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Otters of the River Suir , County Tipperary

Otters of the River Suir County Tipperary Nigel Borrington

Otters of the River Suir
County Tipperary
Nigel Borrington

Last weekend while on walk between Clonmel and Carrick-on-suir, both in county Tipperary, We came across a family of Otters, they had made one of the rivers contributor’s their home ( A Holt or Couch in otter terms ). We spent about an hour with them watching as two adults and four pups hunted and play in the waters. One of the Pups managed to catch a fish and then share this food with the other three pups on the river bank.

For a long time I have hopped to have an encounter with these otters, I knew they were around this location but had never been in luck when it came to seeing them, so this hour was a truly special time and one I will not forget 🙂 , it changes the way you feel about a river when you have the chance to view its wild life for such a long period of time.

Here are some basic facts about the otter in Ireland …..

Written by Dr Mathieu Lundy

The otter (Lutra lutra) is regarded as one of Ireland’s most charismatic native mammal species.

The otter is highly secretive and although widespread people tend to only get rare glimpses of the species in the wild. Otter populations declined throughout Europe after the 1960s and the species is now very rare or absent from many parts of its former range. The Irish otter population appears to have remained largely stable and is regarded as a European stronghold. In Ireland otters are found in a diverse array of aquatic habitats, from small streams to major rivers, upland lakes to coastal lagoons and sandy beaches. However, otters that live at the coast do need access to some freshwater habitat to bathe. Within these habitats otters feed on a range of both aquatic and terrestrial prey. Much of the information regarding distribution, habitat use and diet comes from spotting otter tracks and signs. Individual otters are highly territorial, using droppings called spraints to mark their home ranges. Favoured locations for leaving spraints are in-stream boulders, bridge footings and grass tussocks, these are called seats. These territorial signs are an ideal way to tell if otters are using an area. Within its territory an otter may have a number of resting sites, called couches and underground denning sites called holts, which can be a considerable distance (up to 1km) from a river, lake or the seashore.

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Distribution

The species of otter that occurs in Ireland is called the Eurasian otter and is found in Europe and across Asia to China and Japan. In other regions the otter shares aquatic habitats with species specialised to different habitats such as sea otters, but in Ireland the otters that live at the coast and those that occupy our rivers are the same species.

In Ireland the otter population is geographically widely spread. In local areas its presence will depend on the provision of suitable aquatic habitats, sufficient food and cover for resting and breeding. During different seasons male otters and juvenile otters will disperse and otter signs may be observed in areas where they have not been present hitherto.

Home ranging behaviour

The territories of otters can stretch for several kilometres; the total length of the home range depends on the availability of food. The smallest territories are thought to occur at coastal sites, where territories may be as small as 2km. The longest territories occur in upland streams where an individual may have to range more than 20km to find sufficient food. The territories of males tend to be larger than females and indeed may overlap with a number of female otters. The availability of suitable territories along the coast and inland at lakes and rivers is thought to maintain the otter population of Ireland. The entire population is estimated to be in the region of 10,000 adults.

Within their territories an individual otter may utilise a number of holts. These tend to be natural crevices, associated with the roots of trees growing along river and lake banks. These natural recesses provide the otter with a holt that has multiple entrances from which the otter can escape if disturbed. Whilst individual otters rarely dig their own holts they will use burrows made by other animals such as rabbits and foxes. It is possible to build artificial holts to attract otters to use certain areas. Artificial holts are built to resemble natural holts, with a resting compartment and multiple entrances, these are particularly important where the natural bank side vegetation has been removed.

Other resting sites are also used, frequently in dense vegetation and may be associated with frequently used runs and slides into the water.

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Reproduction

Although otters can breed at any time of year most seem do so in spring or early summer. Scent markings by the females signal to male otters that the females are ready to mate. The pregnancy lasts for around two months after which a litter of cubs is born, usually two or three, but as many as five have been seen. The cubs remain in the natal holt for up to two months before venturing out on their own, although the mother may move the cubs between holts within her territory periodically. Unlike other resting sites the natal holts do not tend to be marked with spraints. The juvenile otters remain as a family group for around six months or longer before the young otters disperse to establish their own territories.

Foraging

Otters that live in rivers and lakes tend to be completely nocturnal, described as being crepuscular – activity peaks at dusk and dawn. Foraging at night or in ‘muddy’ water is aided by their highly sensitive whiskers, which detect their prey items. Otters are principally piscivorous, relying predominantly on salmonids (salmon and trout), but also eel and small fish species such as stickleback. However, otters are not limited to fish and feed opportunistically on a range of prey when available: frogs are frequently eaten by otters, and the remains of invertebrates (crayfish), birds and small mammals have also been found in spraints. Otters that forage at the coast may have flexible foraging times linked to the tides. At low tide otters hunt in the exposed rock pools and seaweed covered rocks for fish and invertebrate prey.

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Conservation Status

The Irish otter population remains one of the most stable in Europe. There is some evidence to suggest that since initial national surveys in the early 1980s there have been declines in the prevalence of the species. It is hoped that the reasons for these declines will be addressed by the designation of Special Areas of Conservation (SACs), ongoing national assessments and by targeted intensive surveys. The risks to the current otter population are the availability of sufficient food within their habitats and provision of resting and denning sites. This species is protected under the Wildlife Act (1976) and Wildlife (Amendment) Act 2000.

Otters have been found dead in illegal snares, which may not be intended for otters, but which still pose a threat to individual animals. A significant number of otters are also killed on our roads. There is some evidence that the incidence of these accidents increases during periods of flooding when fast flowing rivers at bridge crossing become impassable and otters must venture onto roads to find alternative routes. The occurrence of otters at any site relies on a complex interaction of the characteristics of the wider landscape and local site specific habitat factors. Broad-scale intensive agriculture and urbanisation of catchments reduces the likelihood that otters will occur, along with reduced diversity of river banks and lake shores. Maintaining prey populations and preserving the natural features of rivers, lakes and coasts will benefit the Irish otter population and ensure that the Irish population remains a European stronghold.

Digital Art work – A December Sunset – Callan, county Kilkenny

Kilkenny Sunset  December 2016 Nigel Borrington

Kilkenny Sunset
December 2016
Nigel Borrington

A December Sunset – Callan, county Kilkenny

Often when out for an evening walk at this time of year the sunsets across our local fields can be just amazing to view, the sun is low in the sky all day long in December when compared to a mid summers day. With out getting to detailed this changes the angle of the sun and it seems to make the last few moments of day light last longer. This along with the mist and early frosts that can sit of the fields, haging above the hedgerows is just great to see 🙂

This painting is created using a PC application called mypaint, I have spent the last few weeks doing my best to get up to speed with how to make the best use of it, at first just using some of the drawing tools and ink pens but as you can see – I hope that I am now getting more use to the painting and colour tools..

The paint is posted the moment I feel its finished , I very much like the idea of this as it helps me to close the processes involved and to stop me coming back and over working anything. Its a little hard to describe but its a great feeling to start and finish a painting in one session and then be able to learn when you feel that you have finished !!!

A Winters day on the farm …..

WinterFeed in the barn County Kilkenny Nigel Borrington

WinterFeed in the barn
County Kilkenny
Nigel Borrington

Winters on a farm are a hard time of year, dealing with the weather and the cold, the dark evenings and early mornings. Life as a farmer must have many great moments but its not hard to imagine that there are less of these in the winter months than in the summer.

I took these images while out on a walk yesterday and as you can see, on this farm some of the cows are still out in the fields while some have been returned to their winter shed, soon all of them with be inside. In the Barn close by is stored some of the feed that will be used for the cattle over the next few months. In an area of the barn next to the feed is the farmers haybob that would have been used only a few weeks back to help get the hay bales ready.

The next few weeks are all about rest for the land and keeping the live stock warm and health in the sheds, life slows down and less work out in the fields is needed. While welcome in some ways you can imagine that this lack of activity can at times feel a little to slow but this is farm life.

Here in county Kilkenny each year you develop a great sense of the farming seasons and the activities that go along with them.

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Abandoned Farmhouse, Poem By Ted Kooser

Abansoned Farmhouse chalk sketch Nigel Borrington

Abansoned Farmhouse
Chalk sketch
Nigel Borrington

Abandoned Farmhouse

By Ted Kooser

He was a big man, says the size of his shoes
on a pile of broken dishes by the house;
a tall man too, says the length of the bed
in an upstairs room; and a good, God-fearing man,
says the Bible with a broken back
on the floor below the window, dusty with sun;
but not a man for farming, say the fields
cluttered with boulders and the leaky barn.

A woman lived with him, says the bedroom wall
papered with lilacs and the kitchen shelves
covered with oilcloth, and they had a child,
says the sandbox made from a tractor tire.
Money was scarce, say the jars of plum preserves
and canned tomatoes sealed in the cellar hole.
And the winters cold, say the rags in the window frames.
It was lonely here, says the narrow country road.

Something went wrong, says the empty house
in the weed-choked yard. Stones in the fields
say he was not a farmer; the still-sealed jars
in the cellar say she left in a nervous haste.
And the child? Its toys are strewn in the yard
like branches after a storm—a rubber cow,
a rusty tractor with a broken plow,
a doll in overalls. Something went wrong, they say.

Fond memories….. 

Fond memory of Molly our very special Golden Retriever

Fond memory of Molly our very special Golden Retriever

Its exactly one year ago that we lost our much loved friend Molly, she was with us for 12 1/2 year and in that time shared such a great life with us.

The gap she left is just a little smaller than this time last year but as you can imagine she is still very much loved and in our minds all the time, she was special and as lots of dog owners know she made our lives special, in that she was in it….

for the great times we had with her 🙂 🙂

Molly xxxx

An October walk along the Waterford coast Irish Landscape Photography  Nigel Borrington

Molly Four feet Friday 2

Coolieragh Glengarriff 6

Down in the rocky river 4

Glenveagh National park 5

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Glenveagh National park 3

Glenveagh National park 2

Macro photography in December

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You would think that in the first week of December, it would be hard to find anything interesting in the local landscape nature wise to get good and close to with a Macro lens, however there are still some amazing thing to be seen and captured 🙂

Here are just a few macro images taken this week …….

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Friday Art and Artists : British Artist Edward Bawden

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Friday Art reviews

Back in the Summer I did a weeks worth of posts that related to some of the artists I like the most. I really enjoyed doing the research behind these posts and so I want to start looking at some more artists and their work , In the long term I am planning to put each Friday aside for these posts, this December however I may post a lot more than one day per week, as I want to dig a lot deeper into the subject of landscape and cityscape art and artists ……


Artist Edward Bawden

British Artist Edward Bawden, one of a group of artists associated with a community of artists that existed around Great Bardfield in Essex, England during the middle years of the 20th century.

Great Bardfield :

is a village in north west Essex, England. The principal artists who lived there between 1930 and 1970 were John Aldridge RA, Edward Bawden CBE RA, George Chapman, Stanley Clifford-Smith, Audrey Cruddas, Walter Hoyle (principally a printmaker, who ran the printing workshops at Cambridge Art School when I was there, and taught me to do linocuts in the style of Bawden and himself), Eric Ravilious, Sheila Robinson, Michael Rothenstein, Kenneth Rowntree and Marianne Straub. Other artists associated with the group include Duffy Ayers, John Bolam (who taught me painting at Cambridge Art School, and later became the Principal of the school), Bernard Cheese, Tirzah Garwood, Joan Glass, David Low and Laurence Scarfe. Great Bardfield Artists were diverse in style but shared a love for figurative art, making the group distinct from the better known St Ives art community in Cornwall, who, after the war, were chiefly dominated by abstractionists.

Edward Bawden (1903 – 1989)

can be seen as a key artist in the Bardfield group. His long career spanned most of the twentieth century, and comfortably straddled boundaries and borders between the fine and applied arts, boundaries which are seen as so immovable today. Even before his appointment as an Official War Artist in 1940, Bawden had established a reputation as a designer, illustrator and painter. As well as these areas his output over the years include murals, posters, designs for wallpaper, ceramics, lithographic prints and watercolours.

Edward Bawden was born in Braintree, Essex in 1903, and was perhaps more firmly rooted in Essex than any other artist represented in the North West Essex Collection. Bawden attended the Friends’ School in Saffron Walden. At the age of eleven he strained his heart and was excused participation in sports. This may have allowed him to devote more time to drawing, and his portraits and caricatures attracted the attention of his tutors who arranged for him to spend a day a week at the Cambridge School of Art. The school, now part of Anglia Ruskin University, had been founded to comply with the Ruskinian philosophies of improving design for industry, and encouraging amateur aspirations. Bawden fitted perfectly.

Before long, he had gained entry to the Royal College of Art. Here he was taught by Paul Nash (a lasting influence on Bawden and his contemporaries), and the popular E. W. Tristram. It was at the RCA that Bawden first met his ‘kindred spirit’, Eric Ravilious, the two quickly becoming firm friends, though entirely different in temperament. Shortly after leaving the college, the pair gained a prestigious commission to paint a mural for the refreshment room of Morley College in London. He first rented half of Brick House, the imposing Georgian house in Great Bardfield in the mid-1920s with Ravilious, and after his father purchased the whole house for him on his marriage to Charlotte Epton in 1932, he continued to live there until moving to Saffron Walden in 1970 after Charlotte’s death.

On a Personal note …..

I really like Edwards London market prints, his use of limited colour and strong geometric shapes, to me this is print making at its very best. They are almost poster like yet retain strong connections to art not commercial based prints.

I like very much the sense of movement and activity that he captures from the people he includes in these prints, you can almost hear the noise and imagine the chatter that is taking place, the sound of wheels on the flag stones. The cold in the winter and the heat of the city in the summer.

These prints are full of life and capture London markets in 1967 in an almost timeless way 🙂 🙂

In 1967 Bawden made a series of six prints of London markets, commissioned by Curwen Prints. The markets were Billingsgate, Borough, Covent Garden (2), Leadenhall and Smithfield:

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December , the Pagan Meaning of Evergreen & Holly

Evergreen Holly  Pagan Nature

Evergreen Holly
Pagan Nature

Evergreens and holly (genus Ilex) are traditionally used to decorate during the holidays. Although many simply enjoy the plants for their fragrance and holiday colors, the meaning of these plants goes deeper for others, including pagans. Historically, pagans had — and still have — specific beliefs about the power and symbolism of both evergreens and holly, and some still use the plants as decor in accordance with those beliefs.

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Evergreen — Always Green

Evergreens are loosely defined as plants that retain their foliage and remain green year-round. Usually, the term refers to coniferous trees — trees that have needles or needle-like foliage, but it can refer to any plant that stays green all winter long, including holly. Today, evergreens are valued for their practical uses — as windbreaks, hedges and for use as Christmas trees. Pagans used them for more spiritual reasons.

Pagan Meaning of Evergreen

In some countries, it was believed that evergreens would keep evil out of the home — evil spirits and ghosts, and evil in the form of illnesses. For this reason, evergreen boughs were often cut down and hung over doorways and inside the home. Pagans also believed that the green branches represented everlasting life. Druids used evergreen branches to decorate their temples for this very reason, according to History.com. The green of the branches helped people to get through the long winter by having hope in the warmth and food that would come in the spring.

Holly — Pretty and Prickly

Holly plants
vary widely in leaf shape and appearance. Although there are over 400 species (Ilex opaca is the scientific name of American holly), the most popular for use during the holidays are those that produce bright red berries, which historically were seen by pagans as masculine plants even though it is the female plants that produce the fruit. Holly plants are generally hardy in U.S. Department of Agriculture plant hardiness zones 5 through 9, although this can vary by species. Most popular hollies are hardy in USDA zones 7 through 9.

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Pagan Meaning of Holly

Holly has a more specific meaning for pagans. Historically, pagans believed that like evergreens, holly wards off evil spirits. They also believed that holly increased fertility. In addition to bringing in holly boughs to decorate the home and increase fertility, holly was also often planted outdoors around the house to keep out evil spirits.

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Kilkenny landscape images : Novembers last sunset

Kilkenny Landscapes Ballykeeffe  Ireland Nigel Borrington

Kilkenny Landscapes
Ballykeeffe
Ireland
Nigel Borrington

Its hard to Believe that it is the end of November already !!

These images are of the last sunset, November 2016 🙂

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Birds in Irish Folklore, The Robin

Birds of Irish folk law The Robin Nigel Borrington

Birds of Irish Folklore
The Robin
Nigel Borrington

The end of November and you would think that all the wildlife has vanished from the landscape , however you only need to take an early morning walk to realize that there are lots of wild creatures still around.

This morning on a walk through the hills near Kilmoganny, county Kilkenny, I was accompanied by this little Robin who hopped from tree to tree in front of me 🙂

Here is a little folklore about the Robin from an Irish point of view …….

The Robin

If the soul and symbol of the old sun and the Oak King was the Wren, the Robin represented the new sun. The wren was said to hide in the Ivy, the Robin in the Holly. The Pagan Neolithic Festival of the birth of the new sun, symbolized by the Robin, was at the Winter Solstice (21st December). The Robin (the new sun) killed his father the Wren (the old sun) and that is how he got his red breast, ie, from the blood of his father. A Robin coming into a house was supposed to be a sign that someone was going to die there in the near future. Despite this association with death, the Robin was praised for being the only bird capable of singing all the notes of the musical scale. And furthermore, the Robin can sing for half an hour without repeating the melody, unlike the other birds.