Dust and rubble settle at my feet,
A chaotic collapse
Inside myself that I could never
The foundations are shaken,
The cracks began to show,
And piece by piece
It all spectacularly fell apart,
Nothing to hold on to,
Nothing to steady myself with
As it all crashed and burned,
Leaving me surrounded by the ruins
Of a place that took years to build
And seconds to destroy.
LJ Chaplin Mar 2015
Film Friday, Irish landscape photography, Sally Gap, Wicklow Mountains, The drama of 35mm slide film
From all the possible 35mm films you could use for landscape photography, I feel that slide transparency film offered the most drama and colour depth to each shot you took. Clearly you still needed to me there at the time you found the best lighting and weather conditions but to myself there was no better film available that captured dramatic colours and tones.
This image was taken on a very moody evening, sometime back as I was walking alone the road of the Sally Gap….
Sally Gap, Wicklow Mountains
On the road to Sally Gap, there are spectacular views of the surrounding blanket bog and the Wicklow Mountains. Sally Gap is one of two east-to-west passes across the Wicklow Mountains. Sally Gaps is a cross-road that leads you North to Dublin, West to Blessington, South to Glendalough or East to Roundwood.
the Sally Gap got its road after the Irish rebellion of 1798. It was built by British Army forces looking to flush rebels from the hills, and to this day is known as the Military Road.
Whatever about giving the army a better view of the rebels, the Military Road certainly provides an enviable view of some of Ireland’s most filmed scenery.
Highlights of this winding, twisting feat of engineering include the Glencree valley, the dark waters of Lough Tay, Kippure Mountain and Glenmacnass Waterfall.
Two more unusual stops are Glencree’s Visitor Centre, originally built to house soldiers guarding the pass (and now a centre for Peace and Reconciliation), and the Glencree War Cemetery, a resting place for German soldiers who died in Ireland.
Then whisper, blossom, in thy sleep
How I may upward climb
The Alpine path, so hard, so steep,
That leads to heights sublime
In yesterdays post I talked a little about how film based photograph is now back a big way! with many of the film manufacturers having over the last few years seen a big jump in their sales figures. Many films that had disappeared from the photography market have now started to be produced again, Kodak are event about to re-introduce their world famous Ektachrome film, a high resolution positive film used at a commercial level of photography in the past.
It is now possible for the first time in many years to get online and purchase any type or speed of film, from Colour to Black and white, ISO 50 to ISO 3200
. This is a big opportunity for film loves to regain long lost skills, such as black and white film processing at home, setting up a dark room studio using chemical based film processing and printing. If this is not for you however, you can still opt for just purchasing the type of film you want to try out and once you have exposed your full roll, you can send it in the post to processors such as Lomography, who process any type of film for about the same price as it cost way back in the original film days.
One film I always love using was Ilfords XP2 Super, ISO 400, black and white film, Its a C41 processed film which is the same processing methods used with colour films. This film can be exposed at camera ISO setting between 50 to 800 as described in the instructions that come in the box, ISO 400 is the optimum setting but if the film is exposed at setting that overexpose the film, the film grain visible on the final prints will be much reduced. If you do play around with your ISO setting, you have to remember that with film you have to specify to your development lab that you did so and tell them what ISO Setting you exposed the roll of film at, also unlike digital for each of the 24 or 36 exposures on your roll of film you have to stay with the same ISO setting all the way through the roll.
ILFORD XP2 Super PDF
Like all rolls of film, XP2 Super has its own grain look and texture, you can see from the image below that the grain is very visible in the more well lighted areas on the frame. Its not unpleasant and adds lots of character to the image, this is an ISO 400 film after all and as such perfect for use indoors.
Ilford XP2 Super – Sample images, scanned using a Minolta Dimage Elite film scanner
Thanks to Sharon Walters Knight a fellow WordPress blogger and Facebook friend , I have in the last three weeks started to take a look again at 35mm film photography.
Over the last three years or so Film is starting to make a big come back, mainly with the help of film suppliers and film fan supporters lomography, they sell and process films along with camera bodies and offer some great new ideas as to how to use film and get some creative results from it.
I have just finished shooting my first role of 35mm black and white film supplied from Lomography Europe, using my Nikon FM2 and when I get time this week I will post this roll of film off to them and wait for the negatives and online scans to appear!
For the moment I have been looking at some of my old negatives and scanning them, the results are good I feel for these old black and white frames, My impression of how film compares to current Digital cameras is one of surprise, I love the grainy and organic feel to black and white films!
I had not realized since I stopped looking at film as my main photography medium, just how much digital has moved forward year on year! I feel that even when scanning a film frame at 10 megapixels with a good scanner, even with ISO 100 film the detail is so much less that can be found in todays digital sensors. Film grain is loved by many, yet when you look closely a lot of the image details are lost in this grain. A simple fact however when using film is that while digital cameras have kept developing all the time, film scanner have not. Another fact often lost today is that film was not designed with scanners in mind but with wet/dark room printing on light sensitive photo-papers, often designed by the film suppliers to match the film being used. Thus it could still be true that the best results when printing from film can be achieved in the dark room and not using a scanner at all!
I still love the idea of using a film camera at times when you want to use a simple process and travel light, just packing a film camera, a few lenses and rolls of film, without the need to take battery chargers and laptops with you. Another fact is that Film cameras work better when your outside and need to keep changing lenses, you never have to worry about dust and dirt getting to your sensor!
Here are some film shots I have taken over the years, at some point this week I will post more on them, including some closer looks at just how much detail is in the full sized images and just how film grain looks at 100% print size.
Ilfords Black and white film Gallery
Out there walking round, looking out for food,
a rootstock, a birdcall, a seed that you can crack
plucking, digging, snaring, snagging,
barely getting by,
no food out there on dusty slopes of scree—
carry some—look for some,
go for a hungry dream.
Deer bone, Dall sheep,
bones hunger home.
Out there somewhere
a shrine for the old ones,
the dust of the old bones,
old songs and tales.
What we ate—who ate what—
how we all prevailed.
Spring, days lengthening and warming slowly
green shoots daffodils and gambolling lambs.
Summer, sunny and hot lazing in deckchairs
rambling roses blooming strawberries and cream.
Autumn, wind blustering with nights drawing in
dying leaves changing to red/gold before falling
Winter, cold and bringing frosts, snow, ice,
dark brown trees stark and bare animals hibernate.
Seasons whirling in a revolving cycle,
marking the endless passage of time.
I was once;
the Spring child
the Summer teenager
the Autumn adult,
now, I am approaching
the Winter of old age.
Oh, that I could go back and return
like the Seasons
to the Spring again.
The Mountain Horse
Its cold at dawn in the Great Divide
And the Dew lies thick on the mountainside,
The bite of the cold air nearly makes you choke
And breath from your nostrils like dragon smoke.
The saddles are on and the cinch is tight,
Bridles are buckled and a bit to bight,
The horsemen are ready to break the camp,
The mist still rising and the bush is all damp.
The mobs been found in a clearing up ahead,
They’re all wild horses and they’re mountain bred.
Bushes flying by lashing legs and sides,
There’s danger here now for anyone who rides.
An overhanging limb so bend down low
Around rocks and wombat holes we go
There’s a mighty log we’ll have to jump
Look out, look out avoid the stump.
The big bay stallion leads his harem through the creek
There’s no place here for faint hearted or the meek,
Their hooves are like thunder and stock whips are cracking
Horses are snorting and their courage is not lacking.
Down along the valley where he knows every stride
Down along the valley where the wings are stretching wide,
But it’s too late, he knows it now, there’s nowhere left to run,
He turns and rears up high, his fight has just begun.
Something about these mountains makes you want to stay
And a mountain horse’s spirit you cannot take away.
My mind wanders back to a day not long ago,
When the horsemen came and found my mob and I put on the show.
One reason I love shooting Landscape images with square format prints and images in mind for the final results is that your images get closer to your subjects, you loose lots of details in the frame that you mostly do not need.
These images are taken at Lake Windermere in the Lake District and I feel that their square format helps in capturing this great place in a truly focused and closer way.
Charleigh Huston Dec 2015
‘Twas my spring of youth in that lot
That now haunts my mind by that spot
Of which I could not love less –
Of the lake’s Serenity gown,
With nature circled ’round.
But when Death hath reached its grasp
Upon Serenity’s water – poured into his flask,
The sadistic sagacious wind went by
Murmuring the funeral cry –
Then – I finally awake –
To the terrors of Serenity Lake.
Yet I persist that it was not fright!
Simply Death’s delight –
Fueled by the Void of Sorrow,
Pierced by Serenity’s arrow –
No! – This Love I must define!
The trip to the lake, of thee and thine.
O! – Death’s grasp laid in that voracious wave,
Enticing Serenity to be my eternal grave,
Upon that very fatal spot –
Where the two children rot.
For no soul shall ever make,
A Heaven out of Serenity Lake.
Blackthorn is the 12th letter of the Gaelic tree alphabet, representing P, yet another controversial letter. There was no P in the Gaelic alphabet until recently, so some tree has had to stand in. As Blackthorn was in the original alphabet (for St, as its old Gaelic name is Straiph, but St is no longer considered a letter in its own right). As Blackthorn’s latin name is Prunus spinosa, it fits the bill. Its modern Gaelic name is Draighneag or Airne (sloe) or Sgitheach dubh (black hawthorn).
Snippets of Lore
Blackthorn is the 12th letter of the Gaelic tree alphabet representing P, controversially, as there was no P in the alphabet until recently
For my explanation of why Blackthorn stands for P see http://mandyhaggith.worldforests.org/index.asp?pageid=359149
Blackthorn’s latin name is Prunus spinosa. In modern Gaelic, draighneag (pierce), airne (sloe) or sgitheach dubh (black hawthorn).
Blackthorn’s fruit is called sloe. They are very high in Vitamin C.
To get a taste of the bitterness of sloes, nowhere better to start than Vicki Feaver. http://www.spl.org.uk/best-poems_2006/feaver.htm
Too much sloe gin may be too much of a good thing.
Sloe gin infused with pennyroyal and valerian was the original ‘Mother’s Ruin’.
Blackthorn is the ancestor of all plum trees.
Sloe stones have been found in Neolithic cairns and crannogs.
The Ice Man was carrying a sloe, presumably to eat.
Sloes are better flavored if frosted, or dried then rehydrated.
Sloe jelly is best made with apples.
Sloes are good for the bladder, kidneys, stomach and lung complaints.
Sloe juice and bark gives indelible ink.
Sloes gives a pinky purple dye, and blackthorn bark produces a red or orange dye.
Blackthorn bark can be used to reduce fever.
Use blackthorn leaves for tea. It’s good for tonsils and larynx.
Have another sloe gin (by Seamus Heaney) http://archiver.rootsweb.ancestry.com/th/read/IrelandGenWeb/2003-11/1069876152
Responding to Heaney, Tom Rawling’s Sloe Gin: http://www.xen19.dial.pipex.com/dec_2.htm
And another moody blackthorn poem, this one by Louis McKee, coming into blossom. http://www.poemhunter.com/poem/the-blackthorn/
Blackthorn produces beautiful snow white blossoms early and before the leaves come.
Blackthorn’s leafless stems, in flower, evoke a place between death and life.
Blackthorn blossom is unlucky indoors (maybe for the same reason as hawthorn?)
A tisane of blackthorn blossom ‘purges to the depths’.
Rough weather in March is called a Blackthorn Winter.
Blackthorn is the sister of Hawthorn: Blackthorn governs Nov-April, Hawthorn governs May-Oct.
Blackthorn wood is hard and good for walking sticks and weapons. Best walking sticks are blackthorn entwined by honeysuckle.
Irish sheleilaigh sticks are made with blackthorn wood.
Blackthorn trees give good shelter for birds to nest in. It makes excellent hedges.
Blackthorn is supposed to never exceed 13 feet.
Proverb: Better the bramble than the blackthorn, but better the blackthorn than the devil.
Blackthorn helps you see beyond negatives to opportunity.
A hero fleeing from giants needs a magical blackthorn twig which will sprout into a thicket!
Blackthorns were believed to spring from the blood of Norse invaders.
A blackthorn thorn tipped with poison is a subtle weapon known as ‘a pin of slumber’.
Blackthorn is associated with Sleeping Beauty – after pricking her finger, the castle was thorn-bound until love came.
Witches stick blackthorns into wax effigies of their enemies.
Blackthorn was used for pyres when burning witches.
Blackthorn was believed to have been used for Christ’s Crown of Thorns, hence unlucky.
For fertile fields, make, wear, then burn a blackthorn crown and spread its ash.
Blackthorn represents the inevitability of death, and of dark secrets.
Evil fairy-folk stole babies – and hid them in blackthorn bushes.
‘Many sloes, many cold toes’ – presage of bad winter ahead.
Ask me why I send you here
The firstling of the infant year;
Ask me why I send to you
This primrose all bepearled with dew:
I straight will whisper in your ears,
The sweets of love are washed with tears.
Ask me why this flower doth show
So yellow, green, and sickly too;
Ask me why the stalk is weak
And bending, yet it doth not break:
I must tell you, these discover
What doubts and fears are in a lover.
The Easter holidays are always a great time to do some different activities and visited some locations I had on my list for sometime.
One of these locations was Dunmore caves in the north of county Kilkenny, the caves are some of the most spectacular – located here in Ireland, with a large entrance hall and a great mix of tunnels and caverns. This time was a great visit, there have been some great guides over the years but our female guide over the weekend was clearly into the geology and environment of the area and of the caves themselves along with the Pagan and Viking (history, myths and beliefs) based around the long time use of these caverns.
One local myth in Kilkenny county revolves around the belief that there is a tunnel that goes all the way from the caves into the center of kilkenny city, possibly used for escape in times when the city was under attack. This tunnel has been searched for many times but never found, so maybe it is just a story but the search goes on.
Dunmore caves facts and History
Dunmore Cave (from Irish Dún Mór, meaning ‘great fort’) is a limestone solutional cave in Ballyfoyle, County Kilkenny, Ireland. It is formed in Lower Carboniferous (Viséan) limestone of the Clogrenan Formation. It is a show cave open to the public, particularly well known for its rich archaeological discoveries and for being the site of a Viking massacre in 928.
Dunmore Cave was designated a National Monument by the Commissioners of Public Works in 1944, but development as a show cave with visitor centre and tours didn’t begin until 1967, at the behest of respected archaeologist and spelaeologist J. C. Coleman. The cave was closed in 2000 for archaeological work and redevelopment, and reopened in 2003.
The earliest historical reference to the cave is to be found in the Triads of Ireland, dating from the 14th to the 19th century, where “Úam Chnogba, Úam Slángae and Dearc Fearna” are listed under the heading, “the three darkest places in Ireland”.The last, meaning the “Cave of the Alders,” is generally thought to be the present Dunmore Cave, while the first two translate as the caves of Knowth and Slaney. It is not known which exact system of caves/passage tombs near the river Slaney is being referred to, with the most likely, those at Baltinglass. Other sources translate the listed locations as Rath Croghan, the cave or crypt of Slane and the “Cave of the Ferns”.
In the Annals of the Four Masters, dated to the 17th century, Dearc Fearna was recorded as the site of a great Viking massacre in 928 AD:
“Godfrey Uí Ímair, with the foreigners of Ath Cliath, demolished and plundered Dearc Fearna, where one thousand persons were killed in this year as is stated in the quatrain:
Nine hundred years without sorrow, twenty-eight, it has been proved, ‘Since Christ came to our relief, to the plundering of Dearc-Fearna.”
Gofraith, ua h-Iomhair, co n-Gallaibh Atha Cliath, do thoghail & do orgain Derce Fearna,
airm in ro marbhadh míle do dhaoinibh an bhliadhain-si, amhail as-berar isin rann,
Naoi c-céd bliadhain gan doghra,
a h-ocht fichet non-dearbha,
o do-luidh Criost dár c-cobhair
co toghail Derce Ferna.
While the human remains found in the cave are thought to be victims of the Viking massacre, this has not been reliably confirmed. Many of the remains belong to women and children, and it is hypothesised that they are the bodies of people hiding in the cave who were unable to leave when the Vikings tried to smoke them out, dying from asphyxiation.
The earliest writings on the cave of an archaeological nature came from the bishop George Berkeley, whose report dated 1706 detailed a visit that he made to the cave as a boy. The essay was not published until 1871. In 1869 Arthur Wynne Foot, a physician, made an archaeological visit to the cave with Rev. James Graves and Peter Burtchaell and discovered large quantities of human remains, which they collected. In his reports, Foot meticulously documented his findings, and culled references from the writings of researchers over the preceding 120 years.
In 1999, a hoard of 43 silver and bronze items was discovered in a rocky cleft deep in the cave. Archaeologists dated this hoard, consisting of silver, ingots and conical buttons woven from fine silver, to 970 AD.