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Friday Art reviews
Back in the Summer I did a weeks worth of posts that related to some of the artists I like the most. I really enjoyed doing the research behind these posts and so I want to start looking at some more artists and their work , In the long term I am planning to put each Friday aside for these posts, this December however I may post a lot more than one day per week, as I want to dig a lot deeper into the subject of landscape and cityscape art and artists ……
Artist Edward Bawden
British Artist Edward Bawden, one of a group of artists associated with a community of artists that existed around Great Bardfield in Essex, England during the middle years of the 20th century.
Great Bardfield :
is a village in north west Essex, England. The principal artists who lived there between 1930 and 1970 were John Aldridge RA, Edward Bawden CBE RA, George Chapman, Stanley Clifford-Smith, Audrey Cruddas, Walter Hoyle (principally a printmaker, who ran the printing workshops at Cambridge Art School when I was there, and taught me to do linocuts in the style of Bawden and himself), Eric Ravilious, Sheila Robinson, Michael Rothenstein, Kenneth Rowntree and Marianne Straub. Other artists associated with the group include Duffy Ayers, John Bolam (who taught me painting at Cambridge Art School, and later became the Principal of the school), Bernard Cheese, Tirzah Garwood, Joan Glass, David Low and Laurence Scarfe. Great Bardfield Artists were diverse in style but shared a love for figurative art, making the group distinct from the better known St Ives art community in Cornwall, who, after the war, were chiefly dominated by abstractionists.
Edward Bawden (1903 – 1989)
can be seen as a key artist in the Bardfield group. His long career spanned most of the twentieth century, and comfortably straddled boundaries and borders between the fine and applied arts, boundaries which are seen as so immovable today. Even before his appointment as an Official War Artist in 1940, Bawden had established a reputation as a designer, illustrator and painter. As well as these areas his output over the years include murals, posters, designs for wallpaper, ceramics, lithographic prints and watercolours.
Edward Bawden was born in Braintree, Essex in 1903, and was perhaps more firmly rooted in Essex than any other artist represented in the North West Essex Collection. Bawden attended the Friends’ School in Saffron Walden. At the age of eleven he strained his heart and was excused participation in sports. This may have allowed him to devote more time to drawing, and his portraits and caricatures attracted the attention of his tutors who arranged for him to spend a day a week at the Cambridge School of Art. The school, now part of Anglia Ruskin University, had been founded to comply with the Ruskinian philosophies of improving design for industry, and encouraging amateur aspirations. Bawden fitted perfectly.
Before long, he had gained entry to the Royal College of Art. Here he was taught by Paul Nash (a lasting influence on Bawden and his contemporaries), and the popular E. W. Tristram. It was at the RCA that Bawden first met his ‘kindred spirit’, Eric Ravilious, the two quickly becoming firm friends, though entirely different in temperament. Shortly after leaving the college, the pair gained a prestigious commission to paint a mural for the refreshment room of Morley College in London. He first rented half of Brick House, the imposing Georgian house in Great Bardfield in the mid-1920s with Ravilious, and after his father purchased the whole house for him on his marriage to Charlotte Epton in 1932, he continued to live there until moving to Saffron Walden in 1970 after Charlotte’s death.
On a Personal note …..
I really like Edwards London market prints, his use of limited colour and strong geometric shapes, to me this is print making at its very best. They are almost poster like yet retain strong connections to art not commercial based prints.
I like very much the sense of movement and activity that he captures from the people he includes in these prints, you can almost hear the noise and imagine the chatter that is taking place, the sound of wheels on the flag stones. The cold in the winter and the heat of the city in the summer.
These prints are full of life and capture London markets in 1967 in an almost timeless way 🙂 🙂
In 1967 Bawden made a series of six prints of London markets, commissioned by Curwen Prints. The markets were Billingsgate, Borough, Covent Garden (2), Leadenhall and Smithfield:
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December 2, 2016 | Categories: artists, Comment, Edward Bawden | Tags: art, artists, Billingsgate, Borough, Covent Garden, Edward Bawden, Great Bardfield, Leadenhall, lithograph, london, London markets, Markets, Nigel Borrington, Print making, Prints, Smithfield: | 2 Comments
Grand Union canal, Harefield, Hillingdon, London, England.
Landscape Photography : Nigel Borrington
Grand Union canal, Harefield (1988 to 2014)
Up until some 18 years ago I lived and worked in Harrow , Middlesex, North London. Working in the IT industry with long hours and shift work included. I really Valued my time off and would spend a lot of my weekends out walking in the country around North London. The Grand Union Canal was one of my most visited locations , it runs from Inner London to Birmingham in the Midlands of the UK.
Recently I took some time off to visit the Canal again after some twenty six years, It was great after all this time to get back and walk some old steps, I had no idea what could have changed. When I got back I remembered that I must have some old images taken during my original walks here.
So when I got back home to Ireland, I found some black and white images of an old canal side factory that marked the start of my walks, the images below show just how little the building has changed. It looks like it is just used for smaller office units these days but apart from this, its still very much looks like the place in my film images.
It was great to walk these old places, I have very good memories of walking and doing my best to relax after a long working week and to get a fresh image of the old canal in my mind was just great.
Film Gallery (1988), using a Nikon FM2 and Ilford XP2 Black and white film
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Digital Gallery (2014), using a Fujifilm X100.
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April 11, 2014 | Categories: Film Photography, Forgotten places, Landscape, Nigel Borrington | Tags: black and white photography, Canal walks, fujifilm X100, Grand Union Canal, Harefield, Hillingdon, Landscape, Landscape Photography, london, Nigel Borrington, nikon fm2 | 4 Comments
Pentax Super A, a 1983 manual focus camera
Reclaiming found things
Well, well – Hello! I didn’t even know you were still around….
Going through some old box’s of things from the old loft last week I found this camera and it must be one of the first SLR Camera’s I ever owned. Back in 1985, I moved from Altrincham near Manchester to live and work for Chase Manhattan bank as an IBM programmer.
I Purchased this Pentax Super A from the shop across the road from the flat I rented. You can just about make out the shop in this photograph (Image photography) which by the way is the first frame from the first roll of film I ever used in this Camera.
I don’t remember at which point I didn’t use this Pentax any more, I think it is when I started getting into Nikon Cameras with an FM2n body which I thought was my first SLR film camera.
I just love finding old things and believe me I will use this camera again now its re-found. I am attempting to get some processing chemicals to do a post on black and white negative processing, the shop I was hoping to get it from however let me down so I am having to get it imported from Birmingham in the UK.
Here are some Sample images that I took first time around with this Pentax Super A.
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May 24, 2013 | Categories: About Nigel Borrington, Camera reviews, Comment, Gallery | Tags: film cameras, film processing, london, Nigel Borrington, North London, Old Cameras, Pentax Super A | 14 Comments
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I Purchased this Pentax Super A from the shop across the road from the flat I rented. You can just about make out the shop in this photograph (Image photography) which by the way is the first frame from the first roll of film I ever used in this Camera.
Friday Art and Artists : British Artist Edward Bawden
650 0072
Friday Art reviews
Back in the Summer I did a weeks worth of posts that related to some of the artists I like the most. I really enjoyed doing the research behind these posts and so I want to start looking at some more artists and their work , In the long term I am planning to put each Friday aside for these posts, this December however I may post a lot more than one day per week, as I want to dig a lot deeper into the subject of landscape and cityscape art and artists ……
Artist Edward Bawden
British Artist Edward Bawden, one of a group of artists associated with a community of artists that existed around Great Bardfield in Essex, England during the middle years of the 20th century.
Great Bardfield :
is a village in north west Essex, England. The principal artists who lived there between 1930 and 1970 were John Aldridge RA, Edward Bawden CBE RA, George Chapman, Stanley Clifford-Smith, Audrey Cruddas, Walter Hoyle (principally a printmaker, who ran the printing workshops at Cambridge Art School when I was there, and taught me to do linocuts in the style of Bawden and himself), Eric Ravilious, Sheila Robinson, Michael Rothenstein, Kenneth Rowntree and Marianne Straub. Other artists associated with the group include Duffy Ayers, John Bolam (who taught me painting at Cambridge Art School, and later became the Principal of the school), Bernard Cheese, Tirzah Garwood, Joan Glass, David Low and Laurence Scarfe. Great Bardfield Artists were diverse in style but shared a love for figurative art, making the group distinct from the better known St Ives art community in Cornwall, who, after the war, were chiefly dominated by abstractionists.
Edward Bawden (1903 – 1989)
can be seen as a key artist in the Bardfield group. His long career spanned most of the twentieth century, and comfortably straddled boundaries and borders between the fine and applied arts, boundaries which are seen as so immovable today. Even before his appointment as an Official War Artist in 1940, Bawden had established a reputation as a designer, illustrator and painter. As well as these areas his output over the years include murals, posters, designs for wallpaper, ceramics, lithographic prints and watercolours.
Edward Bawden was born in Braintree, Essex in 1903, and was perhaps more firmly rooted in Essex than any other artist represented in the North West Essex Collection. Bawden attended the Friends’ School in Saffron Walden. At the age of eleven he strained his heart and was excused participation in sports. This may have allowed him to devote more time to drawing, and his portraits and caricatures attracted the attention of his tutors who arranged for him to spend a day a week at the Cambridge School of Art. The school, now part of Anglia Ruskin University, had been founded to comply with the Ruskinian philosophies of improving design for industry, and encouraging amateur aspirations. Bawden fitted perfectly.
Before long, he had gained entry to the Royal College of Art. Here he was taught by Paul Nash (a lasting influence on Bawden and his contemporaries), and the popular E. W. Tristram. It was at the RCA that Bawden first met his ‘kindred spirit’, Eric Ravilious, the two quickly becoming firm friends, though entirely different in temperament. Shortly after leaving the college, the pair gained a prestigious commission to paint a mural for the refreshment room of Morley College in London. He first rented half of Brick House, the imposing Georgian house in Great Bardfield in the mid-1920s with Ravilious, and after his father purchased the whole house for him on his marriage to Charlotte Epton in 1932, he continued to live there until moving to Saffron Walden in 1970 after Charlotte’s death.
On a Personal note …..
I really like Edwards London market prints, his use of limited colour and strong geometric shapes, to me this is print making at its very best. They are almost poster like yet retain strong connections to art not commercial based prints.
I like very much the sense of movement and activity that he captures from the people he includes in these prints, you can almost hear the noise and imagine the chatter that is taking place, the sound of wheels on the flag stones. The cold in the winter and the heat of the city in the summer.
These prints are full of life and capture London markets in 1967 in an almost timeless way 🙂 🙂
In 1967 Bawden made a series of six prints of London markets, commissioned by Curwen Prints. The markets were Billingsgate, Borough, Covent Garden (2), Leadenhall and Smithfield:
648 0074
646 0076
649 0073
250 0001
647 0070
650 0072
Share this:
Like this:
December 2, 2016 | Categories: artists, Comment, Edward Bawden | Tags: art, artists, Billingsgate, Borough, Covent Garden, Edward Bawden, Great Bardfield, Leadenhall, lithograph, london, London markets, Markets, Nigel Borrington, Print making, Prints, Smithfield: | 2 Comments