Friday Morning – Poem by Ghada Shahbender
A blank wall the ugly color of dust
Two drain pipes covered in pigeon droppings and rust
I roll down the shutters to keep Friday morning out
The humid air, the children who swear and the parents that shout.
Newspapers, a cigarette and a huge coffee cup
Heart pouring to Kika, waiting for my children to wake up.
Remembering the years when they came to my bed at dawn
Droopy eyes and toothless mouths open wide in a sweet breathed yawn.
They have grown up and I have aged.
The boys actually drive and the girl is engaged.
I tell the parrot it’s been a wonderful trip.
I pick up my coffee and take another sip.
In those early moment as I awake
Visions of warm and gentle golden seas
a cool morning breeze.
Fading images of a island I do not know
Draining images of islands on which I want mind to stand.
An island that constantly haunts my dreams
particularly when reality falls apart at the seams.
An island in the spinning – turning sun.
An Island I long to understand
yet in the morning how far away its realty seems.
Can we only grasp life in our dreams
it slips through our fingers at the light of dawn.
you fade away and now are gone.
I walk along this beach
hot melted glass and cool flowing gasses meet.
Come tonight when I watch the setting of the sun
and wonder if on my Island of dreams, again a clear vision will come?
At this time of year the sky’s and the sunlight can be an amazing sight on the landscape. views like these always remind me of the words of Isaac Newton when he said “As above so below”. he was the scientist who when working with sunlight and a prism split pure white light into its colors of (red, orange, yellow, green, blue and violet).
The words “As above so below”
Quoted here is the version by Isaac Newton from circa 1680.
. Tis true without lying, certain & most true.
. That which is below is like that which is above & that which is above is like that which is below to do the miracles of one only thing.
. And as all things have been & arose from one by the meditation of one: so all things have their birth from this one thing by adaptation.
. The Sun is its father, the moon its mother,
. The wind hath carried it in its belly, the earth its nurse.
. The father of all perfection in the whole world is here.
. Its force or power is entire if it be converted into earth.
. Separate thou the earth from the fire, the subtle from the gross sweetly with great industry.
. It ascends from the earth to the heaven & again it descends to the earth and receives the force of things superior & inferior.
. By this means you shall have the glory of the whole world & thereby all obscurity shall fly from you.
. Its force is above all force, for it vanquishes every subtle thing & penetrates every solid thing.
. So was the world created.
. From this are & do come admirable adaptations where of the means (or process) is here in this.
. Hence I am called Hermes Trismegist, having the three parts of the philosophy of the whole world.
. That which I have said of the operation of the Sun is accomplished & ended.
As above so below, Gallery
Landscape painting and photography
Painting as an art form for myself feels very much like a natural progression from the art of landscape photography which is the act of recording a representation of the view you find yourself located in.
I often find myself asking what it was about an image I capture with my camera or in a sketch / painting that I liked so much that I went to the effort of working with that location in different forms and media.
This is a quote from one of my favourite landscape painters Fred Cuming, Talking about his paintings Cuming says: ‘I am not interested in pure representation. My work is about responses to the moods and atmospheres generated by landscape’
Although there are many forms of landscape art all as valid as each other, Contemporary landscape painting tends to fall into the areas of semi abstracted to completely abstract, in that each work is making an effort to extract from the selected landscape location a sense of atmosphere or a mood. This mood and atmosphere can involve colour or light or texture, or all of these things and more.
This artistic process, from pure representation or abstraction can in a completely valid way start with photography and in fact many current artists have replaced the sketch book with the film/digital camera. The question as to if this is the best thing or not will continue for a long time, some feeling that a photo simply cannot capture a good enough sense of the location or at least not in the same way as spending time in that location with a sketch book can.
Personally I feel photographs are a very important tool and can in a very valid way capture the mood and sense of a place. However I feel that you need to spend a good amount of time with your camera exploring as much as you can while your on site, walking around and finding all the different views and angles along with all the small details you can find. The aim is to return home with as complete a memory of your landscape as you can.
Here are some details of Fred Cuming as an artist along with some more of his painting…..
Artist: Fred Cuming
Fred Cuming is a painter of International standing. Born in 1930 he studied Art at Sidcup School of Art from 1945 to 1949. After completing his National Service he studied at the Royal College of Art from 1951 to 1955 where he gained a Rome Scholarship and an Abbey Minor Scholarship.
Fred was elected a Royal Academician in 1974. He has also been a member of the New English Art Club since 1960 and is the recipient of many art awards including: the Grand Prix Fine Art (1977); the Royal Academy’s House & Garden Award and the Sir Brinsley Ford Prize (New English Art Club, 1986).
Fred Cuming has exhibited his contemporary paintings world wide. His paintings feature in many private and public modern art collections. These include: Montecarlo Museum; Royal Academy of Arts; and the Guinness Collection.
Fred Cuming paintings offer a moment for reflection. Cuming creates a relationship with nature and light – inducing observers to appreciate the calming atmosphere and realisation of the beauty around us. Many of his paintings feature the counties of Kent and Sussex where the Fred Cuming artist studio is located.
Talking about his paintings Cuming says: ‘I am not interested in pure representation. My work is about responses to the moods and atmospheres generated by landscape, still life or interior. My philosophy is that the more I work the more I discover. Drawing is essential as a tool of discovery; skill and mastery of technique are also essential, but only as a vocabulary and a means towards an idea. I struggle to keep an open mind.’
Fred Cuming has exhibited at other leading British Art Galleries. In 2001 Cuming was the featured artist at the Royal Academy Summer Exhibition with an entire gallery dedicated to his art work.In 2004 he was awarded an honourary doctorate from the University of Kent.Like all Red Rag British art and Contemporary art Fred Cuming purchases can be shipped worldwide.
Red Farm Tractor
Randolph L Wilson
I long for the smell of fresh turned soil , an experience I’ve never forgotten ..
The smell of diesel , oil and grease ..The ringing of harrow and bush hog …
My Liberty overalls and size ten clod hoppers , suede cowboy hat , pocket watch and Bloodhound tobacco ..
Bob White Quail walking the wood line waiting to
get their fill of turned ground morsels , grains and grasshoppers ..
Curious Whitetailed Deer hiding in the shadows , Redtailed Hawks
with a keen eye for field rats escaping the plow ..
A sixty two Massey Harris that ran like a’ Top ‘ through rain
and heat , never missing a beat !
My mind prays for the simple life of man and machine , the brushfires
of March , the restoration of God’s green earth ..
It does not take you very long while walking around the Irish Landscape to cross paths with an old abandoned church or two. These old churches are mainly connected to the remains of long evacuated family estates and would have been originally erected as community churches for both the occupants of the estate house and the larger community.
I have to be honest I avoid any area of conflict (Political and religious!) in life as much as I possible can, I feel society spends too much time as it is looking back on times of trouble, war and death and wonder sometimes if this is not the very reason why we end up with future conflicts?
For me Life is too short to spend any-time waving flags on behalf of past conflicts – NO ONE WINS IN WAR!
When I come across these old churches however I just have to stop and spend sometime because the names on these grave stones were real people and many of them would have lived full lives and been great family members, loved and been loved, real people!
By Thomas Hardy
I heard a small sad sound,
And stood awhile among the tombs around:
“Wherefore, old friends,” said I, “are you distrest,
Now, screened from life’s unrest?”
—”O not at being here;
But that our future second death is near;
When, with the living, memory of us numbs,
And blank oblivion comes!
“These, our sped ancestry,
Lie here embraced by deeper death than we;
Nor shape nor thought of theirs can you descry
With keenest backward eye.
“They count as quite forgot;
They are as men who have existed not;
Theirs is a loss past loss of fitful breath;
It is the second death.
“We here, as yet, each day
Are blest with dear recall; as yet, can say
We hold in some soul loved continuance
Of shape and voice and glance.
“But what has been will be —
First memory, then oblivion’s swallowing sea;
Like men foregone, shall we merge into those
Whose story no one knows.
“For which of us could hope
To show in life that world-awakening scope
Granted the few whose memory none lets die,
But all men magnify?
“We were but Fortune’s sport;
Things true, things lovely, things of good report
We neither shunned nor sought … We see our bourne,
And seeing it we mourn.”
Ireland’s old churches
Easter in Ireland is clearly these days viewed as a religious time in the sense of modern Christianity, however Easter or Ēostre, as a festival has been celebrated for many thousands of years before our current state accepted beliefs….
During last weekend we visited the hill of Tara one of Europe’s and Ireland’s oldest pagan monuments, It was a great time of the year to visit as the air was full of springtime with a feeling that summer was only just around the corner,warm days and long evenings. This is the exact feeling that surrounds the beliefs of the people who made this place so Sacred to their Pagan beliefs in the elements of nature and the seasons. I am never sure if these belief’s can fully be called a religion in modern terms, feeling that they were more a philosophy towards the world that they lived in and cared for very much!
here is a little about the long history of the hill of Tara:
Teamhair is the ancient name given the Hill of Tara. One of the most religious and revered sites in all of Ireland, it was from this hill that the Ard Rí, the High Kings of Ireland, ruled the land. The place was sometimes called Druim Caín (the beautiful ridge) or Druim na Descan (the ridge of the outlook). When walking the path that leads to the top of the hill today, one can easily appreciate why. The long gradual slope eventually flattens at the top for an amazing view of the broad plains in the Boyne and Blackwater valleys below. All that remains of the complex is a series of grass-covered mounds and earthworks that say little about the 5,000 years of habitation this hill has seen.
Most historians, including Biblical scholars, agree that Easter was originally a pagan festival. According to the New Unger’s Bible Dictionary says: “The word Easter is of Saxon origin, Eastra, the goddess of spring, in whose honour sacrifices were offered about Passover time each year. By the eighth century Anglo–Saxons had adopted the name to designate the celebration of Christ’s resurrection.” However, even among those who maintain that Easter has pagan roots, there is some disagreement over which pagan tradition the festival emerged from. Here we will explore some of those perspectives.
Resurrection as a symbol of rebirth
One theory that has been put forward is that the Easter story of crucifixion and resurrection is symbolic of rebirth and renewal and retells the cycle of the seasons, the death and return of the sun.
Hill of Tara Gallery
My Name Is Gossip
I am a mysterious phenomenon
I am a menace to the society and families
An element of devastation and destruction
People can’t fathom my destructive powers
I thrive on losing or questioning people’s sanity
I hurt without killing
I plant hatred and jealous in people’s heart
I break hearts and ruin lives
I am sly, cunning and malicious
And gather strength with age
The more I am quoted, the more I am believed
I flourish at every level of society
My victims are helpless
They cannot protect themselves against me,
For I have no name, no face
I sneak and sow the seed of doubt in the soil of innocent hearts
to extinguish their joy
I sometimes hide behind a smile,
Or simply behind an innocent tear
Most of the time, I creep and stab from behind
To track me down is impossible
The harder you try, the more elusive I become
I target the vulnerable or the hurt
I simply don’t let happiness chance
I am nobody’s friend
Once I tarnish a reputation it is never the same
The wound I inflict never heals
I overthrow governments and ruin marriages
I destroy careers and cause sleepless nights
I generate suspicion and grief
I make innocent people cry
My name hisses hate
Yes, my name is Gossip
Believe… – Poem by Steven Piz.
I believe in a lot
I believe in music
I believe in writing
I believe in listing
I believe in mankind
I believe in work
I believe in love
I believe in laughing
I believe in paradise
I believe in safety
I believe in light
I believe in entertainment
I believe in history
I believe in time
I believe in survival
I believe in change
I believe in luck
What do you believe in?
To tell the truth…
Are any of us promised tomorrow
Live your life as if the last.
An Irish Airman Foresees His Death
W. B. Yeats, 1865 – 1939
I know that I shall meet my fate
Somewhere among the clouds above;
Those that I fight I do not hate
Those that I guard I do not love;
My country is Kiltartan Cross,
My countrymen Kiltartan’s poor,
No likely end could bring them loss
Or leave them happier than before.
Nor law, nor duty bade me fight,
Nor public man, nor cheering crowds,
A lonely impulse of delight
Drove to this tumult in the clouds;
I balanced all, brought all to mind,
The years to come seemed waste of breath,
A waste of breath the years behind
In balance with this life, this death.
The GreatWar 1914-1918
For the Fallen
Robert Laurence Binyon, by artist William Strang. Laurence Binyon
Poem by Robert Laurence Binyon (1869-1943), published in The Times newspaper on 21st September 1914.
With proud thanksgiving, a mother for her children,
England mourns for her dead across the sea.
Flesh of her flesh they were, spirit of her spirit,
Fallen in the cause of the free.
Solemn the drums thrill: Death august and royal
Sings sorrow up into immortal spheres.
There is music in the midst of desolation
And a glory that shines upon our tears.
They went with songs to the battle, they were young,
Straight of limb, true of eye, steady and aglow.
They were staunch to the end against odds uncounted,
They fell with their faces to the foe.
They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them.
They mingle not with their laughing comrades again;
They sit no more at familiar tables of home;
They have no lot in our labour of the day-time;
They sleep beyond England’s foam.
But where our desires are and our hopes profound,
Felt as a well-spring that is hidden from sight,
To the innermost heart of their own land they are known
As the stars are known to the Night;
As the stars that shall be bright when we are dust,
Moving in marches upon the heavenly plain,
As the stars that are starry in the time of our darkness,
To the end, to the end, they remain.