Each May and June the Clematis planted in our Garden flowers and produces some of the best colour during the early and mid summertime , I love just how full of flowers it becomes. My mid July most of the pink flowers have gone but the leaves still offer a full canopy above pergola and give some great shade on warm and sunny days.
Clematis is a genus of about 300 species within the buttercup family, Ranunculaceae. Their garden hybrids have been popular among gardeners, beginning with Clematis × jackmanii, a garden standby since 1862; more hybrid cultivars are being produced constantly. They are mainly of Chinese and Japanese origin. Most species are known as clematis in English, while some are also known as traveller’s joy, a name invented for the sole British native, C. vitalba, by the herbalist John Gerard; virgin’s bower for C. viticella and for C. terniflora; old man’s beard, applied to several with prominent seedheads; leather flower for those with fleshy petals; or vase vine for the North American Clematis viorna
The genus name is from Ancient Greek clématis, (“a climbing plant”). Over 250 species and cultivars are known, often named for their originators or particular characteristics.
The genus is composed of mostly vigorous, woody, climbing vines / lianas. The woody stems are quite fragile until several years old. Leaves are opposite and divided into leaflets and leafstalks that twist and curl around supporting structures to anchor the plant as it climbs. Some species are shrubby, while others, like C. recta, are herbaceous perennial plants. The cool temperate species are deciduous, but many of the warmer climate species are evergreen. They grow best in cool, moist, well-drained soil in full sun.
Clematis species are mainly found throughout the temperate regions of the Northern Hemisphere, rarely in the tropics. Clematis leaves are food for the caterpillars of some Lepidoptera species, including the willow beauty (Peribatodes rhomboidaria).
The timing and location of flowers varies; spring-blooming clematis flower on side shoots of the previous year’s stems, summer/fall blooming clematis bloom only on the ends of new stems, and twice-flowering clematis do both.
The genus Clematis was first published by Carl Linnaeus in Species Plantarum in 1753, the first species listed being Clematis viticella. The genus name long pre-dates Linnaeus. It was used in Classical Greek for various climbing plants, and is based on κλήμα (klēma), meaning vine or tendril.
These images are all taken using a Nikon FM2n, loaded with Ilford XP2 Super black and white film. I used a black and white film on the day I visited the wonderful Swanage steam railway project as I felt it was perfect to capture the atmosphere of a 1940’s experience.
Sometimes when your out for the day with a camera, its the experience of finding subjects that’s the most enjoyable part of the day, on this day however it was the enjoyment of taking a trip into the past and enjoying the feeling that you had slipped back into the countryside of the 1940’s, taking these images was just a process of recording the moments.
Here is a small introduction to this great project.
Welcome to Swanage Railway
The Swanage Railway offers a more intensive heritage steam and diesel timetable train service than virtually any other preserved railway.
Steam and diesel galas, Family events plus regular Evening Dining and Sunday Lunch services complement themed events such as our highly popular Santa Special trains during the run up to Christmas.
Our award-winning standard gauge preserved steam railway is located in Dorset with easy access from neighbouring Hampshire and the South of England. Visitors can experience a unique journey through six miles of beautiful scenery passing the magnificent ruins of Corfe Castle, travelling down to the blue flag beach at Swanage.
You can even drive and fire your own steam train thanks to our one-hour footplate taster experiences
Swanage Steam railway a Film Gallery
Film Friday, Irish landscape photography, Sally Gap, Wicklow Mountains, The drama of 35mm slide film
From all the possible 35mm films you could use for landscape photography, I feel that slide transparency film offered the most drama and colour depth to each shot you took. Clearly you still needed to me there at the time you found the best lighting and weather conditions but to myself there was no better film available that captured dramatic colours and tones.
This image was taken on a very moody evening, sometime back as I was walking alone the road of the Sally Gap….
Sally Gap, Wicklow Mountains
On the road to Sally Gap, there are spectacular views of the surrounding blanket bog and the Wicklow Mountains. Sally Gap is one of two east-to-west passes across the Wicklow Mountains. Sally Gaps is a cross-road that leads you North to Dublin, West to Blessington, South to Glendalough or East to Roundwood.
the Sally Gap got its road after the Irish rebellion of 1798. It was built by British Army forces looking to flush rebels from the hills, and to this day is known as the Military Road.
Whatever about giving the army a better view of the rebels, the Military Road certainly provides an enviable view of some of Ireland’s most filmed scenery.
Highlights of this winding, twisting feat of engineering include the Glencree valley, the dark waters of Lough Tay, Kippure Mountain and Glenmacnass Waterfall.
Two more unusual stops are Glencree’s Visitor Centre, originally built to house soldiers guarding the pass (and now a centre for Peace and Reconciliation), and the Glencree War Cemetery, a resting place for German soldiers who died in Ireland.
Some background Culture of Holly
Holly – more specifically the European holly, Ilex aquifolium – is commonly referenced at Christmas time, and is often referred to by the name Christ’s thorn. In many Western Christian cultures, holly is a traditional Christmas decoration, used especially in wreaths and illustrations, for instance on Christmas cards. Since medieval times the plant has carried a Christian symbolism, as expressed in the well-known Christian Christmas carol “The Holly and the Ivy”, in which the holly represents Jesus and the ivy represents the Virgin Mary. Angie Mostellar discusses the Christian use of holly at Christmas, stating that:
Christians have identified a wealth of symbolism in its form. The sharpness of the leaves help to recall the crown of thorns worn by Jesus; the red berries serve as a reminder of the drops of blood that were shed for salvation; and the shape of the leaves, which resemble flames, can serve to reveal God’s burning love for His people. Combined with the fact that holly maintains its bright colors during the Christmas season, it naturally came to be associated with the Christian holiday.
In heraldry, holly is used to symbolize truth. The Norwegian municipality of Stord has a yellow twig of holly in its Coat-of-arms.
The Druids held that “leaves of holly offered protection against evil spirits” and thus “wore holly in their hair”.
In the Harry Potter novels, holly is used as the wood in Harry’s wand.
In some Traditions of Wicca, the Holly King is one of the faces of the Sun God. He is born at Midsummer and rules from Mabon to Ostara
My sorrow, when she’s here with me,
Thinks these dark days of autumn rain
Are beautiful as days can be;
She loves the bare, the withered tree;
She walks the sodden pasture lane.
Her pleasure will not let me stay.
She talks and I am fain to list:
She’s glad the birds are gone away,
She’s glad her simple worsted gray
Is silver now with clinging mist.
The desolate, deserted trees,
The faded earth, the heavy sky,
The beauties she so truly sees,
She thinks I have no eye for these,
And vexes me for reason why.
Not yesterday I learned to know
The love of bare November days
Before the coming of the snow,
But it were vain to tell her so,
And they are better for her praise.
MY BICYCLE, THE ARTIST
a clean slate
of white-snowed sidewalk,
its studded tires
sculpting a piece
of modern art
out of winter
for the city.
Bicycles and Poetry in Lisbon
Cycle chic fashion
Our slow bicycle movement
Poetry in bike lanes
Sartorialist’s on two wheels
reclaiming this cities
The bicycles were a forged parent-permission slip
I lifted myself over the tear in the truck’s seat cover, not sliding
Not perforating further for today.
The road was short, short enough to have ridden the bicycles from first start to real start.
But that would not have been exotic
Connection is exotic, and channels must be followed through an antfarm
Proper etiquette must be observed with touch-me-nots
The bicycles were easier to lift from the bed with two
I gave him that, passing a front end, and jammed the wheelspokes with a jabbed finger
So that the damp spinning would not flick his face with groundwater
I expected it to hurt. My expectation tapped lightly.
That narrow pock-marked blacktop was my windtunnel
The air stroked its thumbs over my eyelids and I ached to push, breathe, push further
He held me back with his slow handlebars,
His slow kickstand clicking.
Pedaling slowly is more difficult than flying.
One finds gladness in choosing leaves to crunch with an inch-wide tire
And high-fiving low-hanging branches is socially satisfying.
He smiles behind the white mustache, and I don’t mind.
Last weekend I visited the National Museum of Ireland in Dublin, to take a good look at some of the pagan/ per-christian objects that they have on permanent display.
One of the items that really captured my attention was the Corleck Hill – Carved stone head, a sculpture in the form of a triple deity. I think this stone is fascinating and provides a mythological link between per-christian Ireland and the wider world, well before the 1st century AD.
I have spent sometime this week doing a little study on the stone head and reading as much as I can find about its form, so I just wanted to share some on the images I took from the visit and some of the details I have found so far.
The Corleck Hill stone head
Object Number: IA:1998.72
Stone HeadCarved stone head. Early Iron Age, 1st – 2nd century AD. Known since it came to scientific attention in 1937 as the Corleck head, this three-faced stone idol was found in the townland of Drumeague, Co. Cavan around the year 1855. It appears that it was one of a number of carvings found, including a bearded bust now known as the Corraghy head that was later built into a barn in the nearby townland of that name. Thomas Barron, the local historian who brought the three-faced head to the attention of the National Museum spent a lifetime researching the local traditions concerning the find and he concluded that the figures were associated with a shrine located at Drumeague Hill. Nearby is Corleck Hill where it appears that between 1832 and 1900 a Passage Tomb surrounded by a stone circle and a circular embankment 70 yards in diameter were dismantled. The site of these monuments was the center of an important Lughnasa festival that celebrated the harvest, an ancient Celtic tradition that survives into modern times. Other Celtic stone heads have been found in the vicinity such as those from Corravilla and Cavan Town and the find place of the three-faced idol is but twelve miles distant from Loughcrew, Co. Meath. A little further north there is another group of Iron Age stone carvings that appear to be centred on the vicinity of Emhain Macha, the main political and ritual site of ancient Ulster. The likelihood is that the Corleck Head was associated with a shrine reflecting Romano-British traditions located close to where the carving was discovered. The three-faced carving is the finest of its type and there is a small hole in the base to assist its being stood securely, perhaps on a pedestal. One of the faces is heavy browed and all of them have bossed eyes, a broad nose and slit mouth. One of the mouths has a small circular hole at the centre and this feature is also found on two of the Co. Armagh carvings and on another from Woodlands, Co. Donegal. There are several examples of this feature from Yorkshire the best known occurring on two three-faced idols from Greetland, near Halifax. The feature also occurs on a stone head from Anglesey, Wales. H. 33cm; Max. W. 22.5cm.
What is the triple deity
A triple deity (sometimes referred to as threefold, tripled, triplicate, tripartite, triune or triadic, or as a trinity) is a deity associated with the number three. Such deities are common throughout world mythology; the number three has a long history of mythical associations. Carl Jung considered the arrangement of deities into triplets an archetype in the history of religion.
In mythological and its art,three separate beings may represent either a triad who always appear as a group (Greek Moirai, Charites, Erinnyes; Norse Norns; or the Irish Morrígna) or a single deity known from literary sources as having three aspects (Greek Hecate, Diana Nemorensis). In the case of the Irish Brigid it can be ambiguous whether she is a single goddess or three sisters, all named Brigid. The Morrígan also appears sometimes as one being, and at other times as three sisters, as do the three Irish goddesses of sovereignty, Ériu, Fódla and Banba.
The Matres or Matronae are usually represented as a group of three but sometimes with as many as 27 (3 × 3 × 3) inscriptions. They were associated with motherhood and fertility. Inscriptions to these deities have been found in Gaul, Spain, Italy, the Rhineland and Britain, as their worship was carried by Roman soldiery dating from the mid 1st century to the 3rd century AD. Miranda Green observes that “triplism” reflects a way of “expressing the divine rather than presentation of specific god-types. Triads or triple beings are ubiquitous in the Welsh and Irish mythic imagery” (she gives examples including the Irish battle-furies, Macha, and Brigit). “The religious iconographic repertoire of Gaul and Britain during the Roman period includes a wide range of triple forms: the most common triadic depiction is that of the triple mother goddess” (she lists numerous examples).
More ( A fascinating read !!!)