County Kilkenny Landscapes and a Poem : Like Barley Bending, Sara Teasdale (1884 – 1933)
Barley Field
County Kilkenny
Nigel Borrington
Like Barley Bending
Like barley bending
In low fields by the sea,
Singing in hard wind
Ceaselessly;
Like barley bending
And rising again,
So would I, unbroken,
Rise from pain;
So would I softly,
Day long, night long,
Change my sorrow
Into song.
Friday Poem ,The Nightingales Nest by John Clare
The Nightingales Nest
Irish Landscape Photography
Nigel Borrington
The Nightingales Nest
John Clare
Up this green woodland-ride let’s softly rove,
And list the nightingale— she dwells just here.
Hush ! let the wood-gate softly clap, for fear
The noise might drive her from her home of love ;
For here I’ve heard her many a merry year—
At morn, at eve, nay, all the live-long day,
As though she lived on song.
This very spot, Just where that old-man’s-beard all wildly trails
Rude arbours o’er the road, and stops the way—
And where that child its blue-bell flowers hath got,
Laughing and creeping through the mossy rails—
There have I hunted like a very boy,
Creeping on hands and knees through matted thorn
To find her nest, and see her feed her young.
And vainly did I many hours employ :
All seemed as hidden as a thought unborn.
And where those crimping fern-leaves ramp among
The hazel’s under boughs, I’ve nestled down,
And watched her while she sung ; and her renown
Hath made me marvel that so famed a bird
Should have no better dress than russet brown.
Her wings would tremble in her ecstasy,
And feathers stand on end, as ’twere with joy,
And mouth wide open to release her heart
Of its out-sobbing songs.
The happiest part
Of summer’s fame she shared, for so to me
Did happy fancies shapen her employ ;
But if I touched a bush, or scarcely stirred,
All in a moment stopt.
I watched in vain :
The timid bird had left the hazel bush,
And at a distance hid to sing again.
Lost in a wilderness of listening leaves,
Rich Ecstasy would pour its luscious strain,
Till envy spurred the emulating thrush
To start less wild and scarce inferior songs ;
For while of half the year Care him bereaves,
To damp the ardour of his speckled breast ;
The nightingale to summer’s life belongs,
And naked trees, and winter’s nipping wrongs,
Are strangers to her music and her rest.
Her joys are evergreen, her world is wide—
Hark! there she is as usual— let’s be hush—
For in this black-thorn clump, if rightly guest,
Her curious house is hidden.
Part aside
These hazel branches in a gentle way,
And stoop right cautious ‘neath the rustling boughs,
For we will have another search to day,
And hunt this fern-strewn thorn-clump round and round ;
And where this reeded wood-grass idly bows,
We’ll wade right through, it is a likely nook :
In such like spots, and often on the ground,
They’ll build, where rude boys never think to look—
Aye, as I live ! her secret nest is here,
Upon this white-thorn stump ! I’ve searched about
For hours in vain.
There! put that bramble by—
Nay, trample on its branches and get near.
How subtle is the bird ! she started out,
And raised a plaintive note of danger nigh,
Ere we were past the brambles ; and now, near
Her nest, she sudden stops— as choking fear,
That might betray her home.
So even now We’ll leave it as we found it : safety’s guard
Of pathless solitudes shall keep it still.
See there! she’s sitting on the old oak bough,
Mute in her fears ; our presence doth retard
Her joys, and doubt turns every rapture chill.
Sing on, sweet bird! may no worse hap befall
Thy visions, than the fear that now deceives.
We will not plunder music of its dower,
Nor turn this spot of happiness to thrall ;
For melody seems hid in every flower,
That blossoms near thy home.
These harebells all Seem bowing with the beautiful in song ;
And gaping cuckoo-flower, with spotted leaves,
Seems blushing of the singing it has heard.
How curious is the nest ; no other bird
Uses such loose materials, or weaves
Its dwelling in such spots : dead oaken leaves
Are placed without, and velvet moss within,
And little scraps of grass, and, scant and spare,
What scarcely seem materials, down and hair ;
For from men’s haunts she nothing seems to win.
Yet Nature is the builder, and contrives
Homes for her children’s comfort, even here ;
Where Solitude’s disciples spend their lives
Unseen, save when a wanderer passes near
That loves such pleasant places.
Deep adown, The nest is made a hermit’s mossy cell.
Snug lie her curious eggs in number five,
Of deadened green, or rather olive brown ;
And the old prickly thorn-bush guards them well.
So here we’ll leave them, still unknown to wrong,
As the old woodland’s legacy of song
In the Silence of it All ~ Lily Mae
In the Silence of it All, Nigel Borrington
In the silence of it All
Lily Mae
Flower, sometimes when I stare up into the clouds
I feel such a part of something divine
like there is an energy that passes through me
from all times and I feel so loved
Yet…here we are you and I
cupping our hearts in our hands
while sending unconditional love out
to the ones we love and I wonder..
Flower do they feel it?
Close your eyes Sweet Lily and you will know
Connect with the passion burning inside you
that he alone has brought luvingly to your soul
feel the vibration of the universe as thoughts intertwine
among the orange streaks across the sky
The blackened night brings favour for you and I
for in the silence is where our thoughts collide
when everything around them stops and is still
that’s when they truly feel us
That’s when they close their eyes…..and they know too
The Farrier, by : Robert L. Hinshaw
The Farrier
Kilkenny
Nigel Borrington
The Farrier
Robert L. Hinshaw
He billed himself as an expert in the field of “equine podiatry”,
Better known as a farrier for farmers and the cream of society!
Keeping horses shod and their hooves polished was his vocation.
With horseflesh he’d had many an interesting confrontation!
He always had a roll-yer-own dangling from his lips,
And a blackened leather apron wrapped about his hips.
His jaw was set and with biceps wrought of tempered steel,
He’d strike the anvil with his hammer – what a rhythmic peal!
In his jumbled shop he’d shod animals of many breeds.
Donkeys, mules, ponies and prized Arabian steeds.
He shoed critters pulling covered wagons to unknown frontiers,
And many a cowpokes cayuse for the round-up of his steers!
One detail they didn’t cover when he was in farrier school,
Was how to deal with the occasional cantankerous mule.
Many times he’d found himself sprawled upon the dirt,
With the outline of a hoof imprinted upon his shirt!
Tho’ his profession never guaranteed a life of glamour,
And knowing he’d not get rich wielding a tongs and hammer,
Yet, it was challenging working with ornery mule and horse,
Always hoisting their hindquarters very gingerly of course!
Night on the Mountain, By George Sterling
Night on the Mountain
By George Sterling
The fog has risen from the sea and crowned
The dark, untrodden summits of the coast,
Where roams a voice, in canyons uttermost,
From midnight waters vibrant and profound.
High on each granite altar dies the sound,
Deep as the trampling of an armored host,
Lone as the lamentation of a ghost,
Sad as the diapason of the drowned.
The mountain seems no more a soulless thing,
But rather as a shape of ancient fear,
In darkness and the winds of Chaos born
Amid the lordless heavens’ thundering–
A Presence crouched, enormous and austere,
Before whose feet the mighty waters mourn.
Monday Poetry , A Buttercup Tale – Poem by sylvia spencer
The Buttercup Poem Nigel Borrington Nature Photography
A Buttercup Tale –
Poem by sylvia spencer
I know of a buttercup with a story to tell
and I can honestly say there has never been a
story told so well. A pretty buttercup so wild and free
once made friends with an old oak tree but sadly the
tree was cut down and little Miss butercup wore a frown;
she still bows her head in the summer sun because she
feels sad about what was done.
She then lived next door to a tall fox glove and she thought
in her heart that he had fallen in love, because he sheltered her
from rain all summer long and in the wind and rain he is
so brave and strong.
Sadly the foxglove did not feel the same and the buttercups
heart was jilted again.
On into the meadows she moved once more hoping that life
would be better than before. It was here she met the Dandelion
a real good catch and now they live together on the farmers
cabbage patch.
sylvia spencer
On Contemplating a Sheep’s Skull ~ Poem by: John Kinsella
All images taken in the Nier valley, county waterford
Fujifilm X100
Irish Landscape Photography : Nigel Borrington
On Contemplating a Sheep’s Skull
Poem by John Kinsella
A sheep’s Skull aged so much in rain and heat,
broken jawbone and chipped teeth half-
gnaw soil; zippered fuse-mark tracks
back to front, runs through to base
of neck, widening faultline under
stress: final crack close at hand.
Skull I can’t bring myself to move.
White-out red soil unearthed
from hillside fox den and cat haven,
now hideaway for short-beaked echidna
toppling rocks and stones, disrupting
artfulness a spirit might impose,
frisson at seeing counterpoint.
Skull I can’t bring myself to move.
Sometimes avoid the spot to avoid
looking half-hearted into its sole
remaining eye socket; mentally to join
bones strewn downhill, come apart
or torn from mountings years before
arriving with good intentions.
Skull I can’t bring myself to move.
Not something you can ‘clean up’,
shape of skull is not a measure of all
it contained: weight of light and dark,
scales of sound, vast and varied taste
of all grass eaten from these hills;
slow and steady gnawing at soil.
Skull I can’t bring myself to move.
Neither herbivore nor carnivore,
earth and sky-eater, fire in its shout
or whisper, racing through to leave a bed
of ash on which the mind might rest,
drinking sun and light and smoke,
choked up with experience.
Skull I can’t bring myself to move.
Drawn to examine
despite aversion, consider
our head on its shoulders,
drawn expression
greeting loved ones
with arms outstretched.
John Kinsella is Founding editor of the journal Salt in Australia; he serves as international editor at the Kenyon Review. His most recent volume of poetry is Divine Comedy: Journeys through a Regional Geography (W. W. Norton) with a new volume, Disturbed Ground: Jam Tree Gully/Walden, due out with W.W. Norton in November 2011.
To A Butterfly – Poem by William Wordsworth
To A Butterfly
by William Wordsworth
I’VE watched you now a full half-hour,
Self-poised upon that yellow flower;
And, little Butterfly! indeed
I know not if you sleep or feed.
How motionless!—not frozen seas
More motionless! and then
What joy awaits you, when the breeze
Hath found you out among the trees,
And calls you forth again !
This plot of orchard-ground is ours;
My trees they are, my Sister’s flowers;
Here rest your wing when they are weary;
Here lodge as in a sanctuary!
Come often to us, fear no wrong;
Sit near us on the bough!
We’ll talk of sunshine and of song,
And summer days, when we were young;
Sweet childish days, that were as long
As twenty days are now.
The Tree a poem by Tom Splitt
The Tree
Nigel Borrington
The Tree
by Tom Splitt
The calm quiet strength of a tree
Anchored deep in the earth
Reaching high in the sky
The calm quiet strength of a tree
The calm quiet strength of a tree
Full of life from its roots
To the tiniest branch
The calm quiet strength of a tree
And oh, how it comforts me
How it teaches me
Without a sound
Then I realize at once
That this tree and I are one
In eternity
The calm quiet strength of a tree
From the weight of its trunk
To its delicate leaves
The calm quiet strength of a tree
The calm quiet strength of a tree
Showing anyone near
All the secrets of time
The calm quiet strength of a tree
The Poem that Took the Place of a Mountain By Wallace Stevens
The Poem that Took the Place of a Mountain
By Wallace Stevens
There it was, word for word,
The poem that took the place of a mountain.
He breathed its oxygen,
Even when the book lay turned in the dust of his table.
It reminded him how he had needed
A place to go to in his own direction,
How he had recomposed the pines,
Shifted the rocks and picked his way among clouds,
For the outlook that would be right,
Where he would be complete in an unexplained completion:
The exact rock where his inexactnesses
Would discover, at last, the view toward which they had edged,
Where he could lie and, gazing down at the sea,
Recognize his unique and solitary home.
Through the Gate Down the Lane, gareth culshaw
Irish Landscapes, County Kilkenny
Nigel Borrington
Through the Gate Down the Lane
Through the gate down the lane
all the colours, splits in path
creaking, cracking, axed by frost
scythed by time.
Through the gate down the lane
footsteps left, gone to dust.
Voices in the limbs of trees
shaking leaves when the wind is in.
Through the gate down the lane
where summer has been only once.
Scorch marks of light left behind
the house is nettled, broken, still.
Bog cotton on the red bog, A Poem CHARLOTTE GRACE O’BRIEN (1845 – 1909)
BOG COTTON ON THE RED BOG
A Poem by
CHARLOTTE GRACE O’BRIEN (1845 –1909)
Foynes in June 1895
“ O STRONG-WINGED birds from over the moorland dark,
On this June day what have you seen?
Where have you been? ”
Where, oh! where
The golden yellow asphodel makes its boggy home,
And far and near, Spreading in broad bands of silvery silky foam
O’er the moorland drear, The slender stemmed bog cotton bends in waves of light,
Shaking out its shining tufts for its own delight,There, oh! there We have been.
“O sweet sky piercing, heaven mounting lark,
On this June day what have you seen?”
I have seen—I have seen
The dark red bog and the king fern green,
And the black
black pools lying dim between,–
The baby heather that blossoms so soon
In the splendid heat that comes after June–
———————–
Charlotte Grace O’Brien
was born in County Limerick, the daughter of
William Smith O’Brien who was a Conservative Member of Parliament for County Limerick; she championed the cause for better conditions for those emigrating to America.
Bog cotton on the red bog, images Gallery
In the Valley, a poem by : Stephanie Nicole
In the Valley
Irish Landscape Photography
Nigel Borrington
Stephanie Nicole
Jun 25, 2014
In the Valley
I’m having a rough time with it again.
It’s like mountains and valleys.
If I’m feeling great
I can make it to the top of a mountain.
But right now I’m down in the valley.
And looking at the next mountain,
I don’t want to climb it,
Because I know that beyond it there lie
More valleys.
So I may just stay here.
Three Poems about Orchid’s
Faranani
Feb 23, 2014
Purple Orchid
“Purple Orchid”
A symbol of rare beauty
Exotic. Delicate. Mysterious
Precious, in every way
Lost in a tropical land of
Purple Haze,
I am there
Whispering with a tinge of
Innocence yet wild
With passionate dark desires.
A calm stability of blue and
The fierce energy of red
Stimulating mystery and thrill,
A darkened flower
Of refined passion
With strikingly lush petals,
Intoxicating.
In his mind,
I am
A
Purple Orchid
Kayden Fittini
Apr 23, 2015
Petals of an Orchid
Graceful curve of the flower enriched with mystery
melting away any bubbling misery
walking towards the beauty.
(I’m looking to pull this special flower today.)
Wait shall I praise the wonderous bloom
with fragrant colors infused within me soon
something to admire on a daily
choosing between multiple types that look equally lovely.
(I just want to love you.)
The vanilla scent which never fades
you rose from a bed of vibrant shades
to hold and caress –
in your walk stems artistic introduction
keep me within your symmetrical seduction
And in your radiance glimmers across the horizon and seas
its in your nature to please while you tease –
but i cant lie, your approach continues with ease.
to compare your style with nature only makes sense.
how lucky can one be to build a connection that’s so intense!
I pluck the fascinating petals of an orchid.
Colin Carpenter
Apr 12, 2013
Wild Orchids
Your colors diffuse in hushed streaks
across synapses,
as empty spaces also become orchids
and butterfly petals reach for a scent
their counterparts in rain.
A fringed April is actually an orchid.
Le Balcony , By : Charles Baudelaire’s
Mother of Memories
Nigel Borrington
Le Balcony , By : Charles Baudelaire’s
Mother of memories, mistress of mistresses,
O you, all my pleasure, O you, all my duty!
You’ll remember the sweetness of our caresses,
The peace of the fireside, the charm of the evenings.
Mother of memories, mistress of mistresses!
The evenings lighted by the glow of the coals,
The evenings on the balcony, veiled with rose mist;
How soft your breast was to me! how kind was your heart!
We often said imperishable things,
The evenings lighted by the glow of the coals.
How splendid the sunsets are on warm evenings!
How deep space is! how potent is the heart!
In bending over you, queen of adored women,
I thought I breathed the perfume in your blood.
How splendid the sunsets are on warm evenings!
The night was growing dense like an encircling wall,
My eyes in the darkness felt the fire of your gaze
And I drank in your breath, O sweetness, O poison!
And your feet nestled soft in my brotherly hands.
The night was growing dense like an encircling wall.
I know the art of evoking happy moments,
And live again our past, my head laid on your knees,
For what’s the good of seeking your languid beauty
Elsewhere than in your dear body and gentle heart?
I know the art of evoking happy moments.
Those vows, those perfumes, those infinite kisses,
Will they be reborn from a gulf we may not sound,
As rejuvenated suns rise in the heavens
After being bathed in the depths of deep seas?
— O vows! O perfumes! O infinite kisses!
The dreams of a young racehorse
Dreams of a racehorse
There was a young horse he was just a foal
he was very friendly a lovely little soul
the foal he had a dream that he was in race
running very fast as he set the pace
running round the track faster than the rest
Proving to the others that he was the best
heading for the finish line and heading for the post
this is what he dreamed of, the thing he wanted most
taking home is trophy, a great big golden bowl
he dreamed he had grown up and forgot he was a foal
Dreams of foal
Nigel Borrington
Monday Poetry : Three Poems about A Bicycle …
Jackie Wilson
MY BICYCLE, THE ARTIST
my bicycle
moves over
a clean slate
of white-snowed sidewalk,
its studded tires
sculpting a piece
of modern art
out of winter
for the city.
DJ Thomas
Bicycles and Poetry in Lisbon
Cycle chic fashion
Our slow bicycle movement
Poetry in bike lanes
Sartorialist’s on two wheels
reclaiming this cities
Bicycle
Nigel Borrington
Ellen Piper
Wilson Rd.
The bicycles were a forged parent-permission slip
But well-forged.
I lifted myself over the tear in the truck’s seat cover, not sliding
Not perforating further for today.
The road was short, short enough to have ridden the bicycles from first start to real start.
But that would not have been exotic
Connection is exotic, and channels must be followed through an antfarm
Proper etiquette must be observed with touch-me-nots
The bicycles were easier to lift from the bed with two
I gave him that, passing a front end, and jammed the wheelspokes with a jabbed finger
So that the damp spinning would not flick his face with groundwater
I expected it to hurt. My expectation tapped lightly.
That narrow pock-marked blacktop was my windtunnel
The air stroked its thumbs over my eyelids and I ached to push, breathe, push further
He held me back with his slow handlebars,
His slow kickstand clicking.
Pedaling slowly is more difficult than flying.
One finds gladness in choosing leaves to crunch with an inch-wide tire
And high-fiving low-hanging branches is socially satisfying.
He smiles behind the white mustache, and I don’t mind.
Thistles By : Ted Hughes (1930 – 1998)
Thistles
Nature photography
By : Nigel Borrington
Thistles
By : Ted Hughes
(1930 – 1998)
Against the rubber tongues of cows and the hoeing hands of men
Thistles spike the summer air
And crackle open under a blue-black pressure.
Every one a revengeful burst
Of resurrection, a grasphed fistful
Of splintered weapons and Icelandic frost thrust up
From the underground stain of a decayed Viking.
They are like pale hair and the gutturals of dialects.
Every one manages a plume of blood.
Then they grow grey like men.
Mown down, it is a feud. Their sons appear
Stiff with weapons, fighting back over the same ground.
Tramore Beach in Time and the “Princess Of The Sea”, Anne-Lise Andresen and Liam Mc Daid
Tramore Beach
Far away in time
Irish Landscape
Nigel Borrington
– The Princess Of The Sea –
A Collaborated Poem
Anne-Lise Andresen and Liam Mc Daid
On the beach I found a seashell
luster of colors mixed with gold illuminate
Washed by the sea millions of times
tides turn as gentle footprints remain
I sit and ponder, how could it happen
salt breeze within an ocean’s breath inhales
A journey of unimaginable time
drifting murmurs echo against waves crashing
In the sunlight it shone with many shades
satin pearl treasure heart between two shells
Carefully I opened and found its soul
it was then as one on whitewashed wings we flew free
I found a beautiful princess of the sea
Upon a sigh or dream revealed its inner secret
A Collaborated Poem
Anne-Lise Andresen and Liam Mc Daid
Wild Rose Poetry – Poems by Margaret O Driscoll and Dennis gunsteen
The Wild Rose
Nigel Borrington
The Guelder Rose – Poem by Margaret O Driscoll
Fragrance drifts from the Guelder Rose
Lacey blossoms of Summer cream
I sit under it’s leafy shade
Drifting into a daydream
Embroidered bright red Kalina berries
Beloved emblem of Ukraine
The smiling market seller holds
Kalina berries in the Winter rain
————————————–
Dennis gunsteen – Wild rose flower
wild rose flower of the dawn.
a soft touch one heart bring tears
to my eyes.
wild rose
wild rose
how i wonder how you are.
the silkiness of lips of
wine.
in the meadow and in the grove
O’wild rose of loveliness
my spring flower of life you are
a song with in a song.
as pure as lily of spring water of life.
what is in a song but with in your heart
to love pure and warm.
Poem: When I look down toward the beach, Images of the Irish south coast
Image Of the Irish Coast , County Waterford, Ireland
Irish Landscape photography : Nigel Borrington
Images from the Irish coast.
Poem : When I look down toward the beach
When I look down toward the beach,
the distant pier seems to stride
forward from the shining sea.
I like to look beyond,
to the bands of turquoise and blue,
an ocean painted in bold,
abandoned strokes.
Why are we drawn to the waves?
Those elemental rhythms,
sounds and colours
of a primary world,
where sparse pointillist spots
busy themselves on
yellow-ochre sands.
Some days the morning
unfolds through mists,
groynes spacing out
the distances along the strand,
until a final fade-out,
well before the sea
can meet the sky.
Overhead, pterodactyl shapes
patrol against fresh patches
of blue. As I approach,
the blurred semblances
of buildings appear, rectangles
feathered violet or grey,
as if stepping off the cliff.
The Copper mine , Monday Poetry
The Copper Mine
A mine spread out its vast machinery.
Her engines with their huts and smoky stacks,
Cranks, wheels, and rods, boilers and hissing steam,
Pressed up the water from the depths below.
Here fire-whims ran till almost out of breath,
And chains cried sharply, strained with fiery force.
Here blacksmiths hammered by the sooty forge,
And there a crusher crashed the copper ore.
Here girls were cobbing under roofs of straw,
And there were giggers at the oaken hutch.
Here a man-engine glided up and down,
A blessing and a boon to mining men:
And near the spot, where many years before,
Turned round and round the rude old water wheel,
A huge fire-stamps was working evermore,
And slimy boys were swarming at the trunks.
The noisy lander by the trap-door bawled
With pincers in his hand; and troops of maids
With heavy hammers brake the mineral stones.
The cart-man cried, and shook his broken whip;
And on the steps of the account-house stood
The active agent, with his eye on all.
Below were caverns grim with greedy gloom,
And levels drunk with darkness; chambers huge
Where Fear sat silent, and the mineral-sprite
For ever chanted his bewitching song;
Shafts deep and dreadful, looking darkest things
And seeming almost running down to doom;
Rock under foot, rock standing on each side;
Rock cold and gloomy, frowning overhead;
Before; behind, at every angle, rock.
Here blazed a vein of precious copper ore,
Where lean men laboured with a zeal for fame,
With face and hands and vesture black as night,
And down their sides the perspiration ran
In steaming eddies, sickening to behold.
But they complained not, digging day and night,
And morn and eve, with lays upon their lips.
Here yawned a tin-cell like a cliff of crags,
Here Danger lurked among the groaning rocks,
And oftimes moaned in darkness. All the air
Was black with sulphur and burning up the blood.
A nameless mystery seemed to fill the void,
And wings all pitchy flapped among the flints,
And eyes that saw not sparkled min the spars.
Yet here men worked, on stages hung in ropes,
With drills and hammers blasting the rude earth,
Which fell with such a crash that he who heard
Cried, “Jesu, save the miner!” Here were the ends
Cut through hard marble by the miners’ skill,
And winzes, stopes and rizes: pitches here,
Where worked the heroic, princely tributer,
This month for nothing, next for fifty pounds.
Here lodes ran wide, and there so very small
That scarce a pick-point could be pressed between;
Here making walls as smooth as polished steel,
And there as craggy as a rended hill.
And out of sparry vagues the water oozed,
Staining the rock with mineral, so that oft
It led the labourer to a house of gems.
Across the mine a hollow cross-course ran
From north to south, an omen of much good;
And tin lay heaped on stulls and level-plots;
And in each nook a tallow taper flared,
Where pale men wasted with exhaustion huge.
Here holes exploded, and there mallets rang,
And rocks fell crashing, lifting the stiff hair
From time-worn brows, and noisy buckets roared
In echoing shafts; and through this gulf of gloom
A hollow murmur rushed for evermore.
Friday Poetry : The Road
The Road
West Cork, Ireland
Nigel Borrington
The Road
Rockie
Oct 19, 2014
If you were on the road to nowhere,
where would you go?
If you were on the road to somewhere,
would you stay where you are?
If there was no road,
what would you do?
If the road was there,
would you carry on walking?
If the road you walked upon,
was somebody else’s,
would you leave?
If the road you took,
leads to the end of yours,
would you bother turning back?
What would YOU do,
if the feet that led you,
took you onto a road,
that you didn’t know about?
Nigel Borrington 
Remembering the Battle of the Somme, in its Centenary year.
Poppy fields
Landscape photography : Nigel Borrington
Tomorrow marks 100 years since the start of the battle of the Somme.
I am sure many will know a great deal about this shocking first world war battle, however if you would like to know more or read about it for the first time, this is a great link !
Battle of the Somme centenary: How is it being commemorated and why was it so important?
As you can see here, like so many I have linked the poppy to the Somme and the first world war, how and why this link came about is detailed below …..
What do the red poppies signify?
The association between commemorating war dead and poppies arises from the famous opening lines of Canadian army officer John McCrae’s poem In Flanders Field, which begins: ” In Flanders fields the poppies blow; Between the crosses, row on row”.
McCrae wrote the poem during the Second Battle of Ypres, the day after he helped to bury a close friend. He had noticed the way poppies bloomed around the graves and included the observation in his poem, which was written from the viewpoint of the dead soldiers.
McCrae was promoted to Acting Colonel and moved to a position behind the lines, but died of meningitis in a military hospital on 28 January 1918. His poetry, however, lived on. Published in December 1915, In Flanders Field quickly became known as one of the defining poems of the First World War.
American humanitarian worker Moina Michael was one of the millions touched by the imagery of poppies growing on the battlefield. To raise money for her work helping disabled servicemen, she came up with the idea of selling silk poppies to be worn as a tribute to the fallen.
By 1921, her efforts had led to the poppy being adopted as the official emblem of remembrance by both the American Legion and Royal British Legion, with poppy sellers an established fixture in both nations.
Gallery and Poem (John McCrae’s poem In Flanders Field)
John McCrae, May 1915
In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.
Another great link about the Somme is here : The Battle of the Somme: 141 days of horror
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June 30, 2016 | Categories: Comment, History, Nature and Wildlife, Poetry Gallery | Tags: Battle of the Somme, Battle of Ypres, First world war, Flanders fields, John McCrae, Nigel Borrington, poems, poetry, Remembrance, Somme | 3 Comments