One of Kilkenny’s Forgotten spaces, Newtown House.
I cannot find that much history on this location, the following web link has records as follows:
NEWTOWN HOUSE, Earlstown parish, Shillelogher barony.
1858 Joseph Greene, Newtown. [Will]
1870 John Newport Greene, Newtown House. [Will]
1873 Newtown House, 6 mile of Kilkenny, Thomastown & Ballyhale, 3 of Callan, 1 of Kells, to let by Lt Col Mollan CB. [Mod 6.9.1873]
1873 Mr Joseph Greene, Newtown House. [Mod 25.10.1873]
1878 Eliza Newport Greene, Newtown. [Will]
1912 Died, Major-General James Benjamin Dennis at Newtown House, Kilkenny, age 95. [St Canices Cathedral grave]
1969 Newtown House now dismantled and a ruins. [O’Kelly]
1993 Newtown, ruins, c1800. 1 mile W of Kells. 18.S.47.44. [KK Dev Plan]
Irish photography series, by kilkenny based photographer : Nigel Borrington
Located At the N10/M9 junction on the Kilkenny bypass, Blanchfieldsland is the remains of an old estate house. These days the house and its walled gardens sit in the middle of rapeseed fields.
A very peaceful picture!
Kilkenny landscapes, by kilkenny based photographer Nigel Borrington .
Photographed in the old grounds of Blachfieldsland, Co Kilkenny
Kilkenny wildlife photography by Kilkenny photographer, Nigel Borrington
No Comment for this image……
Irish photography series, by Kilkenny photographer : Nigel Borrington
Two of my most recent post included Infrared images, so I thought I would post an example of the before and after post processing images.
An IR R72 lens filter was placed over the lens and the images was taken at ISO 100 with a shutter speed of 2 seconds. The Lens aperture was F4. Remember this filter only lets in IR light in the IR wavelength.
The bridge in the shot is located just south of Slievenamon on the Anner River, I placed my tripod in the middle of the river and kept as much force on it as I could to keep the camera still.
Irish Photography series, by Kilkenny photographer : Nigel Borrington
Putting my post on the Killamery High cross in its context, this is the view of slievenamon from the Killamery Church yard.
Kilkenny photography series, by Kilkenny photographer : Nigel Borrington.
Just as a foot note, this shot was taken on mid-summers day 2011 not the 4th of March!
An Infra-red photograph of the Kilamery grave yard,High cross and old church.
21st June 2011.
Killamery – High Cross
“Situated in an old graveyard in Kilkenny is the High Cross of Killamery one of the western Ossory group of crosses. The cross stands at 3.65 metres high and the west face of the cross bears most of the figure sculpture. The east face pictured right, is decorated with three marigolds on the shaft and has a boss in the centre of the head surrounded by intertwining serpents with an open mouthed dragon above the boss. The cross is known as the Snake-Dragon cross. The cross has a gabled cap-stone and the narrow sides have double mouldings. At the end of the southern arm of the cross there is a panel depicting Noah in the Ark and the end of the northern arm features four scenes centered around John the Baptist. There is also a worn inscription on the base of the western side of the cross which is said to read as ‘OR DO MAELSECHNAILL’ a prayer for Maelsechnaill. Maelsechnaill was the High King of Ireland from 846 to 862.”
The symbol that I find most interesting is that of the sun at the centre of the cross “The sun of God” or the “Sun of the Zodiac”. This sun symbol has five or six arms rotating from its centre, age has made it hard to tell. Five reach the outer edge of the suns circle, the big question though is its placement at the centre of the cross.
I will return after more reading.
Kilkenny landscape photography series, by Kilkenny photographer : Nigel Borrington
I took this image in 2010 during a stay in Killarney, from the grounds of the Ross hotel.
Killarney – National park
One of Ireland national parks – Killarney, contains three lakes in total the lower lake is closest to the town.
I have visited the national park many times and it’s on my list again this year. I have two aims in mind (eagles and red deer)
The Eagle in the national park
National park wildlife project
Week starting 20th June 2011
“A poor start but better finish to this week. During Monday, rain will spread up from the south. The rain will become more showery overnight Monday but expect yet more heavy showers for Tuesday and Wednesday. Thursday should be a better day – cool with some sun and the showers will be lighter. On Friday we should get away with a completely dry day. There may be some light rain on Friday night but it looks like there may some pleasant weather over the weekend. The temperatures should improve and it should stay largely dry. At this stage it doesn’t look like this good spell will last very long with the prospect of more light rain arriving early next week.”
Kilkenny photography series, by Kilkenny photographer : Nigel Borrington
An infrared shot of the bridge that crosses the kings river at kells, Co.Kilkenny. This images is taken using a camera on a tripod that has an infrared (IR) filter over the lens.
Because these filters block anything but light in the infrared wave length, composing the shot is performed with the filter removed and then put in place, you cannot see anything through the viewfinder with the filter attached. Focusing the shot is not made simple as the focus point of IR light is not the same as visible light so focusing after you attach the filter will not work.
Older lenses such as Nikon Nikkor AIS lenses had a red (R) marking on them so that you could see the focus point for IR light at any given focus length of the lens, if the lens was a zoom lens the marking changed as you moved the zoom position. I still have some AIS lenses so they get used for this purpose.
Another option for IR photography is to purchase a digital camera converted to photograph only IR light, focusing however will still be down to you. The use of a small lens aperture such as f22 will help with focus errors but you must remember to lengthen your exposure time, yes the cameras exposure meter will not work on IR light so you’re into full manual mode.
Because IR light levels are very low you will need to use both a tripod and a slow shutter speed in order to get a sharp and well exposed shot. The use of software such as photoshop is not needed if you can get the correct exposure directly from the camera. One thing that will become clear is that in a colour exposure only red light is recorded, so if you intend to print directly to your printer then change your camera setting to black and white or set your printer for a monotone print.
This type of photography is great fun and can produce some great results, such as the water in this image. It took some 8 seconds to get the correct exposure so the water movement has merged to produce a mirror like effect.
The feeling you get must be the closest thing to the original feeling that Landscape photographers had when they set-up very large format cameras in the field.
Photograph by Kilkenny photographer : Nigel Borrington, Kilkenny photography series
Photo by Kilkenny photographer: Nigel Borrington, kilkenny photography series.
From the Kilkenny People:
“James Hoban memorial now set in stone
A GROUP of American students and a few locals have spent the past week and a half constructing a memorial to James Hoban at his native Desart, Cuffesgra-nge and it will be celebrated tomorrow (Thursday) with an evening of festivities starting at 6.30pm.
The American group arrived in Callan on the Saturday night and “got our Irish sustenance quota”, then visited the site the next day and got to work at 7am on the Monday morning, explained architect Travis Price, director of the Spirit of Place Competition, which resulted in the design of the memorial to the man who designed the White House in Washington DC. The group then worked through last week, making the most of the long evenings and “working like banshees”, and expect to be putting on the finishing touches today (Wednesday).
Those taking part included the 24 architecture students from the Catholic University in Washington DC who designed the memorial; Kathleen Lane, who works for the American Institute of Architects (AIA) and is president of the Washington DC James Hoban Society; three master masons from the Callan area; neighbouring farmer Ned Brennan who was out helping with his tractor; and seven or eight local craftsmen.
Although not native to the area, the group does have a few Irish connections. Some of the students had visited Ireland previously, and about two-thirds of them are of Irish descent. Ms Lane’s cousin owns Dempsey’s pub in Kilkenny, “and Jennifer Butler kissed the Butler castle when she got here”, Mr Price said.
The structure they have created is 30 metres long and as high as 3 metres, incorporating all local stone except for some Italian marble, and glass panels shooting up into space.
As you walk up, the first section is made of rubble and rough stone, like the stone walls built between fields, early technology where “the stone does all the work”, Mr Price explained. The second section features more refined, cut stone to reflect emotions that were more refined. The third is made of Kilkenny limestone, ending with Italian marble which, like the White House, is “a lot more pure and polished”.
“Hoban’s inspiration was Leinster House originally, that kind of Georgian design – not that we thought much of George ourselves. We had a rough time with the British too,” the architect said in reference to George I, George II and George III, who ruled Britain from the era of America’s 13 colonies through to when it gained its independence. In fact it was under George III’s reign that the White House was set on fire by the British during the War of 1812, which is also referred to as a second war of independence.
This Georgian influence makes it appropriate to incorporate Italian marble into the Hoban memorial, Mr Price said. “The Georgian period had a strong Greco-Roman influence; it’s this classical architecture that Leinster House and the White House are emulating.”
Etched onto the glass panels are also words such as ‘perseverance’, ‘struggle’, ‘triumph’ and ‘rising’, as large as 15 inches and as small as two inches high. Written in English and as Gaeilge, they are a reflection of the bond between Irish and American culture and history.
A design of its time
The design for the James Hoban Memorial was created by the Catholic University students for the annual Spirit of Place Competition, which has also resulted in four projects in Mayo and others in British Columbia, Katmandu, Italy and a star-gazing temple in Machu Picchu. For this annual project the students take a cultural metaphor and create a modern abstract design.
“It’s about, how do you grab the essence and refine it down to something quite minimal,” Mr Price explained. In the case of James Hoban, they incorporated “the struggle and hard work, the perseverance and then that happy moment when George Washington said, ‘I like this Hoban guy. Bring him here to build the president’s home’.”
When the competition was being run to design the White House, Thomas Jefferson had also entered it under a false name, but George Washington was able to spot his design, and preferred Hoban’s work. “Washington was more of a plain soldier,” Mr Price explained, whereas Jefferson was more influenced by the French.”
James Hoban was “something of the stately and the common man, and very much of his time”.
It was this characteristic which shaped the spirit of the memorial to celebrate the architect. During the design phase there was much discussion with the Office of Public Works (OPW), people in Callan and Hoban’s heirs. Some people suggested that it should be a more literal representation, perhaps a copy of the White House.
“That is the last thing Hoban would have done, to copy something that was not of his time,” Mr Price said.
Hoban, James (c.1758–1831). Irish-born, he emigrated to America in 1785. He won the competition to design the President’s House, Washington, DC, with a proposal (1792) originally based on Leinster House, Dublin, but altered at the request of Washington and Jefferson. As built, the White House, (1793–1801, rebuilt 1814–29) was derived from plate 41 of Gibbs’s A Book of Architecture (1728). His other Washington buildings (hotels, houses, and Government buildings) no longer exist.
Architecture, xi (1981), 66–82;
ARe xi (1901), 581–9;
Dictionary of American Biography (1932);
Journal of the Society of Architectural Historians, xxviii/2 (May 1969), 135–6;
Ryan & and Guinness (1980)
Kells Priory is one of the largest and most impressive medieval monuments in Ireland.
The Augustine priory is situated alongside King’s River beside the village of Kells, about 15 km south of the medieval city of Kilkenny. The priory is a National Monument and is in the guardianship of the Office of Public Works. One of its most striking feature is a collection of medieval tower houses spaced at intervals along and within walls which enclose a site of just over 3 acres (12,000 m2). These give the priory the appearance more of a fortress than of a place of worship and from them comes its local name of “Seven Castles”.
With the June bank holiday over, I got moving very early this morning to find this young Heron looking for her first fish of the day.
I walked along the Kings river for about half an hour and by the time I returned to the same location as the first photograph she was still looking, the Mallards in the foreground however looked like they had already eaten.
Kilkenny photography by Kilkenny photographer, Nigel Borrington.
The Kings river at Kells, Co.Kilkenny.
Kilkenny photography series, by kilkenny photographer Nigel Borrington.
Water is not something Kilkenny or Ireland is short of.
Average Rain fall for Co.KIlkenny :
I would like to introduce you to Allihies.
Located at the end of the Beara peninsula, west cork.
I have visited this small village many times so it will feature a lot in my Landscape work. It’s a beautiful location for Landscape Art and photography. The above image was taken in October 2010 on a very wet Irish day, a perfect day for the camera then the pub.
If you’re interested in a visit the following details my help you.
“situated 12 miles west of Castletownbere, on the Ring of Beara Route, is a region of unspoiled natural beauty. Glacial and volcanic movement of yore played their part in the formation of this most rugged, most unusual and yet most beautiful landscape. Such activity, the geologists tell us, left in its wake the large store of mineral deposits so successfully mined throughout the 19th century and much more of which is still here with us – if deeper down. Plans are advanced regarding the siting of a Mining Museum in Allihies. “
Nigel Borrington 2011,
Kilkenny photorgaphy series.
Nigel Borrington 2011,
Kilkenny photorgaphy series.
Enter poppies as a search word into Google images and you will get 1,230,000 image results. They must be one of the most painted and photographed flowers in world history, as such and even though I am very pleased with the resulting images I managed to achieve and return with I have another reason for posting this image.
I feel that the results in this selected image show what can be done to make good use of the effects of a shallow lens depth of field (I will return to this in many of my posts). This image is taken with an old manual focus f2.8, 80-200 lens set at f2.8 with the camera placed on a tripod to keep the framing as stable as possible (a tripod is not just useful in poor light) .
To me landscape photography is not just about sweeping landscapes set under a wide open sky, but about getting in close up and dirty, revealing every element in the landscape before us. A good use of a lenses focus depth is the top tool in any landscape photographer handbook.
As such I am putting this post into the training category as well as the image gallery, just so you know I have no intention of explaining ever single element of photography. I feel everyone can be a good photographer if they get out and start producing images. You need the time and the interest, if you don’t you won’t, why would you.
One thing you do need is a camera that lets you take full control, ask your camera shop to show you a camera that can. Even some of the most basic compact cameras these days will let you do this so you don’t need to spend over the odds.
Not every Camera you can buy will let you do everything you want, again ask the salesman. Look at lots of images and think about what you want to do then ask for a camera that can do it!
You can also go second user but forget old film cameras you need to take lots of images to learn, why pay for doing so. Film is well dead! Another photographer said to me, about four years ago that there must be millions of old film cameras on the second hand marked. Good Hard-core and Land-fill I am afraid my friend.
Digital is over fifteen years old even in the professional market, Film had its day – it’s over and limited to the hard of letting go or the sad old retro lovers (Hands up!).
Some professional digital cameras are now classics!
So get out there and see for yourself what your lens can do, put your camera on a tripod in front of any object you find interesting. Once you have the image framed take one shot for every aperture your lens has, once you’re back in front of your pc (or your images have been printed, God help us!) you will be able to see the effects you created for yourself.
Get creative it’s the only way to learn anything!