on paper, creating some compositions that reflect on this period of my life, places from my childhood. I am in my 50’s so this is not easy at times but I feel its a great exercise in visual storytelling…
Share this:
Like this:
April 28, 2021 | Categories: art work, charcoal, Comment, Digital art work, Digital art work, drawings, Forgotten places, History, manchester, Solo images, Story telling gallery | Tags: Altrincham, charcoal, digital art, drawing, History, Industrial landsacpes, Industry, manchester, mypaint, Nigel Borrington, wacom | 1 Comment