October on the forest floor : fallen leaves
October on the Forest floor
Fallen Leaves
Nigel Borrington 2018
Today was a typical Autumn day here in country Kilkenny, we have had some mixed weather over the last few days, some sun , some rain. Today was mild but wet, so all the falling leaves were full of rain drops something I just had to capture 🙂
These Autumn evenings , Image and Poem by (John) Robinson Jeffers, (1887-1962),
Irish Landscape Images
Autumn eveings County Kilkenny
Nigel Borrington
Oct 2018
Autumn Evening
Though the little clouds ran southward still, the quiet autumnal
Cool of the late September evening
Seemed promising rain, rain, the change of the year, the angel
Of the sad forest.
Autumn Evening
Nigel Borrington
A heron flew over with that remote ridiculous cry, “Quawk,” the cry
That seems to make silence more silent. A dozen
Flops of the wing, a drooping glide, at the end of the glide
The cry, and a dozen flops of the wing.
I watched him pass on the autumn-colored sky; beyond him
Jupiter shone for evening star.
The sea’s voice worked into my mood, I thought “No matter
What happens to men . . . the world’s well made though.”
To Autumn, a poem by John Keats
To Autumn, By John Keats
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o’er-brimm’d their clammy cells.
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drows’d with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.
Where are the songs of spring? Ay, Where are they?
Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.
Clyde puffer the Vital Spark at Inveraray – To Exiles, Neil Munro (1864 – 1930)
To Exile – Neil Munro (1864 – 1930)
The Vital Spark
Neil Munro (1864 – 1930) was born in Inveraray and worked as a journalist on various Scottish newspapers. He wrote a number of historical novels but is best known for his humorous stories about the fictional Clyde puffer the Vital Spark and her captain Para Handy, written under the pen name of Hugh Foulis.
Although Neil Munro didn’t emigrate any further than Glasgow, his background (his grandmother was from a Gaelic-speaking part of the Highlands) would have given him an insight into emigration and what it felt like to be an exile. This poem is written more from the perspective of someone who stayed behind.
To Exiles
Are you not weary in your distant places,
Far, far from Scotland of the mist and storm,
In drowsy airs, the sun-smite on your faces,
The days so long and warm?
When all around you lie the strange fields sleeping,
The dreary woods where no fond memories roam,
Do not your sad hearts over seas come leaping
To the highlands and the lowlands of your Home?
Wild cries the Winter, loud through all our valleys
The midnights roar, the grey noons echo back;
About the scalloped coasts the eager galleys
Beat for kind harbours from horizons black:
We tread the miry roads, the rain-drenched heather,
We are the men, we battle, we endure!
God’s pity for you people in your weather
Of swooning winds, calm seas, and skies demure!
Let torrents pour then, let the great winds rally,
Snow-silence fall, or lightning blast the pine;
That light of Home shines warmly in the valley,
And, exiled son of Scotland, it is thine.
Far have you wandered over seas of longing,
And now you drowse, and now you well may weep,
When all the recollections come a-thronging
Of this old country where your fathers sleep.
They sleep, but still the hearth is warmly glowing,
While the wild Winter blusters round their land:
That light of Home, the wind so bitter blowing
Look, look and listen, do you understand?
Love, strength, and tempest-oh, come back and share them!
Here is the cottage, here the open door;
Fond are our hearts although we do not bare them,
– They’re yours, and you are ours for evermore.
A Friday morning poem, “Friday Morning” – by: Ghada Shahbender
The Red Cottage door
Irish Landscape Photography : Nigel Borrington
Friday Morning – Poem by Ghada Shahbender
A blank wall the ugly color of dust
Two drain pipes covered in pigeon droppings and rust
I roll down the shutters to keep Friday morning out
The humid air, the children who swear and the parents that shout.
Newspapers, a cigarette and a huge coffee cup
Heart pouring to Kika, waiting for my children to wake up.
Remembering the years when they came to my bed at dawn
Droopy eyes and toothless mouths open wide in a sweet breathed yawn.
They have grown up and I have aged.
The boys actually drive and the girl is engaged.
I tell the parrot it’s been a wonderful trip.
I pick up my coffee and take another sip.
October on the Forest Floor, 2 ….. The Spider
October On the Forest floor
The Spider Moves in
Nigel Borrington
October – Along the Forest Path 1… (Viburnum Opulus) Guelder Rose, Berries
Viburnum Opulus Hedging
Guelder Rose, Viburnum opulus, is one of Britain’s most beautiful native shrubs and it makes a great hedging plant, typically in a mixed country hedge. It also make a fine ornamental shrub for any garden: in the wild, it is often found in dappled woodland shade, but it needs full sun to give you the best show of flowers. Guelder Rose bushes will grow pretty much anywhere, including shady sites under large trees and chalky soils. It prefers a moist soil and will tolerate periods of waterlogging.
Guelder Rose is good for hedges up to about 5 metres high.
Browse all of our other varieties of Viburnum trees & shrubs plants. Alternatively, view our selection of native hedging or see our full range of hedging plants.
Guelder Rose hedge plants are only delivered bareroot, during winter (Nov-March).
Choosing a size: When you are ordering Guelder Rose plants for a hedge, we suggest that you buy smaller plants if you are not in a rush. They are cheaper and easier to handle than large plants. They will also give you a bushy hedge with little effort.
Spacing Guelder Rose hedging:
Plant Guelder Rose at 3 plants per metre, 33cms apart.
You can also plant Guelder Rose at 5 plants per metre in a staggered double row, with 33 cms between each plant and 40cms between the rows.
The Guelder Rose makes an excellent mixed hedge plant, typically with hawthorn.
General description of Guelder Rose plants:
It has large, three lobed leaves that colour up in autumn with a jumble of tones that bleed together in a rough, rustic manner. The flowers are quite unique, with a ring of dainty little smooth star shaped flowers rising above bed of even smaller, bud-like blooms. The smaller flowers are the ones that ripen into blood red fruit, in time for the excellent red and yellow autumn colours.
History & uses of Viburnum opulus
The Guelder Rose isn’t a rose at all, it is closely related to the elderflowers. The name probably comes from the Dutch region of Gelderland. Guelder Rose berries were one of the secondary food sources that our ancestors would have depended upon in hard times. We don’t recommend eating them, as even slightly unripe fruit will cause stomach upsets, but if civilisation happens to collapse and you find yourself living in the woods, you could feed yourself by boiling up them up into a soup. Until then, we recommend leaving the berries for the birds.
October on the Forest Floor 1…. fungus
One of the most amazing sights at this time of year is one of all the Wild Mushrooms that appear in our local forests and fields, Ireland has some approximately 5,500 known species found throughout the country, some very common and some very hard to find.
I just love finding them as they appear on the woodland floor and on the dead wood alone with the lower parts of trees.
An October Sunset, Duncannon Beach, County Wexford, Ireland
A collection of images, all taken on my favorite beach in county Wexford – Duncannon beach, with its fort overlooking one end of the beach and a view down toward hook head at the other. The Sunsets here in October can be amazing and full of Autumn light 🙂 🙂
There are also pictures here of Molly, our much loved golden retriever, she is sadly no longer with us but she is always remembered and missed for moment like these ones. It was always great fun watching her exploring beaches and the sea, she love swimming so much she would spend hours returning sticks and balls from the water 🙂 🙂
To Autumn – Poem by William Blake
O Autumn, laden with fruit, and stainèd
With the blood of the grape, pass not, but sit
Beneath my shady roof; there thou may’st rest,
And tune thy jolly voice to my fresh pipe,
And all the daughters of the year shall dance!
Sing now the lusty song of fruits and flowers.
`The narrow bud opens her beauties to
The sun, and love runs in her thrilling veins;
Blossoms hang round the brows of Morning, and
Flourish down the bright cheek of modest Eve,
Till clust’ring Summer breaks forth into singing,
And feather’d clouds strew flowers round her head.
`The spirits of the air live on the smells
Of fruit; and Joy, with pinions light, roves round
The gardens, or sits singing in the trees.’
Thus sang the jolly Autumn as he sat;
Then rose, girded himself, and o’er the bleak
Hills fled from our sight; but left his golden load.
William Blake
Drawing from the Irish Bogs …….
Drawing from the Boglands
Digital Drawings
Nigel Borrington 2018
Back in June this year Ireland was in the middle of a 8 weeks drought and even the Boglands had become dry. At one of our nearest Bogs we had a large wild fire which I visited to get the below images. Since then I have been working on some drawings of this event. This is a great subject for ink on paper type drawing.
The above image is just one that I have completed so far …..
Bog fire Gallery
After the Wild fire
littleton bog, tipperary Nigel Borringtpon
Drawings from the Hedgerow …..
Art of the hedgerow
Digital Drawings
Nigel Borrington 2018
Drawings from the Hedgerow ……
Art of the hedgerow
County Kilkenny
Digital Drawings
Nigel Borrington 2018
Wind Turbine Poem, Our Wind Turbine
Ballybay Wind Farm, Tullaroan, county Kilkenny
Wind Turbine Poem
Our Wind Turbines
The propeller is always spinning,
Turning like the world.
With the wind it creates energy,
Makes a sound in motion.
It is environmentally friendly,
And the wind soars through the skies.
A source of power is at work,
And leaves a warm feeling inside.
Our turbine is very tall,
The wind blows in my face,
The sound the machine creates,
Will reach the furthest place.
It helps save parts of nature,
The sound rings loud and clear,
It keeps our land clean and neat,
Good energy is right here.
CERES Community in the Environment
Ballybay Wind Farm, Tullaroan, County Kilkenny
Nigel Borrington
Sonnet to Collecting Seashells
Sonnet to Collecting Seashells
During youth I was quite the collector
of ocean cretin’s annealed sandcastles
Though the hosts inside could not be cheaper,
their fleshy coats were worth all the hassles
Content I was amassing worn seashells;
daily did this fine collection accrue
Though furnished, barren felt those wooden shelves,
as even pearls are lesser than a jewel
Still, the sand was warm; the waves were soothful
and regardless of what hollowness struck,
the beach granted a chance to feel fruitful
so long as one had either skill or luck
Alone was I, but daresay not lonely,
but I was not happy until married.
The Angel – A poem by William Blake
A September Sunrise, County Kilkenny
Landscape Photography : Nigel Borrington
poet William Blake
#11 on top 500 poets
The Angel – Poem by William Blake
I dreamt a dream! What can it mean?
And that I was a maiden Queen
Guarded by an Angel mild:
Witless woe was ne’er beguiled!
And I wept both night and day,
And he wiped my tears away;
And I wept both day and night,
And hid from him my heart’s delight.
So he took his wings, and fled;
Then the morn blushed rosy red.
I dried my tears, and armed my fears
With ten-thousand shields and spears.
Soon my Angel came again;
I was armed, he came in vain;
For the time of youth was fled,
And grey hairs were on my head.
William Blake
E.B. White: Song of the Queen Bee
A great poem by E.B. White, published in the New Yorker Magazine 1945, even back then people loved their bee’s .
These days they need lots of love and care as it feels like its getting harder and harder of find them !!!!!
“The breeding of the bee,” says a United States Department
of Agriculture bulletin on artificial insemination, “has
always been handicapped by the fact that the queen mates
in the air with whatever drone she encounters.”
When the air is wine and the wind is free
and the morning sits on the lovely lea
and sunlight ripples on every tree
Then love-in-air is the thing for me
I’m a bee,
I’m a ravishing, rollicking, young queen bee,
That’s me.
I wish to state that I think it’s great,
Oh, it’s simply rare in the upper air,
It’s the place to pair
With a bee.
Let old geneticists plot and plan,
They’re stuffy people, to a man;
Let gossips whisper behind their fan.
(Oh, she does?
Buzz, buzz, buzz!)
My nuptial flight is sheer delight;
I’m a giddy girl who likes to swirl,
To fly and soar
And fly some more,
I’m a bee.
And I wish to state that I’ll always mate
With whatever drone I encounter.
There’s a kind of a wild and glad elation
In the natural way of insemination;
Who thinks that love is a handicap
Is a fuddydud and a common sap,
For I am a queen and I am a bee,
I’m devil-may-care and I’m fancy-free,
The test tube doesn’t appeal to me,
Not me,
I’m a bee.
And I’m here to state that I’ll always mate
With whatever drone I encounter.
Mares and cows. by calculating,
Improve themselves with loveless mating,
Let groundlings breed in the modern fashion,
I’ll stick to the air and the grand old passion;
I may be small and I’m just a bee
But I won’t have science improving me,
Not me,
I’m a bee.
On a day that’s fair with a wind that’s free,
Any old drone is a lad for me.
I’ve no flair for love moderne,
It’s far too studied, far too stern,
I’m just a bee—I’m wild, I’m free,
That’s me.
I can’t afford to be too choosy;
In every queen there’s a touch of floozy,
And it’s simply rare
In the upper air
And I wish to state
That I’ll always mate
With whatever drone I encounter.
Man is a fool for the latest movement,
He broods and broods on race improvement;
What boots it to improve a bee
If it means the end of ecstasy?
(He ought to be there
On a day that’s fair,
Oh, it’s simply rare.
For a bee.)
Man’s so wise he is growing foolish,
Some of his schemes are downright ghoulish;
He owns a bomb that’ll end creation
And he wants to change the sex relation,
He thinks that love is a handicap,
He’s a fuddydud, he’s a simple sap;
Man is a meddler, man’s a boob,
He looks for love in the depths of a tube,
His restless mind is forever ranging,
He thinks he’s advancing as long as he’s changing,
He cracks the atom, he racks his skull,
Man is meddlesome, man is dull,
Man is busy instead of idle,
Man is alarmingly suicidal,
Me, I am a bee.
I am a bee and I simply love it,
I am a bee and I’m darn glad of it,
I am a bee, I know about love:
You go upstairs, you go above,
You do not pause to dine or sup,
The sky won’t wait —it’s a long trip up;
You rise, you soar, you take the blue,
It’s you and me, kid, me and you,
It’s everything, it’s the nearest drone,
It’s never a thing that you find alone.
I’m a bee,
I’m free.
If any old farmer can keep and hive me,
Then any old drone may catch and wife me;
I’m sorry for creatures who cannot pair
On a gorgeous day in the upper air,
I’m sorry for cows that have to boast
Of affairs they’ve had by parcel post,
I’m sorry for a man with his plots and guile,
His test-tube manner, his test-tube smile;
I’ll multiply and I’ll increase
As I always have—by mere caprice;
For I am a queen and I am a bee,
I’m devil-may-care and I’m fancy-free,
Love-in-air is the thing for me,
Oh, it’s simply rare
In the beautiful air,
And I wish to state
That I’ll always mate
With whatever drone I encounter.
Monday Evening Poetry : A Night in the Field, Jay Parini, 1948
Suntsets over Country Kilkenny
Nigel Borrington 2018
A Night in the Field
Jay Parini, 1948
I didn’t mean to stay so late
or lie there in the grass
all summer afternoon and thoughtless
as the kite of sun caught in the tree-limbs
and the crimson field began to burn,
then tilt way.
I hung on
handily as night lit up the sky’s black skull
and star-flakes fell as if forever—
fat white petals of a far-off flower
like manna on the plains.
A ripe moon lifted in the east,
its eye so focused,
knowing what I knew but had forgotten
of the only death I’ll ever really need
to keep me going.
Did I sleep to wake or wake to sleep?
I slipped in seams through many layers,
soil and subsoil, rooting
in the loamy depths of my creation,
where at last I almost felt at home.
But rose at dawn in rosy light,
beginning in the dew-sop long-haired grass,
having been taken, tossed,
having gone down, a blackened tooth
in sugary old gums, that ground
Cows, a Poem by Paul Muldoon
Paul Muldoon (born 20 June 1951) is an Irish poet. He has published over thirty collections and won a Pulitzer Prize for Poetry and the T. S. Eliot Prize. He held the post of Oxford Professor of Poetry from 1999 to 2004.
At Princeton University he is both the Howard G. B. Clark ’21 Professor in the Humanities and Founding Chair of the Lewis Center for the Arts. He has also served as president of the Poetry Society (UK)[3] and Poetry Editor at The New Yorker. More ……
Cows by Paul Muldoon
Even as we speak, there’s a smoker’s cough
from behind the whitethorn hedge: we stop dead in our tracks;
a distant tingle of water into a trough.
In the past half-hour—since a cattle truck
all but sent us shuffling off this mortal coil—
we’ve consoled ourselves with the dregs
of a bottle of Redbreast. Had Hawthorne been a Gael,
I insist, the scarlet A on Hester Prynne
would have stood for “Alcohol.”
This must be the same truck whose taillights burn
so dimly, as if caked with dirt,
three or four hundred yards along the boreen
(a diminutive form of the Gaelic bóthar, “a road,”
from bó, “a cow,” and thar
meaning, in this case, something like “athwart,”
“boreen” has entered English “through the air”
despite the protestations of the O.E.D.):
why, though, should one taillight flash and flare
then flicker-fade
to an afterimage of tourmaline
set in a dark part-jet, part-jasper or -jade?
That smoker’s cough again: it triggers off from drumlin
to drumlin an emphysemantiphon
of cows. They hoist themselves onto their trampoline
and steady themselves and straight away divine
water in some far-flung spot
to which they then gravely incline. This is no Devon
cow-coterie, by the way, whey-faced, with Spode
hooves and horns: nor are they the metaphysicattle of Japan
that have merely to anticipate
scoring a bull’s-eye and, lo, it happens;
these are earth-flesh, earth-blood, salt of the earth,
whose talismans are their own jawbones
buried under threshold and hearth.
For though they trace themselves to the kith and kine
that presided over the birth
of Christ (so carry their calves a full nine
months and boast liquorice
cachous on their tongues), they belong more to the line
that’s tramped these cwms and corries
since Cuchulainn tramped Aoife.
Again the flash. Again the fade. However I might allegorize
some oscaraboscarabinary bevy
of cattle there’s no getting round this cattle truck,
one light on the blink, laden with what? Microwaves? Hi-fis?
Oscaraboscarabinary: a twin, entwined, a tree, a Tuareg;
a double dung-beetle; a plain
and simple hi-firing party; an off-the-back-of-a-lorry drogue?
Enough of Colette and Céline, Céline and Paul Celan:
enough of whether Nabokov
taught at Wellesley or Wesleyan.
Now let us talk of slaughter and the slain,
the helicopter gunship, the mighty Kalashnikov:
let’s rest for a while in a place where a cow has lain.
Ireland’s Historic Buildings : Pearse’s Cottage (Teach an Phiarsaigh),Rosmuc, County Galway
Patrick Henry Pearse (also known as Pádraig or Pádraic Pearse; Irish: Pádraig Anraà Mac Piarais; An Piarsach) was born in Dublin on the 10th of November 1879 and he died in Kilmainham Gaol(Jail), county Dublin on the 3rd of May 1916. He was primarily an Irish teacher but was also a great barrister, poet, writer and original Irish nationalist. He was one of the leaders of the Easter Rising in 1916. Following his execution along with fifteen others, Pearse came to be seen by many as the embodiment of the rebellion.
Patrick Pearse’s Cottage at Ros Muc, county Galway in the heart of the Conamara Gaeltacht, ( an Irish speaking and strongly Irish cultural area) was used by Patrick Pearse (1879 – 1916), while he spent time teaching and marking students papers.
The cottage and its interior, although burned during the War of Independence, has been perfectly reconstructed and contains an exhibition and a number of momentous of Pearse’s life.
The cottage was Pearse’s summer residence between 1903 and 1915. It was also as a summer school for his pupils from St Enda’s in Dublin where he worked during the main Academic year.
The historic cottage, has been developed as a national monument and tourist attraction as part of the 1916 centenary commemorations; and is a key ‘discovery point’ on the Wild Atlantic Way route.
I was lucky enough to visit the cottage last week and enjoyed my time here very much, the staff helped greatly when it came to understanding the life of this great Irish man and his time spent here.
If your in county Galway, you just have to call in and spend some valuable time here !
Pearse’s Cottage (Teach an Phiarsaigh), County Galway, Gallery
Images from the top of “The Reek” “Croagh Patrick”
Croagh Patrick
The Reek
County Mayo
Nigel Borrington 2018
This time last week during a weeks holiday to both counties Sligo and Mayo, in the norths west of Ireland, we hiked up Croagh Patrick or “The reek” as locals know of it. This mountain is one of Irelands Highest peeks and is most famous for being climbed by pilgrims on Reek Sunday every year, which is the last Sunday of each July. On this Sunday, thousands of pilgrims climb Croagh Patrick in honor of Saint Patrick who, according to tradition, fasted and prayed on the summit for forty days in the year 441.
It has been a personal aim to walk the peeks of a list of mountains in Ireland for a couple of years and “The Reek” is just one of these mountains to hike in the next couple of years.
The weather on the day was perfect and we started our walk about Midday having driven some 80km to the main car park used to start the hike. The start of the walk is good, being flat for a while and then only slowly rising in level, so you get a little time to warmup before the main slopes higher up the mountain side. Once you hike the first slopes the path levels off for a while until you come to the bottom of the main peek.
I really enjoyed this hike, its hard – no getting away from that fact but when you do finally get to the top the views are amazing, you can see most of county Mayo and well into county Sligo from here. there is a step that surrounds a small chapel that you can sit on to eat and have something to drink. We rested here for about 10 mins before walking around the top of the peek.
As you can see these images below are mostly taken at the top, when I finally go to open my bag and get my camera out. As I said you truly feel on top of the world here, this point is some 764 metres (2,507 ft) above sea level, not the highest mountain in the country by about 250 meters but here you start your walk at sea level so it could well be the highest distance you have to walk to get to the top…..
I will let these images do the rest of the talking for me other than to say , this is one of the most enjoyable walks of my life and I cannot wait to walk more Irish mountains in the months yo come ..
Croagh Patrick, County Mayo, A gallery
Irish Landscapes – Suir Valley, County Tipperary, call of the far away hills
Call of the far away hills
Suir Valley
county Tipperary
Nigel Borrington 2018
Shadows fall on the Valley
Day is done and the sun
Is slowly fading out of sight
I can hear, oh, so clear
A call that echoes in the night
Yes, I hear sweet and clear
The call of the faraway hills
There’s no rest on the Valley
There’s no rest for a restless soul
That just was born to roam
Who can say, maybe way out there
My heart may find a home
And I hear sweet and clear
The call of the faraway hills
There are trails I’ve never seen
And my dreams are getting old
And beyond the sunset
There are brand new paths
When a new dream or two
May just be one star away
I must obey the call of the faraway hills
Images of September, The Woodcock butterfly
Images of September
Woodcock Butterfly
County Kilkenny
Ireland
Nikon D700
Nigel Borrington
William Butler Yeats country, Those Images A poem
Those Images – Poem by William Butler Yeats
What if I bade you leave
The cavern of the mind?
There’s better exercise
In the sunlight and wind.
I never bade you go
To Moscow or to Rome.
Renounce that drudgery,
Call the Muses home.
Seek those images
That constitute the wild,
The lion and the virgin,
The harlot and the child.
Find in middle air
An eagle on the wing,
Recognise the five
That make the Muses sing.
William Butler Yeats
Nigel Borrington 
You must be logged in to post a comment.