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Posts tagged “Lens review

Classic lens review : Tamron Adaptall-2 135mm f2.5

Tamron Adaptall-2 135mm F/2.5 Model 03B:
Lens Review, Nigel Borrington

Classic lens review : Tamron Adaptall-2 135mm f2.5

I have a few classic Nikon and Tamron lenses in my kit of photography equipment as I find that there is something truly enjoyable about using an older manual focus lens.

One of the lenses I love using the most is my Tamron Adaptall-2 135mm f2.5 lens, it dates from the late 1980’s through to the mid 1990’s, as it was in production during this period. On both an FX and DX camera this lens offers a great field of view in your images. It is also a very fast lens at f2.5 however as with many fast lenses when wind open they are not at their sharpest, yet by using a still very fast F2.8 this lens produces very acceptable images.

Sharpness

These images are an attempt to show the sharpness that can be obtained, these images are taken outside and handheld …..

F2.5 to F8

F2.5

F5.6

These images are just a very quick sample of this lens at different apertures, outside in the real world and without the use of a tripod. I feel that this is a very good way of showing just how usable this lens is in a real world environment and on a day to day basis.

Depth of field

One of the great features of a lens with this focus length (135mm) with a fast aperture is that you can isolate subjects that are at some distance from the camera, this is a powerful tool when used in your images and can help to create some interesting effects.

Here I post some very basic examples of using a different depth of field for the same subject.

F2.5

F8

F2.5

F5.6

F8

F2.5

Build Quality and Verdict

I feel that another great feature of this lens is its build quality, the copy I have is many years old yet still feels like new, its a great lens to use and a pleasure to work with. The focus and aperture rings are both wonderful to operate. Manual focus lenses from this era are built to last, constructed using all metal and built to operate with precision and smoothness. The colour and contrast produced are also among the best I have seen, even when put against my modern Nikon lenses.

All in all this is a lovely lens to use. Its very important to me that I like the equipment I use and this great little lens is right up there with my most loved in this respect.

If you can find one I would highly recommend this lens to anyone!, however as for my copy its not for sale! as I look forward to using it for many more years to come 🙂

Lens Gallery


Tamron SP 35-210mm f3.5-f4.2 – Classic lenses

Tarmon SP 35mm-210mm f3.5-4.2 Classic Lenses  Nigel Borrington

Tarmon SP 35mm-210mm f3.5-4.2
Classic Lenses
Nigel Borrington

Using classic Camera lenses

In the world of Digital photography it feels like a new bit of equipment is released almost every month, new Camera bodies, lenses, flash guns etc….

In the last few years however the image quality of digital cameras has begun to reach such high standards that its hard to see as bigger need than every before to keep upgrading your SLR camera body. I remember so clearly the day I first purchased a digital SLR, it was a Nikon D100, a body that was very closely based on the Nikon F80. I also remember reading sometime later that for a digital Camera to match the print size of 35mm film you would need 24 million pixels, a target that was reached sometime back in the Nikon range and surpassed with the 36mp Nikon D800.

Looking back at Film cameras, most of the end print size and quality came from the type of film you selected to use. The camera bodies themselves offered different levels of capture capabilities, some bodies offered all you needed to take landscape images while other more advanced bodies allowed you to capture fast action activities such as sports.

Once you had the camera body that you needed, for the type of photography you worked with, there was little need to upgrade until you had almost worked your camera into the ground.

Today in 2017, it is a very legitimate question to ask if at last after many years of the megapixel race, have we not now reached the point that you can purchase a camera body and keep it for life or until you finish it off by using it so much ?

What about Lenses ?

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In the first years of digital SLR cameras it was not always possible to use all your old lenses with your new wonderful Digital body, Many Cameras would only for example allow you to use the latest Auto-focus lenses.

Over time the manufacturers started to launch bodies at the top end of their range that allowed you to use many older lenses including Manual focus lenses. Once this happened many photographers started to look backwards at the classic lens market, to workout what lenses from the past still offered great performance on modern cameras.

Personally I love using classic lenses and the Tarmon Sp 35mm-210mm F3.5-4.2, is one of the lenses I love using the most, produced by Tamron in Japan in the early 1980’s and only ended production in late 1987, it was available new well into the 1990’s.

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This lens is one of the best made Zoom lenses of all time and even includes a Macro mode, offering a close focus of 11.8″ (0.3m), for a zoom lens this is very good. It is also very fast and falls into the professional level of F3.5 at 35mm to F4.2 at 210mm, on a current Digital slr with its low ISO noise this speed is excellent. It also has some amazing Lens flare that when used in video mode is amazing !

For times when I can use manual focus and want a zoom lens that has a great focus distant range and is fast, I am more than happy to have this lens with me. Its sharp at all F-stops, feels just amazing to use and can take any kind of usage in any type of conditions.

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I will let the images below do the rest of the talking here, its fair to say however that not all old camera equipment is outdated and not worth using anymore. Great Lenses like these ones, if looked after last for ever.

When new this lens would have cost top money and for a reason!

Lens Gallery

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