St Anne’s Pier is a Victorian era pleasure pier in the English seaside resort of St Anne’s-on-the-Sea, Lancashire. It lies on the estuary of the River Ribble. The pier, designed by A. Dowson, was completed in 1885 and was one of the earliest public buildings in St Anne’s, a 19th-century planned town. The pier was originally intended to be a sedate promenading venue for the resort’s visitors, but attractions were later added. Changes made to the estuary channels to improve access to Preston Dock left the pier on dry land and ended its steamer services to Blackpool and Liverpool.
A Tudor-style entrance was built in 1899. Early 20th-century additions included a Moorish-style pavilion in 1904 and the Floral Hall in 1910. The Moorish Pavilion was destroyed by fire in 1974, shortly after the town’s centenary; the Floral Hall burned down in 1982. Originally 914 feet (279 m) long, the pier was reduced to 600 feet (180 m) by the demolition of the seaward end. English Heritage has designated the pier a Grade II listed building.
On this blog I do my best to keep away from political events and areas of life that can only affect people in a negative way !!!
However flowing last nights terrorist attack in my home town of Manchester I just wanted to make a quick comment and to share what I feel is such a great city, its people and its very heart !!!
This is Manchester, the Manchester I love and grew-up in !!!!
SOFT SHARING PEOPLE!!!
My Heart is Broken!! For the people who have lost loved ones last night and for anyone affected in anyway !!!!
Please go and read this article, it reflects upon the best aspects of life in the city I love the most !!! MANCHESTER , UK …..
The Cathedral and Metropolitical Church of Saint Peter in York, commonly known as York Minster, is the cathedral of York, England, and is one of the largest of its kind in Northern Europe. The minster is the seat of the Archbishop of York, the second-highest office of the Church of England, and is the mother church for the Diocese of York and the Province of York. It is run by a dean and chapter, under the Dean of York. The title “minster” is attributed to churches established in the Anglo-Saxon period as missionary teaching churches, and serves now as an honorific title. Services in the minster are sometimes regarded as on the High Church or Anglo-Catholic end of the Anglican continuum.
The minster has a very wide Decorated Gothic nave and chapter house, a Perpendicular Gothic Quire and east end and Early English North and South transepts. The nave contains the West Window, constructed in 1338, and over the Lady Chapel in the east end is the Great East Window (finished in 1408), the largest expanse of medieval stained glass in the world. In the north transept is the Five Sisters Window, each lancet being over 52 feet (16 m) high. The south transept contains a rose window, while the West Window contains a heart-shaped design colloquially known as ‘The Heart of Yorkshire’.
York Minster , Inside out …..
Robin Hood’s Bay is a small fishing village and a bay located within the North York Moors National Park, five miles south of Whitby and fifteen miles north of Scarborough on the stunning coast line of North Yorkshire, England.
“Bay Town” is its local name, in the ancient chapelry of Fylingdales in the wapentake of Whitby Strand. The origin of the name is uncertain, and it is doubtful if Robin Hood was ever in the vicinity.
An English ballad and legend tell a story of Robin Hood encountering French pirates who came to pillage the fisherman’s boats and the northeast coast. The pirates surrendered and Robin Hood returned the loot to the poor people in the village that is now called Robin Hood’s Bay
This Village on the Yorkshire Coast is one of the most Beautiful villages in the UK, Here I share a collection of Photographs taken during a visit at the start of May 2017, I hope that I have captured a small sense of this idyllic English sea side village as I enjoyed our time spend here very much and will look back with very fond memories …..
Robin Hood’s Bay, A Sense of place ….
The path to Top Withens,Earnshaw family house Wuthering Heights : Wuthering Heights, a Poem by Sylvia Plaths
Last week we spent sometime in West Yorkshire, at Haworth the home town of the Brontë sisters, visiting the Parsonage Museum and walking upto Top Withens, the Earnshaw’s home in Emily Brontë’s novel – Wuthering heights.
The old farm house is located in some stunning landscape, the best west Yorkshire has to offer.
This is how Mr. Lockwood in the book describes his first impressions of Wuthering Heights …
” Wuthering Heights is the name of Mr. Heathcliff’s
dwelling. ‘Wuthering’ being a significant provincial
adjective, descriptive of the atmospheric tumult to which
its station is exposed in stormy weather.
Pure, bracing ventilation they must have up there at all times, indeed:
one may guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun.
Happily, the architect had foresight to build it strong:
the narrow windows are deeply set in the wall, and the
corners defended with large jutting stones. ”
Top Withens (also known as Top Withins)
Is a ruined farmhouse near Haworth, West Yorkshire, England which is said to have been the inspiration for the location of the Earnshaw family house Wuthering Heights in the novel of the same name by Emily Brontë.
A plaque affixed to a wall reads:
“ This farmhouse has been associated with “Wuthering Heights”, the Earnshaw home in Emily Brontë’s novel. The buildings, even when complete, bore no resemblance to the house she described, but the situation may have been in her mind when she wrote of the moorland setting of the Heights. ”
Wuthering Heights a Poem By: Sylvia Plath
The horizons ring me like faggots,
Tilted and disparate, and always unstable.
Touched by a match, they might warm me,
And their fine lines singe
The air to orange
Before the distances they pin evaporate,
Weighting the pale sky with a soldier color.
But they only dissolve and dissolve
Like a series of promises, as I step forward.
There is no life higher than the grasstops
Or the hearts of sheep, and the wind
Pours by like destiny, bending
Everything in one direction.
I can feel it trying
To funnel my heat away.
If I pay the roots of the heather
Too close attention, they will invite me
To whiten my bones among them.
The sheep know where they are,
Browsing in their dirty wool-clouds,
Grey as the weather.
The black slots of their pupils take me in.
It is like being mailed into space,
A thin, silly message.
They stand about in grandmotherly disguise,
All wig curls and yellow teeth
And hard, marbly baas.
I come to wheel ruts, and water
Limpid as the solitudes
That flee through my fingers.
Hollow doorsteps go from grass to grass;
Lintel and sill have unhinged themselves.
Of people the air only
Remembers a few odd syllables.
It rehearses them moaningly:
Black stone, black stone.
The sky leans on me, me, the one upright
Among the horizontals.
The grass is beating its head distractedly.
It is too delicate
For a life in such company;
Darkness terrifies it.
Now, in valleys narrow
And black as purses, the house lights
Gleam like small change.
Over the Christmas and New year period I visited Arley Hall and its great Gardens
Arley Hall is a country house in the village of Arley, Cheshire, England, about 4 miles (6 km) south of Lymm and 5 miles (8 km) north of Northwich. It is home to the owner, Viscount Ashbrook and his family. The house is a Grade II* listed building, as is its adjacent chapel. Formal gardens to the southwest of the hall are also listed at Grade II* on the National Register of Historic Parks and Gardens. In the grounds are more listed buildings, a cruck barn being listed as Grade I, and the other buildings as Grade II.
The hall was built for Rowland Egerton-Warburton between 1832 and 1845, to replace an earlier house on the site. Local architect George Latham designed the house in a style which has become known as Jacobethan, copying elements of Elizabethan architecture. A Gothic Revival chapel designed by Anthony Salvin was subsequently built next to the hall. By the mid-20th century parts of the house were in poor condition and were demolished, to be replaced by five private homes in a matching architectural style.
The present gardens were created in the 1830s, and were developed during the 20th century. The garden’s Herbaceous Border was one of the first of its type in Britain, and remains one of the finest. The house and its gardens have been open to the public since the 1960s, and have also been used as a film location. Stockley Farm, part of the Arley estate, is an additional visitor attraction for children and families.
Lilleshall Abbey Shropshire, England
On a very wet day back in April 2015, I visited Lilleshall Abbey Shropshire, while driving back from London to a friends home in North Wales. The Abbey is located just north of the M54 junction 5, near the village of Lilleshall.
To find the Abbey just follow the Brown tourist signs when you leave the motorway.
The weather was somehow fitting for making a visit here as it made it very clear just how life would have been for the 11th century monks who lived their lives here ( cold , wet and isolated ).
This text form wikipedia on the Abbey, describes very well the life of a monk and contains a great history of the Abbey …
Lilleshall Abbey Shropshire, England
The monastic life
The abbey’s community were Augustinian Canons Regular or conventual canons, not technically monks. Although the Arrouaisians were at first noted for their austerity of life, they were less enclosed than Benedictine or Cistercian monks. Arrouaisian houses were noted for the high quality of their liturgical observance. A prayer roll of about 1375 confirms that this was so at Lilleshall more than two centuries after the foundation.
There was a large number of benefactions from lay landowners and these often came with requests to be buried or prayed for at Lilleshall or for membership of the fraternity of the abbey. Late in the 12th century, for example, John Lestrange, a local baron with holdings further afield, got into a dispute with Ramsey Abbey over the church at Holme-next-the-Sea in Norfolk. In a settlement acceptable to all, he gave the church to Lilleshall Abbey, for the health of his own and his wife’s souls. Shortly afterwards he added the church at Shangton in Leicestershire, adding specifically “the body of his wife Amicia when she shall have gone the way of all flesh.” Similarly, Robert de Kayley gave the abbey two thirds of his land at Freasley, in Dordon, Warwickshire, on condition that it accept his body for burial.This suggests that its monastic life quickly built up a reputation for holiness that could be acquired by proximity, and one that clearly persisted into the later Middle Ages. John of Gaunt, 1st Duke of Lancaster, spent two days at the abbey, together with his wife Katherine Swynford and a large retinue. He had fallen ill after the 24th parliament of Richard II’s reign was held at Shrewsbury, dissolving on 31 January 1398. Gaunt himself, his wife, and his squire, William Chetwynd, were received into the fraternity, and Gaunt made a gift of twenty pounds of gold.
Although the fraternity was important in diffusing the influence of the abbey, there is no evidence of lay brothers and sisters being admitted to the abbey community itself. This is unexpected as the Abbey of Arrouaise had admitted lay members at least since the time of Abbot Gervais. There were many employees, however. In the mid-15th century, there were over twenty household servants, including two porters, a butler, a chamberlain, two cooks, a baker, a bell-ringer, a cobbler, and washerwoman, as well as a carpenter and a group of apprentices to carry out repairs. There was a tannery on the premises, as well as a brewery. Self-sufficiency was an important feature of Arrouaisian houses. Arrouaise itself had a similar but even larger and more differentiated lay labour force.
The canons were much employed in managing the abbey’s substantial estates, which seem to have been worked mainly by indentured servants and later by wage labour. A fairly high proportion of the abbey’s land was kept in demesne, cultivated from granges. The Lilleshall estate alone had four of these and there was a ring of further granges in Shropshire and Staffordshire, with two outlying at Blackfordby and Grindlow. The grange at Blackfordby seems to have absorbed a good deal of time and labour, with canons often staying there. There was even a chapel on site, with mass said three times a week. This was strictly irregular, as it was considered perilous to the soul for a canon to reside anywhere alone, and there were complaints about it from the Bishop of Lichfield. However, the nature of the abbey’s estates meant that canons would often require leave to travel. Both this and the increasingly unfavourable agrarian conditions and labour market of the 14th century meant that direct exploitation of demesnes was gradually reduced in favour of leasing out land.
The abbey was not noted for its intellectual life. However, there was some kind of library and a copy of a chronicle ascribed to Peter of Ickham has survived from it, with additions made locally. There is also evidence of a canon being licensed to study at university for 10 years from 1400.
John Mirk, a Lilleshall canon of the late 14th and early 15th centuries did make a literary mark. He wrote in the local West Midland dialect of Middle English and at least two of his works were widely copied and used. Festial is a collection of homilies for the festivals of the Liturgical year as it was celebrated in his time in Shropshire. Instructions for Parish Priests is in lively vernacular verse, using octosyllabic lines and rhyming couplets throughout. Mirk intended to ensure that priests had the resources to give good counsel to their flock. The existence of such works suggests that the canons were actively engaged with the liturgical and pastoral work of their region, if not at the highest scholarly level.
I really enjoyed taking a pause in my long drive here, even in the heavy British rains and would recommend a visit if your ever passing by …..
Lilleshall Abbey a Gallery
Tatton park near Knutsford in the county of Cheshire is located about 10 miles from my childhood home town of Altrincham. As a family we would visit the park here many times as kids, spending the day walking around the grounds and viewing the landscape along with the wild life.
The grounds are open all summer and this is a wonderful place to spend a summers day, boating on the lakes or having a good old fashioned picnic.
If you want to get a feel for the county of Cheshire in the north west of England then a visit to Tatton park and the villages that surround it are a great place to make a start.
There is evidence of human habitation in the area of the estate going back to the Iron Age. In medieval times the village of Tatton was on the site. This has since disappeared but the area of the village and its roadways are a Scheduled Ancient Monument. By the end of the 15th century the estate was owned by the Stanley family who built and occupied the Old Hall. By the 1580s this building had been enlarged and it was owned by the Brereton family. In 1598 the estate was bought by Sir Thomas Egerton, Lord Chancellor of England. Sir Thomas and his children rarely visited the estate and it was loaned to tenants. At the end of the 17th century the estate was owned by John Egerton, Sir Thomas’ grandson, who built a new house on the site of the present mansion, some 0.75 miles (1 km) to the west of the Old Hall. This mansion, Tatton Hall, was extensively altered and extended between 1780 and 1813.
In 1795 the estate covered 251,000 acres (1,020 km2) (392 sq.miles). The estate remained in the ownership of the Egerton family until the last Lord Egerton died without issue in 1958. He left the house to the National Trust and gave them the park in lieu of death duties. However, as the estate itself was sold by his executors, Cheshire County Council committed to a 99-year lease in place of an endowment to ensure that it was preserved for the benefit of the nation. The Trust’s ownership (run now by Cheshire East Council) is some 2,000 acres (8.1 km2) (3.1 sq.miles).
Tatton park, a Gallery
The images below I hope show something of just how great a day spent here can be.
The Lake district national park
I just want to spend sometime today away from Ireland, my fathers family are from the Windermere area in the lake district and until recent years we still had at least one relative living here. I have visited may times and enjoyed boating on the lakes here as much as possible.
So I just want to share some images I have taken during these trips, its a wonderful part of the UK and if you get a chance I would most definitely recommend you spend a week here.
Boating on the lakes – A Gallery
These images were taken during a visit to the Lake district boat museum some years back, I have been scanning a lot of my old films and came across these as part of a set that I will use in full at some point, For the moment however these two images show one of histories great boats used to set world water speed records….
I just love the contrast of Ilford xp2 film….