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The Rime of the Ancient Mariner. A poem by: Samuel Taylor Coleridge, Images of Banna Strand, Kerry, Ireland

Banna Strand,  Tralee Bay, Irish Landscape Photography, Nigel Borrington

Banna Strand,
Tralee Bay,
Irish Landscape Photography,
Nigel Borrington

From “The Rime of the Ancient Mariner”
Samuel Taylor Coleridge

The “Rime“ is one of the greatest pieces of Romantic literature. And the section of this epic poem in which the dead sailors get up and start sailing the boat again without seeing anything is as terrifying as anything in the horror genre.

The thick black cloud was cleft, and still
The Moon was at its side:
Like waters shot from some high crag,
The lightning fell with never a jag,
A river steep and wide.

The loud wind never reached the ship,
Yet now the ship moved on!
Beneath the lightning and the Moon
The dead men gave a groan.

They groaned, they stirred, they all uprose,
Nor spake, nor moved their eyes;
It had been strange, even in a dream,
To have seen those dead men rise.

The helmsman steered, the ship moved on;
Yet never a breeze up-blew;
The mariners all ‘gan work the ropes,
Where they were wont to do;
They raised their limbs like lifeless tools—
We were a ghastly crew.

The body of my brother’s son
Stood by me, knee to knee:
The body and I pulled at one rope,
But he said nought to me.

‘I fear thee, ancient Mariner!’
Be calm, thou Wedding-Guest!
‘Twas not those souls that fled in pain,
Which to their corpses came again,
But a troop of spirits ablest:
For when it dawned—they dropped their arms,
And clustered round the mast;
Sweet sounds rose slowly through their mouths,
And from their bodies passed.

Around, around, flew each sweet sound,
Then darted to the Sun;
Slowly the sounds came back again,
Now mixed, now one by one.

Sometimes a-dropping from the sky
I heard the sky-lark sing;
Sometimes all little birds that are,
How they seemed to fill the sea and air
With their sweet jargoning!
And now ’twas like all instruments,
Now like a lonely flute;
And now it is an angel’s song,
That makes the heavens be mute.

It ceased; yet still the sails made on
A pleasant noise till noon,
A noise like of a hidden brook
In the leafy month of June,
That to the sleeping woods all night
Singeth a quiet tune.

Till noon we quietly sailed on,
Yet never a breeze did breathe:
Slowly and smoothly went the ship,
Moved onward from beneath.

Under the keel nine fathom deep,
From the land of mist and snow,
The spirit slid: and it was he
That made the ship to go.

The sails at noon left off their tune,
And the ship stood still also.
The Sun, right up above the mast,
Had fixed her to the ocean:
But in a minute she ‘gan stir,
With a short uneasy motion—
Backwards and forwards half her length
With a short uneasy motion.

Then like a pawing horse let go,
She made a sudden bound:
It flung the blood into my head,
And I fell down in a swound.

Monday poetry , River Banks by Carolyn Follett

Irish Landscapes River Maine Kilderry North County Kerry Nigel Borrington

Irish Landscapes
River Maine
Kilderry North
County Kerry
Nigel Borrington

River has a silver string that runs its length,
holds it to a source in the mountains.

River cradles its corded muscles of water
between high banks, giving the banks no thought

as it bites them with eddies,
eroding their lower flanks.

River thinks it is only water and the gristle
of currents, hay stacking surfaces

and deep, bellowing falls
running for the sea, though

it does not know it is there.
River should take more care of its banks.

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Banks are what hold it a river, give
direction, keep it mitering downward.

Without banks, river loses its way,
becomes a swamp and stills.

All my life I have chafed at river banks,
fighting to spread my currents

in whatever turn needed exploring.
The high song of freedom seemed

to be a music of ‘no banks’,
and yet the whole joy of rivers is pushing,

etching the banks to join the flow,
but having them hold.

Irish Landscape Photography , the river Maine , Kilderry north, county Kerry : Nigel Borrington

Irish Landscapes River Maine Kilderry North County Kerry Nigel Borrington

Irish Landscapes
River Maine
Kilderry North
County Kerry
Nigel Borrington

A river Poem By : Manonton Dalan

TREE BY THE RIVER

Under the tree’s canopy, there I lay
Dreaming how the world could be
Beyond those clouds, the horizon
Would there be one like me, alone

Got up pick up the roundest stone
Cast to the river and glide by its own
Hits a ripple, goes airborne
For a kid like me, it is a phenom

By the grassy banks, frogs abound
Love to disturb them,
into the river they plunge
Never tried to catch them because they slime

So beautiful, shiny greenish yellow, brown
Water is crystal clear,
see fishes swimming
Stones unturned are coated with stringy green

Constantly dancing as the little shells cling
Reach down to touch the water
Felt something came to me, a power
Don’t know what it was but still here

“Sailing to Byzantium” a poem by William Butler Yeats

Muckross lake lakes of Killarney Irish landscape Photography Nigel Borrington

Muckross lake
lakes of Killarney
Irish landscape Photography
Nigel Borrington

Sailing to Byzantium

by William Butler Yeats

That is no country for old men. The young
In one another’s arms, birds in the trees
– Those dying generations – at their song,
The salmon‐falls, the mackerel‐crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.

An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.

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O sages standing in God’s holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing‐masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.

Once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.

Irish Landscape Images : lough callee, Carrauntoohil, Macgillycuddy’s Reeks, County Kerry

lough callee carrauntoohil Mountain  Macgillycuddy's Reeks range county kerry panorama By Nigel Borrington

lough callee
carrauntoohil Mountain
Macgillycuddy’s Reeks range
county kerry
panorama By Nigel Borrington

Carrauntoohil (/ˌkærənˈtuːl/, Irish: Corrán Tuathail)

The highest peak on the island of Ireland. Located in County Kerry, Ireland it is 1,038 metres (3,406 ft) high and is the central peak of the Macgillycuddy’s Reeks range. The ridge northward leads to Ireland’s second-highest peak, Beenkeragh (1,010 m), while the ridge westward leads to the third-highest peak, Caher (1,001 m). Carrauntoohil overlooks three bowl-shaped valleys, each with its own lakes. To the east is Hag’s Glen or Coomcallee (Com Caillí, “hollow of the Cailleach”), to the west is Coomloughra (Com Luachra, “hollow of the rushes”) and to the south is Curragh More (Currach Mór, “great marsh”).
The summit of Carrauntoohil

Carrauntoohil is classed as a Furth by the Scottish Mountaineering Club, i.e. a mountain greater than three thousand feet high that is outside (or furth of) Scotland, which is why it is sometimes referred to as one of the Irish Munros.

The Macgillycuddy’s Reeks also contains many loughs of which lough callee is just one, the image above was taken last week while approaching the devils ladder route up to carrauntoohil Mountain peek. The morning was misty yet lots of wonderful light was finding its way on the the green slopes and the deep water of the lough, the mountain top is some distance above this level and hidden in the mist ……

Irish Landscape photography , 7 days in county Kerry

Carrauntoohil County Kerry Irish Landscape Photography Nigel Borrington

Carrauntoohil
County Kerry
Irish Landscape Photography
Nigel Borrington

Just returned from a seven day family Holiday in County Kerry, what a wonderful part of the world county Kerry is 🙂

I will share lots more images but here are just a few ……

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county-kerry-field-and-farm-house

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Flow from the Mountain Spring : Poem “A Mountain Spring” – by Henry Kendall

Waters flow from the mountain spring Slievenamon Tipperary Nigel Borrington

Waters flow from the mountain spring
Slievenamon
Tipperary
Nigel Borrington

Peace hath an altar there. The sounding feet
Of thunder and the wildering wings of rain
Against fire-rifted summits flash and beat,
And through grey upper gorges swoop and strain;
But round that hallowed mountain-spring remain,
Year after year, the days of tender heat,
And gracious nights whose lips with flowers are sweet,
And filtered lights, and lutes of soft refrain.
A still, bright pool. To men I may not tell
The secrets that its heart of water knows,
The story of a loved and lost repose;
Yet this I say to cliff and close-leaved dell:
A fitful spirit haunts yon limpid well,
Whose likeness is the faithless face of Rose.

Henry Kendall


Flow from the Mountain Spring : Gallery

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Zooming in close , Devil’s-Bit Scabious ,Scientific Name(Succisa pratensis)

 	Sheep's-bit Scientific Name: 	Jasione montana Nature Photography Nigel Borrington

Devil’s-Bit Scabious ,Scientific Name(Succisa pratensis)
Nature Photography
Nigel Borrington

Devil’s-Bit Scabious ,Scientific Name(Succisa pratensis)

Abundant in marshes, pastures, and hedgerows, this little plant is quite unfussy about where it grows and even brightens up many a bog when it flowers from June to October. It’s a medium sized perennial with untoothed, deep green, blotchy, oval shaped leaves. Its pretty hemispherical flowerheads are blue-violet, 25mm across with prominent magenta anthers and on long slender stalks. This is a native plant to Ireland belonging to the family Dipsaceae.

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Nature Photography : Hunting for Fungi , Kyleaduhir woods, Callan, Co Kilkenny

Lactarius blennius Beech milkcap  Kyleaduhir woods Callan , Co. Kilkenny

Lactarius blennius
Beech milkcap
Kyleaduhir woods Callan , Co. Kilkenny

Our local woodlands in September begin to fill with many kinds of fungi, its an almost magical sight, they make great subjects for Macro photography. You need to be happy getting down into the damp and muddy forest floor but the results can be well worth the effort.

Here are some basic facts about Fungi …..

Mushroom Magic and Folklore

Go for a walk in the woods on any given summer day, and you’ll see fungi galore popping up, nestled in amongst the ferns and trees. After a rainstorm, peek out in your backyard and you may see tiny spores beginning to sprout in the grass, forming what’s known as a fairy ring. Mushrooms grow in all shapes and sizes and colors, and – depending on where you live – you might find some that are conducive to magical practice.

It is important to note that unless you are absolutely positive about the type of mushroom you have picked, you should never ingest it or take it internally. There are many toxic mushrooms which look similar to edible ones – if you’re unsure about what you have found, check with a naturalist or other mushroom expert.

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That having been said, there are a number of folk magic uses for mushrooms, and you can incorporate these at a symbolic level, rather than actually ingesting them. Let’s take a look at some of the legends and myths about mushrooms from around the world.

In many areas, the appearance of a ring of mushrooms on the ground is cause for either rejoicing or alarm. In Great Britain, these circles are known as fairy rings – and they are where the Fae come to dance and frolic after a rainstorm. However, like many other locations associated with faeries, humans who dare to enter such a ring may find themselves asleep for a hundred years, or worse yet, whisked off to the land of the wee folk, never to return.

In Holland, these rings are believed to be left when the Devil sets down his milk churn – once he picks it up, there’s a big circle left in the grass. In some countries, such as France and Austria, these rings are associated with sorcery and malevolent magic, and travelers are well-advised to steer clear of them.

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Vance Randolph says in his book Ozark Magic and Folklore that in many parts of the Ozarks, it is believed that “mushrooms must be gathered when the moon is full – gather ’em at any other time and they will be unpalatable, or perhaps even poisonous.” He adds that it is said that mushrooms growing in an orchard where apple trees are in bloom are always edible.

One of the best known mushrooms, at least in European culture, is the red-and-white Fly Agaric. This mushroom appears often in illustrations of fairy tales – you might see a gnome or a fairy perched on top of one. Experts believe that the Fly Agaric was used as a hallucinogenic by northern European shamans and religious leaders. Interestingly, it contains two toxins that reduce the body’s response to fear stimulus, so it may have been ingested by warriors prior to battle. In central Europe, the Fly Agaric is associated with the Yule season, and there is a theory that Santa Claus’ red and white suit originated in the colors of this magical mushroom.

In ancient Egypt, mushrooms were a rare delicacy indeed. They were associated with immortality, and as such, only royalty could consume them – because, after all, royal persons were descended from the Egyptian gods themselves. Hieroglyphs found in Egypt indicate that mushrooms were being consumed with meals as long as 4,500 years ago.

In China and Japan, mushrooms were associated with longevity and strength – partly because some of the most popular mushrooms that grew there were known for stimulating the immune system. Shiitake and maitake mushrooms, in particular, have been used in herbal remedies for centuries.

Mushrooms have been used by many cultures throughout time as part of ritual and religion. The toxin psilocybin is found in certain mushrooms, and the use of hallucinogenic fungi has been documented in rituals dating back thousands of years. Entheogen researcher Giorgio Samorini describes the discovery of rock art representing mushroom cults in Libya and Algeria from 7,000 – 9,000 years ago in his article The oldest Representations of Hallucinogenic Mushrooms in the world (Sahara Desert, 9000 – 7000 B.P.).

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